Ten friends go on a trip to Las Vegas looking for the fun excitement, women and the pure rush of living the high life in Sin City. One of the ten men has a dark secret that will cast them into the depths of Hell as they find themselves trapped in the underbelly of the city that never sleeps. Their friendship is replaced by a profound brotherhood as they fight to stay alive while playing a deadly and unrelenting game of cat and mouse with killers around every corner and people conspiring against them at every turn. Trained assassins want the ten men dead while the leader of a terrorist sleeper cells seeks vengence against the assasins. The FBI and Las Vegas PD are driven to stop the bad guys before they kill again. Meanwhile, lurking in the shadows is the biggest threat to them all, The Crooner.

Morey Ames is a crooner in Chicago. His wife, Sally, a chef in her own restaurant. They decide on a vacation to Door County, Wisconsin. They are looking forward to a quiet, pleasant vacation. However, Sally, or should we say, typical Sally, gets herself involved in an art forgery scheme, in which she is bound and determined to get to the bottom of it. Morey, of course, gets dragged in. Together they try to solve this crime.

The crooner Rudy Vallée's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Vallée and other crooners reflected the gender fluidity of late-1920s popular culture, their challenge to the Depression era's more conservative masculine norms led cultural authorities to stigmatize them as gender and sexual deviants. In Real Men Don't Sing Allison McCracken outlines crooning's history from its origins in minstrelsy through its development as the microphone sound most associated with white recording artists, band singers, and radio stars. She charts early crooners’ rise and fall between 1925 and 1934, contrasting Rudy Vallée with Bing Crosby to demonstrate how attempts to contain crooners created and dictated standards of white masculinity for male singers. Unlike Vallée, Crosby survived the crooner backlash by adapting his voice and persona to adhere to white middle-class masculine norms. The effects of these norms are felt to this day, as critics continue to question the masculinity of youthful, romantic white male singers. Crooners, McCracken shows, not only were the first pop stars: their short-lived yet massive popularity fundamentally changed American culture.

Bing Crosby, Frank Sinatra, Tony Bennett, and Rudy Vallee—these cultural icons whose fame spanned all the important mass media, also played a vital role in the origin and development of the crooning tradition. Crooning represented one of the most important musical styles of the twentieth century, intermingling with jazz and fronting the big band craze of the thirties and forties. Crooners spurred the rise of radio as home staple and the Golden Age of film musicals. When commercial television became a viable commodity, crooners anchored perhaps the first TV programming innovation, the variety show. It took the cataclysmic aesthetic and cultural changes ushered in by rock 'n' roll in the 1950s to finally bring crooners down from their pedestal. The Rise of the Crooners examines the historical trends and events that led to the emergence of the crooning style. Ian Whitcomb, a successful popular music vocalist himself for almost 40 years, provides a personal perspective on this phenomenon. The lives and careers of six pioneers of the style—Bing Crosby, Russ Columbo, Gene Austin, Rudy Vallee, Johnny Marvin, and Nick Lucas—are covered at length. With the exception of one entry devoted to Crosby—possibly the greatest entertainer of the past century—these biographies (appended by lengthy bibliographies and discographies) are more thorough and up-to-date than any treatment in print about these seminal artists.

Here is the quintessential Bing Crosby tribute from the pen of author and music historian, Richard Grudens, documenting the story of Crosby's colourful life, family, radio and television shows, and films; the amazing success story of a career that pioneered popular music spanning generations and inspiring many followers: Frank Sinatra, Tony Bennett, Perry Como, Jerry Vale, Dean Martin, Eddie Fisher, Pat Boone, Elvis Presley and Billy Eckstine, all of whom acknowledge their debt right between the covers of this book. An inspirational introduction by his lovely wife, Kathryn Grant Crosby, is followed by endearing, anecdotal accounts of those ubiquitous 'Road' films with Bob Hope, and detailed personal testimonials from show business icons in their own words. A 'must read' for Crosby fans, collectors, admirers, music lovers, and everyone who cherishes the music and anecdotes of the players involved in the Golden Age of Popular Music.

An intimate history of the crooner in popular music from the 1950s to the present. In this book, Alex Coles explores the history of the crooner—someone who sings close to the mic in a soft style—in popular music from the 1950s to the present. Each chapter focuses on how one song by one artist contributes to the image of the crooner in the popular imagination. The book describes the rich diversity of crooners throughout music history, including artists in disco, rock, hip-hop, and more such as Frank Sinatra, Scott Walker, Barry White, David Bowie, Bryan Ferry, Tom Waits, Grace Jones, Ian McCulloch, Nick Cave, and Nas. Ultimately, Coles shows how the crooner continues to connect listeners with their hidden feelings.

In a narrative full of passion, as well as showbiz personalities like Pola Negri and Carole Lombard, Russ Columbo and the Crooner Mystique combines a remarkable collection of Columbo's letters, diary entries, scrapbook clippings, and other personal effects - all woven with an intimate biography that pleads the case for romantic balladeers."--BOOK JACKET.