This bestselling "lyrical, moving book: part essay, part memoir, part surprising cultural study" is an examination of why we cry, how we cry, and what it means to cry from a woman on the cusp of motherhood confronting her own depression (The New York Times Book Review). Heather Christle has just lost a dear friend to suicide and now must reckon with her own depression and the birth of her first child. As she faces her grief and impending parenthood, she decides to research the act of crying: what it is and why people do it, even if they rarely talk about it. Along the way, she discovers an artist who designed a frozen–tear–shooting gun and a moth that feeds on the tears of other animals. She researches tear–collecting devices (lachrymatories) and explores the role white women’s tears play in racist violence. Honest, intelligent, rapturous, and surprising, Christle’s investigations look through a mosaic of science, history, and her own lived experience to find new ways of understanding life, loss, and mental illness. The Crying Book is a deeply personal tribute to the fascinating strangeness of tears and the unexpected resilience of joy.

NOW A MAJOR NEW BBC ONE DRAMAThe Cry was longlisted for the Theakstons Old Peculier Crime Novel of the Year Award. When a baby goes missing on a lonely roadside in Australia, it sets off a police investigation that will become a media sensation and dinner-table talk across the world. Lies, rumours and guilt snowball, causing the parents, Joanna and Alistair, to slowly turn against each other. Finally Joanna starts thinking the unthinkable: could the truth be even more terrible than she suspected? And what will it take to make things right? Perfect for fans of Julia Crouch, Sophie Hannah and Laura Lippman, The Cry was widely acclaimed as one of the best psychological thrillers of the year. There's a gripping moral dilemma at its heart and characters who will keep you guessing on every page.

An epic, highly acclaimed fantasy that has just been optioned as a feature film by Fox 2000!The Icemark is a kingdom in grave danger. Its king has been killed in battle, its enemy lies in wait, and its fate rests on the shoulders of one girl. Thirrin Freer Strong-in-the-Arm Lindenshield, a beautiful princess and an intrepid warrior, must find a way to protect her land from a terrible invasion. She will forge an extraordinary alliance of noble Snow Leopards, ancient Vampires, and ferocious Wolf-folk. She will find unexpected strength in her friendship with a young warlock. And she will lead her allies to victory with her fierce battle cry: "Blood! Blast! And Fire!"

From Genesis to Revelation, the Bible proclaims justice and abundance for the poor. Yet these powerful passages about poverty are frequently overlooked and misinterpreted. Enter the Poor People's Campaign, a movement against racism, poverty, ecological devastation, militarism, and religious nationalism. In We Cry Justice, Liz Theoharis, co-chair of the campaign, is joined by pastors, community organizers, scholars, low-wage workers, lay leaders, and people in poverty to interpret sacred stories about the poor seeking healing, equity, and freedom. In a world roiled by poverty and injustice, Scripture still speaks. Organized into fifty-two chapters, each focusing on a key Scripture passage, We Cry Justice offers comfort and challenge from the many stories of the poor taking action together. Read anew the story of the exodus that frees people from debt and slavery, the prophets who denounce the rich and ruling classes, the stories of Jesus's healing and parables about fair wages, and the early church's sharing of goods. Reflection questions and a short prayer at the end of each chapter offer the opportunity to use the book devotionally through a year. The Bible cries for justice, and we do too. It's time to act on God's persistent call to repair the breach and fight poverty, not the poor.

It was a mistake for Ben to tell the Hunter that there were still wolves in Surrey. For the Hunter was a fanatic, always on the lookout for unusual prey. Driven by an ambition to wipe out the last English wolves, the Hunter set out on a savage quest. But what happens when the Hunter becomes the hunted?

In The Cry of the Senses, Ren Ellis Neyra examines the imaginative possibility for sound and poetics to foster new modes of sensorial solidarity in the Caribbean Americas. Weaving together the black radical tradition with Caribbean and Latinx performance, cinema, music, and literature, Ellis Neyra highlights the ways Latinx and Caribbean sonic practices challenge antiblack, colonial, post-Enlightenment, and humanist epistemologies. They locate and address the sonic in its myriad manifestations—across genres and forms, in a legal trial, and in the art and writing of Xandra Ibarra, the Fania All-Stars, Beatriz Santiago Muñoz, Édouard Glissant, and Eduardo Corral—while demonstrating how it operates as a raucous form of diasporic dissent and connectivity. Throughout, Ellis Neyra emphasizes Caribbean and Latinx sensorial practices while attuning readers to the many forms of blackness and queerness. Tracking the sonic through their method of multisensorial, poetic listening, Ellis Neyra shows how attending to the senses can inspire alternate, ethical ways of collective listening and being.