In the second story in this series, Dancer, a Chief, a Shaman, a God who is a horse, and Dancer’s other close friends must heal the holes that have developed between the worlds. These holes have developed because Dancer and her friends opened them by using their magic. Of course, their magic alone wasn’t enough to open these holes. Their magic had acted on their desires, their desires for things to be different. Once the holes were opened, Dancer and her friends continued to use them, which made the holes larger. But now people are falling through who have no magic to fall back through the other way. People are falling through unintentionally. And somehow that had to stop. This story is told from Jamil, the Artist’s, perspective. So, I thought it appropriate to include a short story about another artist at the end. It’s titled, The Artist. Creative, I know. This artist has always wanted to be an artist, but has to give up his dream because he can’t make enough money at it and because it’s not an accepted profession. Eventually, he does become an artist. However, there’s one thing he cannot paint – a sunset. And he won’t be able to paint a sunset until he understands the beauty behind a sunset.

Ballet takes everything from you. I’m no longer a professional ballerina. No longer a kept woman. No longer a virgin. The fact that I still ache for a man who shattered me so easily… there is no getting over that. I should’ve listened to Calum when he said that he was broken. Some things, once shattered, cannot be made whole again. Still, all it takes is a look from him and I start to melt. When he offers me an even sweeter deal, will I be able to say no? The Dancer is a contemporary billionaire romance from Wall Street Journal Bestseller Vivian Wood. It's full length and the second of three books in the gritty, raw, passionate Broken Slipper Trilogy.

In book three, The Dancer becomes the Dancer Magnifique. And the story’s focus is more on her daughter, who is now The Dancer. She curtsied to herself in the mirror, and as she did so, her reflection in the mirror curtsied back to her. She tried it again, and without fail, the mirror curtsied back to her. What a marvelous invention she thought, a curtsying mirror. Of course it was just a normal mirror, but she liked being fanciful and pretending that it was a special mirror, one which obeyed her every command. She curtsied to the mirror once more. Then fully assured of her command over the mirror, she walked away. But the figure in the mirror didn’t move. She couldn’t believe she was not in control of her special mirror, so she just kept walking out the door, even though her reflection did not follow. Besides she was late for dinner, her mother would be expecting her. The Dancer tells her mother. The Shaman, the Dancer’s Grandmother, insists that the Dancer must fix the mirror all by herself. Will anyone defy the Shaman and help the Dancer fix the mirror? How would she even start to fix it?

The amulet: good-luck charm or curse? Sam is convinced he would already be dead without it. Ross and Ruth have everything; children, and the Running R, a large cattle ranch located on the Flathead Indian Reservation of Montana, but there are problems. Ruth is tormented by secrets that threaten their idyllic life, and Indian Court decisions have angered tribal members and threaten the fragile peace between Indians and whites. Colonel Wolard and a regiment of the 5th Cavalry remain missing as word of the Ghost Dance spreads like a prairie fire from one reservation to another. In the Pasayten, hidden from time in the valley of the Sematuse, Bent Grass has a startling revelation giving her apocalyptic power to bring past, present and future together, but with alarming consequences.

High risk book. Put on perm rsrv by Sharon Rogers 4/17/97.

Word Dances II, Your Time to Dance, by ballroom dancer, Joe Sepesy, is for ... anyone, regardless of age, wanting to learn social, ballroom dancing ... any ballroom dancer, no matter the level of proficiency and experience ... any ballroom teacher wanting to reconnect with students ... anyone in search of a new approach to fitness and socializing, wanting to tap hidden potential and improve the quality of life, especially through music.

The Kete dance form, once exclusive to royal courts, carries intricate movements, symbolic gestures, and rhythms that mirror Ghanaian history and values. It embodies storytelling, often depicting tales of bravery, unity, or significant historical events. These dances were traditionally reserved for specific occasions within the royal setting, symbolizing prestige, honor, and tradition. With the passage of time, the transmission of Kete royal dance has transcended its original palace context, finding its way into academic domains. Universities and cultural institutions now extend the legacies of this dance form and even act as custodians of this art form, where scholars, dancers, and enthusiasts collaborate to study, preserve, and teach Kete dance. Through meticulous documentation, research, and practice, the academy endeavors to honor the Kete dance while making it accessible to a broader audience. This transmission from palace to academy serves as a testament to the resilience and adaptability of cultural traditions. It ensures the continuity of Ghanaian heritage and allows future generations, both within and beyond Ghana, to appreciate and learn from this profound dance form from an Afrocentric perspective.