Upending a longstanding consensus, Bruce W. Longenecker presents a wide variety of material artifacts to illustrate that Christians made use of the cross as a visual symbol of their faith long before Constantine appropriated it to consolidate his power in the fourth century. Constantine did not invent the cross as a symbol of Christian faith; for an impressive number of Christians before Constantine’s reign, the cross served as a visual symbol of commitment to a living deity in a dangerous world.

A rare book that combines searing passion with a subject that has affected all of our lives. "Chicago Tribune" Novelist, cultural critic, and former priest James Carroll marries history with memoir as he maps the two-thousand-year course of the Church s battle against Judaism and faces the crisis of faith it has sparked in his own life. Fascinating, brave, and sometimes infuriating ("Time"), this dark history is more than a chronicle of religion. It is the central tragedy of Western civilization, its fault lines reaching deep into our culture to create a deeply felt work ("San Francisco Chronicle") as Carroll wrangles with centuries of strife and tragedy to reach a courageous and affecting reckoning with difficult truths."

Upending a longstanding consensus, Bruce W. Longenecker presents a wide variety of material artifacts to illustrate that Christians made use of the cross as a visual symbol of their faith long before Constantine appropriated it to consolidate his power in the fourth century. Constantine did not invent the cross as a symbol of Christian faith; for an impressive number of Christians before Constantines reign, the cross served as a visual symbol of commitment to a living deity in a dangerous world.

The cross stirs intense feelings among Christians as well as non-Christians. Robin Jensen takes readers on an intellectual and spiritual journey through the two-thousand-year evolution of the cross as an idea and an artifact, illuminating the controversies—along with the forms of devotion—this central symbol of Christianity inspires. Jesus’s death on the cross posed a dilemma for Saint Paul and the early Church fathers. Crucifixion was a humiliating form of execution reserved for slaves and criminals. How could their messiah and savior have been subjected to such an ignominious death? Wrestling with this paradox, they reimagined the cross as a triumphant expression of Christ’s sacrificial love and miraculous resurrection. Over time, the symbol’s transformation raised myriad doctrinal questions, particularly about the crucifix—the cross with the figure of Christ—and whether it should emphasize Jesus’s suffering or his glorification. How should Jesus’s body be depicted: alive or dead, naked or dressed? Should it be shown at all? Jensen’s wide-ranging study focuses on the cross in painting and literature, the quest for the “true cross” in Jerusalem, and the symbol’s role in conflicts from the Crusades to wars of colonial conquest. The Cross also reveals how Jews and Muslims viewed the most sacred of all Christian emblems and explains its role in public life in the West today.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Peter Leithart weighs what we've been taught about Constantine and claims that in focusing on these historical mirages we have failed to notice the true significance of Constantine and Rome baptized. He reveals how beneath the surface of this contested story there lies a deeper narrative--a tectonic shift in the political theology of an empire--with far-reaching implications.