Examines both academic and popular assessments of Conan Doyle's work, giving pride of place to the Holmes stories and their adaptations, and also attending to the wide range of his published work. Twenty-first-century readers, television viewers, and moviegoers know Arthur Conan Doyle as the creator of Sherlock Holmes, the world's most recognizable fictional detective. Holmes's enduring popularity has kept Conan Doyle in the public eye. However, Holmes has taken on a life of his own, generating a steady stream of critical commentary, while Conan Doyle's other works are slighted or ignored. Yet the Holmes stories make up only a small portion of Conan Doyle's published work, which includes mainstream and historical fiction; history; drama; medical, spiritualist, and political tracts; and even essays on photography. When Doyle published - whatever the subject - his contemporaries took note. Yet, outside of the fiction featuring Sherlock Holmes, until recently relatively little has been done to analyze the reception Conan Doyle's work received during his lifetime and since his death. This book examines both academic and popular assessments of Conan Doyle's work, giving pride of place to the Holmes stories and their many adaptations for print, visual, and online media, but attending to his other contributions to turn-of-the-twentieth-century culture as well. The availability of periodicals and newspapers online makes it possible to develop an assessment of Conan Doyle's (and Sherlock Holmes's) reputation among a wider readership and viewership, thus allowing for development of a broader and more accurate portrait of Doyle's place in literary and cultural history.

This collection brings together 33 of Arthur Conan Doyle's best Gothic Tales for the first time.

Having killed off Sherlock Holmes, Sir Arthur Conan Doyle began a new series of tales on a very different theme. Brigadier Gerard is an officer in Napoleon's army—ecklessly brave, engagingly openhearted, and unshakable, if not a little absurd, in his devotion to the enigmatic Emperor. The Brigadier's wonderful comic adventures, long established in the affections of Conan Doyle's admirers as second only to those of the incomparable Holmes, are sure to find new devotees among the ardent fans of such writers as Patrick O'Brian and George MacDonald Fraser.

This groundbreaking book rescues Arthur Conan Doyle from the sub-literary category of popular fiction and from the myth of Sherlock Holmes. Instead of following new historicists and postcolonialists and asking what Conan Doyle’s fiction reveals about its author and what it tells us about Victorian attitudes to crime, class, Empire and gender, this provocative and convincingly argued literary study shifts the critical emphasis to the neglected art of the novels, tales and stories. It demonstrates through close reading that they can be read the same way as canonical literary fiction. Unapologetically polemical and written in an accessible, jargon-free style, this book will stimulate debate and provoke counterarguments, but most importantly it will send readers, both within and outside the academy, back to the fiction with heightened understanding and renewed pleasure. At a time when evaluation has virtually disappeared from literary studies, this iconoclastic book returns it to the centre.

This collection re-examines the works and life of Arthur Conan Doyle from multiple disciplinary perspectives. It proposes new ways of studying Conan Doyle, and considers overlooked or neglected aspects of his oeuvre, offering fresh perspectives on the multiple genres of his fiction and his relationship to contemporary writers and movements.

“A wonderfully vivid portrait of the man behind Sherlock Holmes . . . Like all the best historical true crime books, it’s about so much more than crime.”—Tana French, author of In the Woods A sensational Edwardian murder. A scandalous wrongful conviction. Sir Arthur Conan Doyle to the rescue—a true story. After a wealthy woman was brutally murdered in her Glasgow home in 1908, the police found a convenient suspect in Oscar Slater, an immigrant Jewish cardsharp. Though he was known to be innocent, Slater was tried, convicted, and consigned to life at hard labor. Outraged by this injustice, Arthur Conan Doyle, already world renowned as the creator of Sherlock Holmes, used the methods of his most famous character to reinvestigate the case, ultimately winning Slater’s freedom. With “an eye for the telling detail, a forensic sense of evidence and a relish for research” (The Wall Street Journal), Margalit Fox immerses readers in the science of Edwardian crime detection and illuminates a watershed moment in its history, when reflexive prejudice began to be replaced by reason and the scientific method. Praise for Conan Doyle for the Defense “Artful and compelling . . . [Fox’s] narrative momentum never flags. . . . Conan Doyle for the Defense will captivate almost any reader while being pure catnip for the devotee of true-crime writing.”—The Washington Post “Developed with brio . . . [Fox] is excellent in linking the 19th-century creation of policing and detection with the development of both detective fiction and the science of forensics—ballistics, fingerprints, toxicology and serology—as well as the quasi science of ‘criminal anthropology.’”—The New York Times Book Review “[Fox] has an eye for the telling detail, a forensic sense of evidence and a relish for research.”—The Wall Street Journal “Gripping . . . The book works on two levels, much like a good Holmes case. First, it is a fluid story of a crime. . . . Second, and more pertinently, it is a deeper story of how prejudice against a class of people, the covering up of sloppy police work and a poisonous political atmosphere can doom an innocent. We should all heed Holmes’s salutary lesson: rationally follow the facts to find the truth.”—Time