A private conversation about the culture of education related to Black Americans always yields poignant and sometimes painful truths. As the reader of this text, you are on the receiving end of a personal dialogue based on experiential polemics unrestrained by the politics of academic marketing. In this treatise of thought on the intersectionality of education, society, and Black Americans, Alonzo DeCarlo engages the reader with textbook flair in some places and subtle diatribes in others about a philosophy of Being Black in the United States while pursuing educational mainstays. In a world where the legal and constitutional support promises so much yet delivers so little, this book is in part a research text that specifically puts Black American education at front and center. It polemically discusses the academic enterprise in the United States. It offers novel insights for all parties involved in the educational ecosystem, which continues to disfavor Black Americans and others in the general population. The book can be thought of as a flowchart that connects factors, which contribute to underachievement in many educational domains and over-representation in institutions that wittingly or unwittingly stifle Black American’s socioeconomic mobility. It explores within-group and between-group differences on an array of issues that affect Black Americans’ educational state and well-being. A discussion on topics as diverse as psychiatry, sexual orientation, religion, culture, social justice, neuroscience, identity, psychology, and technology is undertaken, as they correlate with Black Americans traversing the academic enterprise from preschool through pre-med. This is admittedly as intriguing as it is ambitious. It is what distinguishes the text from others surrounding it on the bookseller’s shelves. In sum, this book is a result of thoughts and ideas compiled from observations on the connectedness of many areas related to and affected by the education of Black Americans.

In this period of globalization, many individuals are trying to upgrade the life and for that most of them are now migrating to other lands. In the process of getting settle in new land they encounter many problems. The issue of migration and immigration brings forward the question of exile, identity, assimilation, memory, nostalgia, hopelessness, uprootedness, hybridity and so on. Indian writers have beautifully picked up experiences of such people and penned them down. Such writing is called ‘Diaspora Literature’, wherein immigrant experiences have been shared through literature. This type of literature includes expatriate stories, refugee chronicles and immigrant narratives. The present anthology Indian Diaspora Literature: A Critical Evaluation covers as many as twenty articles where the authors have discussed innumerable issues and challenges as confronted by Indian immigrants due to their distance and dislocation from their familiar homeland to the alien hostland, irrespective of what kind of exile they follow: forced or voluntary. Apart from bringing into surface the migratory problems, the anthology also sheds light on the complexities that arise out of such migration. Some of the notable Indian writers who have been given room in this book are V. S. Naipaul, Amitav Ghosh, Rohinton Mistry, Jhumpa Lahiri, Chitra Banerjee Divakaruni, Anita Desai and Kiran Desai to name a few. Authors have tried to give their best outputs to reach this anthology to its intended goal. Hopefully this book will be helpful to both students and scholars alike.

As a contribution to cultural policy studies, this book offers a uniquely detailed and comprehensive account of the historical evolution of cultural policies and their contestation within a single democratic polity, while treating these developments comparatively against the backdrop of contemporaneous influences and developments internationally. It traces the climate of debate, policies and institutional arrangements arising from the state’s regulation and administration of culture in Ireland from 1800 to 2010. It traces the influence of precedent and practice developed under British rule in the nineteenth century on government in the 26-county Free State established in 1922 (subsequently declared the Republic of Ireland in 1949). It demonstrates the enduring influence of the liberal principle of minimal intervention in cultural life on the approach of successive Irish governments to the formulation of cultural policy, right up to the 1970s. From 1973 onwards, however, the state began to take a more interventionist and welfarist approach to culture. This was marked by increasing professionalization of the arts and heritage, and a decline in state support for amateur and voluntary cultural bodies. That the state had a more expansive role to play in regulating and funding culture became a norm of cultural discourse.

The book discusses the notion of knowledge cultures in relation to claims for the new economy and the 'communicative turn', as well as cultural economy and the politics of postmodernity. It focuses on national policy constructions of the knowledge economy, 'fast knowledge' and the role of the so-called 'new pedagogy' and social learning under these conditions to argue for knowledge networks as development possibilities in educational policy futures.

Jump start your roles as "learning leader" and "lead learner!" Designed for leaders to learn and lead within the "middle space" between the seemingly opposing dynamics of district expectations and practitioner experience, this book advances the concept of the school as a learning organization. This innovative perspective guides leaders through an intentional, deliberate learning process to develop intelligent, responsive leadership practice. Using stories, strategies, and tools, the authors Explain the power of "purposeful practice" as a methodology for getting better Show how to build the requisite capacities to lead effectively via "influence" Describe how to turn adaptive challenges into leadership inquiries for growth "This important work demonstrates and reinforces the idea that continuous improvement can only come from deep, intentional, focused, and hard work on the part of everyone within an organization. While the examples are rooted within schools and school districts, this work is applicable to any organization that seeks meaningful and specific improvement in their results. This is a must-read for leaders!" —Lynn Macan University at Albany - SUNY, Albany, NY

How do you tailor education to the learning needs of adults? Do they learn differently from children? How does their life experience inform their learning processes? These were the questions at the heart of Malcolm Knowles’ pioneering theory of andragogy which transformed education theory in the 1970s. The resulting principles of a self-directed, experiential, problem-centred approach to learning have been hugely influential and are still the basis of the learning practices we use today. Understanding these principles is the cornerstone of increasing motivation and enabling adult learners to achieve. The 9th edition of The Adult Learner has been revised to include: Updates to the book to reflect the very latest advancements in the field. The addition of two new chapters on diversity and inclusion in adult learning, and andragogy and the online adult learner. An updated supporting website. This website for the 9th edition of The Adult Learner will provide basic instructor aids including a PowerPoint presentation for each chapter. Revisions throughout to make it more readable and relevant to your practices. If you are a researcher, practitioner, or student in education, an adult learning practitioner, training manager, or involved in human resource development, this is the definitive book in adult learning you should not be without.

Following an international conference organized at the Museum of Modern Art in Warsaw in 2013, Oskar Hansen—Opening Modernism analyzes diverse aspects of the architectural, theoretical, and didactical oeuvre of Oskar Hansen, who was the Polish member of Team 10, a group of architects that challenged standard views of urbanism more than fifty years ago. In chronicling the impact of Hansen’s theory of “Open Form” on architecture, urban planning, experimental film, and visual arts in postwar Poland, this volume traces the flow of architectural ideas in a Europe divided by the Cold War. Through discussions of the ideas of openness and participation in state-socialist economies, Oskar Hansen—Opening Modernism offers new insights into exhibition design and the interrelations of architecture, visual arts, and the state.