The precision of the tango…the rhythmic excitement of a flamenco guitarist…the clicking of wooden castanets…the whirling of great dancers. Such impressions of Spain are captured effectively by Catherine Rollin in this fantastic sequel to Sounds of Spain Book 1. Seven intermediate solos explore many of the diverse dance and harmonic elements that make up the colorful Spanish music tradition. All are very manageable technically, yet contain dramatic sections that sound difficult and showy. Great crowd-pleasers!

This printed material is a chronological history of dance, bringing together many different dancers and styles, a unification of Spanish art-forms. We have seen a handful of dance biographies always declaring the career of their subject as the most important. Let's place into perspective that we had many dancers during the same time frame and each one contributed, some more than others. Noting the artistic contributions made by these performers made it easier to review the period of Spanish dance as an 'era'. We took these performers and placed them into one account, foretelling how this style of dance contributed to the overall American style of the Spanish dance. Americans Ted Shawn, Ruth St. Denis, La Meri, Carmelita Maracci and Ballet Russes Anna Pavlova, Adoph Bolm and Leonide Massine were all in some way affected by the Spanish dance. Even Hollywood and Broadway were instrumental in the birth of Hispanic culture in the country. In this first book I have highlighted the careers of two artists, La Argentina and Vicente Escudero, both worked together forming a part-time partnership important in this early era. Later Spaniards who exemplified the art-form in America were La Argentinita, Pilar Lopez, Rosario & Antonio, Jose Greco, and Nana Lorca whos reflections are mirrored within these pages and later editions.

How did flamenco—a song and dance form associated with both a despised ethnic minority in Spain and a region frequently derided by Spaniards—become so inexorably tied to the country’s culture? Sandie Holguín focuses on the history of the form and how reactions to the performances transformed from disgust to reverance over the course of two centuries. Holguín brings forth an important interplay between regional nationalists and image makers actively involved in building a tourist industry. Soon they realized flamenco performances could be turned into a folkloric attraction that could stimulate the economy. Tourists and Spaniards alike began to cultivate flamenco as a representation of the country's national identity. This study reveals not only how Spain designed and promoted its own symbol but also how this cultural form took on a life of its own.

The Thea Sisters are visiting friends in Spain when a mysterious theft turns their trip into an investigation! They end up hot on the trail of a secret treasure. The mouselets are in for an incredible adventure full of flamenco dance!

The most comprehensive resource available on dance films and videos in current distribution in the United States. An essential tool for any dance and/or film reference collection.