This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1975.

Andrew Motion's new book opens with a sequence of war poems (first published as the pamphlet Laurels and Donkeys, on Armistice Day 2010), drawing on soldiers' experiences of war from 1914 until today - beginning with a story about Siegfried Sassoon and moving via World War Two and Korea to the recent conflicts in Iraq and Afghanistan. Many of the poems are in the voices of combatants, others are based on memories of the poet's father, who landed at D-day and fought in France and Germany. The poems combine understatement with a clear-eyed and unswerving candour.The Customs House has other rooms: a group of topographies, mapping moments in a marriage against the contingencies of place and family history; and several 'found poems', in which the poet collaborates with his source, mixing what is there already with what is about to be there: whether a remarkable sonnet sequence on the last days of the Baroque genius Francesco Borromini, or in other poems a richly imagined extrapolation from the silent premises of a painting.

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In addition to the award-winning translation, the book contains essays discussing Sor Juana's life, the original production of the play, the unique use of asides, and various feminist interpretations of The House of Trials.

A rake in tarnished armor… Desdemona Carlisle has spent most of her young life dreaming of a knight in shining armor. When a dashing figure in midnight-black riding a snow-white steed comes to rescue her from the ruffians who have kidnapped her, she believes her destiny has finally arrived. She surrenders herself to the masked stranger’s embrace only to discover her rescuer is none other than Harry Braxton, the scoundrel who stole her heart when she was just a girl, adding it to his collection of exotic treasures as if it were just another trinket. Harry Braxton doesn’t want to be any woman’s knight-errant. He plays the role of notorious rake to hide the dangerous secret that has kept him from offering Desdemona his own heart. But his tarnished armor soon begins to crumple beneath the irresistible assault of Desdemona’s sparkling wit, her dazzling beauty, her teasing and tender touch. As a legendary treasure hunter, he never dreamed he’d be forced to give up the most priceless treasure of all. When Lord Ravenscroft, Harry’s aristocratic cousin, comes courting, Desdemona makes a startling discovery. She might yearn for a hero, but what she really needs is a man—the only man who can fulfill all of her desires… “Connie Brockway’s work brims with warmth, wit, sensuality and intelligence.”—Amanda Quick, New York Times bestselling author “If it’s smart, sexy, and impossible to put down, it’s a book by Connie Brockway!”—Christina Dodd, New York Times bestselling author “If you’re looking for passion, tenderness, wit, and warmth, you need look no further. Connie Brockway is simply the best.”—Teresa Medeiros, New York Times bestselling author “Connie Brockway’s work belongs on every reader’s shelf!”—Romantic Times “Connie Brockway delivers romance with strength, wit, and intelligence.”—Tami Hoag, New York Times bestselling author “Brockway’s lush, lyrical writing style is a perfect match for her vivid characters, beautiful atmospheric setting, and sensuous love scenes.” — Library Journal

A guide through the many aspects of Wenders's groundbreaking film, employing archival research to bring out new insights into its making and its meanings. Filmed in 1986/87 in still-divided Berlin, Wim Wenders's Wings of Desire is both a utopian fairy tale and a fascinating time capsule of that late Cold War moment. Together with legendary French cinematographer Henri Alekan(who had worked on Jean Cocteau's La Belle et la Bête of 1946, among many other films) and Austrian author Peter Handke (with whom he had collaborated before), Wenders created a multilayered filmic poem of dazzling complexity: the skies over Berlin are populated with angels bearing witness to its inhabitants' everyday concerns. One falls in love with a beautiful young woman, a trapeze artist in a traveling circus, and decides to forfeit his immortality. Wenders's groundbreaking film has been hailed as a paean to love, a rumination on the continued presence in Berlin of the troubled German history, as well as an homage to the life-affirming power of the cinematic imagination.Christian Rogowski guides the reader through the film's many aspects, using archival research to bring out new insights into its making and its meanings. Christian Rogowski is G. Armour Craig Professor in Language andLiterature in the Department of German at Amherst College.