‘An unputdownable story of ancient artefacts, modern cults, inexplicable deaths and a woman trying to navigate through all of these in search of her sister’ Kamila Shamsie 2016 AD. When footage of a team of archaeologists bursting into flames at the ancient site of Mohenjodaro goes viral, the world is horrified and shaken. While authorities suspect it to be an incendiary terrorist attack, Nadia Osbourne determines to find her archaeologist sister, Layla, convinced that she has survived. Her frantic search takes her to the ruins and forces her to confront her own demons – her inexplicable dreams about a woman named Jaya. 3800 BC. The city of Meluhha is on the brink of a revolution and Iaf and his coterie of corrupt priests will do anything to maintain the+B21ir power. Jaya is the only one who can read the Bloodstone, the heart of the Goddess Shakari, and divine the future. But with her daughter under Iaf’s control, will Jaya be able to prevent what is to come? Inspired by the legends surrounding the lost Indus Valley city, The Curse of Mohenjodaro is a gripping thriller about a powerful relic, a sinister cult, and family secrets that haunt generations.

The protagonist, a prodigy, now a grown-up scientist, realizes his childhood dream of making a time machine. He creates Atitayā́n (a machine that travels to the past). In his quest to witness the Kurukshetra war, he sets off to travel thousands of years into the past. But due to some technical glitches, he travels 100 years into the future instead. A brother-sister duo rescues him. Together, they relaunch the Atitayā́n. The Anthropologist sister travels thousands of years into the past in Atitayā́n to witness the Indus Valley Civilization. There she witnesses a conspiracy brewing at Kukkutarma (Mohenjo-daro) organized by the Priest-King to grab the power of the Indus Kingdom. Enraged by the conspiracy, a sorcerer from the Indus state, Kot-Dilji, curses the Priest-King: unless he abandons his unconsecrated plans to conquer and rule the Indus Kingdom, the kingdom will perish.

The Indian subcontinent was the scene of dramatic upheavals a few thousand years ago. The Northwest region entered an arid phase, and erosion coupled with tectonic events played havoc with river courses. One of them disappeared. Celebrated as -Sarasvati' in the Rig Veda and the Mahabharata, this river was rediscovered in the early nineteenth century through topographic explorations by British officials. Recently, geological and climatological studies have probed its evolution and disappearance, while satellite imagery has traced the river's buried courses and isotope analyses have dated ancient waters still stored under the Thar Desert. In the same Northwest, the subcontinent's first urban society"the Indus civilization"flourished and declined. But it was not watered by the Indus alone: since Aurel Stein's expedition in the 1940s, hundreds of Harappan sites have been identified in the now dry Sarasvati's basin. The rich Harappan legacy in technologies, arts and culture sowed the seeds of Indian civilization as we know it now. Drawing from recent research in a wide range of disciplines, this book discusses differing viewpoints and proposes a harmonious synthesis"a fascinating tale of exploration that brings to life the vital role the -lost river of the Indian desert' played before its waters gurgled to a stop.

Blood and fire have often blighted Afghanistan, the three Anglo-Afghan wars being among the bloodiest and the cruelest in its history. But Britain's partitioning of Afghanistan will rank as the greatest crime of the nineteenth century. That arbitrary line which Mortimer Durand drew in 1893 on a small piece of paper continues to bleed Afghanistan and hound the world. Alas, this story remained untold until now. Written in an inimitable style, Durand's Curse is the result of deep research. Fascinating details from long-buried archives of history reveal for the first time a tale of intrigue and deceit against Afghanistan. First the British and then Pakistan had taken away territory that originally belonged to Afghanistan. But the divided Pathan families refuse to accept this division even now and for the last century and over, there has been a struggle to rub out the cursed line drawn across the sand. Rajiv Dogra brings alive the wars, the tragedies and the Afghan anger against injustice in this heart-wrenching account of Afghanistan's misfortunes. This is an absolutely riveting story of the Indian sub-continent's history told by an important writer of our generation.

This book traces the genealogy of ‘women’s fiction’ in South Asia and looks at the interesting and fascinating world of fiction by Muslim women. It explores how Muslim women have contributed to the growth and development of genre fiction in South Asia and brings into focus diverse genres, including speculative, horror, campus fiction, romance, graphic, dystopian amongst others, from the early 20th century to the present. The book debunks myths about stereotypical representations of South Asian Muslim women and critically explores how they have located their sensibilities, body, religious/secular identities, emotions, and history, and have created a space of their own. It discusses works by authors such as Rokeya Sakhawat Hossain, Hijab Imtiaz Ali, Mrs. Abdul Qadir, Muhammadi Begum, Abbasi Begum, Khadija Mastur, Qurratulain Hyder, Wajida Tabbasum, Attia Hosain, Mumtaz Shah Nawaz, Selina Hossain, Shaheen Akhtar, Bilquis Sheikh, Gulshan Esther, Maha Khan Phillips, Zahida Zaidi, Bina Shah, Andaleeb Wajid, and Ayesha Tariq. A volume full of remarkable discoveries for the field of genre fiction, both in South Asia and for the wider world, this book, in the Studies in Global Genre Fiction series, will be useful for scholars and researchers of English literary studies, South Asian literature, cultural studies, history, Islamic feminism, religious studies, gender and sexuality, sociology, translation studies, and comparative literatures.

This encyclopaedia will be an indispensable resource and recourse for all who are thinking about cities and the urban, and the relation of cities to literature, and to ways of writing about cities. Covering a vast terrain, this work will include entries on theorists, individual writers, individual cities, countries, cities in relation to the arts, film and music, urban space, pre/early and modern cities, concepts and movements and definitions amongst others. Written by an international team of contributors, this will be the first resource of its kind to pull together such a comprehensive overview of the field.