The year is 2020 and a virulent new disease has decimated the global population. Witnesses report wild cries and bite attacks from the infected, with an apparent resistance to pain that leads many to believe the zombie apocalypse is at hand. Several months after the first outbreak the undead criers have destroyed everything that went before, with few survivors hidden in the shadows here and there. Jack is one of them, and with his only goal to stay alive he seeks out what remains of the living and safe territory where the man-eating criers can’t follow. Over the course of the following days he meets both friend and foe, slowly coming to realize how the world has changed and what it takes to stay alive.

From debut author Nina Varela comes the first book in a richly imagined epic fantasy duology about an impossible love between two girls—one human, one Made—whose romance could be the beginning of a revolution. Perfect for fans of Marie Rutkoski’s The Winner’s Curse as well as Game of Thrones and Westworld. After the War of Kinds ravaged the kingdom of Rabu, the Automae, designed to be the playthings of royals, usurped their owners’ estates and bent the human race to their will. Now Ayla, a human servant rising in the ranks at the House of the Sovereign, dreams of avenging her family’s death…by killing the sovereign’s daughter, Lady Crier. Crier was Made to be beautiful, flawless, and to carry on her father’s legacy. But that was before her betrothal to the enigmatic Scyre Kinok, before she discovered her father isn’t the benevolent king she once admired, and most importantly, before she met Ayla. Now, with growing human unrest across the land, pressures from a foreign queen, and an evil new leader on the rise, Crier and Ayla find there may be only one path to love: war.

This bestselling "lyrical, moving book: part essay, part memoir, part surprising cultural study" is an examination of why we cry, how we cry, and what it means to cry from a woman on the cusp of motherhood confronting her own depression (The New York Times Book Review). Heather Christle has just lost a dear friend to suicide and now must reckon with her own depression and the birth of her first child. As she faces her grief and impending parenthood, she decides to research the act of crying: what it is and why people do it, even if they rarely talk about it. Along the way, she discovers an artist who designed a frozen–tear–shooting gun and a moth that feeds on the tears of other animals. She researches tear–collecting devices (lachrymatories) and explores the role white women’s tears play in racist violence. Honest, intelligent, rapturous, and surprising, Christle’s investigations look through a mosaic of science, history, and her own lived experience to find new ways of understanding life, loss, and mental illness. The Crying Book is a deeply personal tribute to the fascinating strangeness of tears and the unexpected resilience of joy.

This volume explores the cultural meanings, especially the gendered meanings, of material associated with oral traditions. It is divided into three sections: 'Our mothers' maids', 'Spinsters, knitters and the uses of oral traditions' and 'Oral traditions and masculinity'.