Fifteen tales of dark attractions just waiting for the next wary soul to offer the price of admission. SHOOT the Freak - win a prize! HAVE your caricature drawn? The price is right! GAZE upon the wonders our Oddities tent conceals! TRY the Ferris Wheel - it's the ride of a lifetime! WATCH the big top's center ring fill with beasts beyond imagination SEE a reflection of your darkest desires! LIVE in a world where maniacal clowns rule the night! These are just some of the nightmares this carnival has to offer.

"Time travel, UFOs, mysterious planets, stigmata, rock-throwing poltergeists, huge footprints, bizarre rains of fish and frogs-nearly a century after Charles Fort's Book of the Damned was originally published, the strange phenomenon presented in this book remains largely unexplained by modern science. Through painstaking research and a witty, sarcastic style, Fort captures the imagination while exposing the flaws of popular scientific explanations. Virtually all of his material was compiled and documented from reports published in reputable journals, newspapers and periodicals because he was an avid collector. Charles Fort was somewhat of a recluse who spent most of his spare time researching these strange events and collected these reports from publications sent to him from around the globe. This was the first of a series of books he created on unusual and unexplained events and to this day it remains the most popular. If you agree that truth is often stranger than fiction, then this book is for you"--Taken from Good Reads website.

Think adolescence is hell? You have no idea... Welcome to Dante's Inferno, by way of The Breakfast Club, from the mind of American fiction's most brilliant troublemaker. "Death, like life, is what you make out of it." So says Madison, the whip-tongued 11-year-old narrator of Damned, Chuck Palahniuk's subversive homage to the young adult genre. Madison is abandoned at her Swiss boarding school over Christmas while her parents are off touting their new film projects and adopting more orphans. Over the holidays she dies of a marijuana overdose--and the next thing she knows, she's in Hell. This is the afterlife as only Chuck Palahniuk could imagine it: a twisted inferno inspired by both the most extreme and mundane of human evils, where The English Patient plays on repeat and roaming demons devour sinners limb by limb. However, underneath Madison's sad teenager affect there is still a child struggling to accept not only the events of her dysfunctional life, but also the truth about her death. For Madison, though, a more immediate source of comfort lies in the motley crew of young sinners she meets during her first days in Hell. With the help of Archer, Babette, Leonard, and Patterson, she learns to navigate Hell--and discovers that she'd rather be mortal and deluded and stupid with those she loves than perfect and alone.

"In this study, historian Edward L. Bond provides an inside view of religion in America's first colony. Focusing or religion as various expressions of individual and corporate relationship with the divine, the author gives the reader a picture of religion and society in colonial Virginia. In the process, he clarifies our understandings of Virginia's established Anglican Church, discusses the theology and devotional practices of the colonists, and explains the role of religion in colonial polity. Such an approach allows the reader to see both the conservative and progressive elements in the way the earliest colonists in Virginia defined their individual and corporate relationship with God." "Throughout Bond's analysis, he shows that by the end of the seventeenth century Virginians, though viewing themselves as Anglicans, nonetheless gradually discovered that they were defending an ecclesiastical institution much different from the one they left behind in England."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

A sequel to Carte Blanche. Commisario De Luca is recalled to duty to investigate a series of brutal murders motivated by political power struggles and ominous postwar machinations in the aftermath of the fall of fascism.