This study embarks on the intriguing quest for the origins of the Caribbean creole language Papiamentu. In the literature on the issue, widely diverging hypotheses have been advanced, but scholars have not come close to a consensus. The present study casts new and long-lasting light on the issue, putting forward compelling interdisciplinary evidence that Papiamentu is genetically related to the Portuguese-based creoles of the Cape Verde Islands, Guinea-Bissau, and Casamance (Senegal). Following the trans-Atlantic transfer of native speakers to Curaçao in the latter half of the 17th century, the Portuguese-based proto-variety underwent a far-reaching process of relexification towards Spanish, affecting the basic vocabulary while leaving intact the original phonology, morphology, and syntax. Papiamentu is thus shown to constitute a case of 'language contact reduplicated' in that a creole underwent a second significant restructuring process (relexification). These explicit claims and their rigorous underpinning will set standards for both the study of Papiamentu and creole studies at large and will be received with great interest in the wider field of contact linguistics.

The Creole Historical Romance Bundle is a 4-in-1 eBook series from bestselling authors Gilbert and Lynn Morris and includes The Exiles, The Immortelles, The Alchemy, and The Tapestry. The Creoles Series is a captivating group of novels set in nineteenth-century New Orleans, revolving around the romantic adventures of four girls who become close friends while attending the Ursuline Convent School in New Orleans. Each book focuses on one woman as she faces the trials of life and faith. The Exiles introduces Chantel Fontaine, who has finished her education at the Ursuline Convent. Readers will follow her through the streets and swamps of Louisiana as she falls in love, faces the loss of both her parents, and searches for the baby sister she thought was lost forever. The Immortelles follows Damita De Salvado who receives a beautiful slave girl, Rissa, for her sixteenth birthday. She mistreats Rissa, revealing her prejudice and hardening Rissa's heart. When her family experiences financial hardships, Damita grudgingly sells Rissa to a mysterious Christian doctor, Jefferson Whitman, who is Rissa's adopted brother. Now the tables have turned: Rissa is a wealthy, free woman, while Damita's family struggles to keep the plantation. The Alchemy focuses on Simone d’Or, a vivacious young woman hardened by high society life, and Colin Seymour, a talented young man from humble beginnings. As the famed singer and composer Lord Beaufort nurtures Colin's singing voice, Colin rises to stardom in the opera world. At first, Simone judges Colin as a man beneath her standing, but after hearing Colin at the opera, she finds herself captivated by his talent and passion. Meanwhile, Simone's brother places the family name in jeopardy by his gambling debt, and she must face the possibility of marrying Vernay, a rigid young man of equal status who is feared for his skill in dueling others to the death. The Tapestry is the striking conclusion to The Creoles Series sharing the story of Leonie Vernay. Abandoned as an infant on the steps of the Ursuline Convent School, Leonie has endured the emotional and financial poverty of an orphan. Now a young woman making her way as a humble seamstress in New Orleans, she is startled by a mysterious stranger who claims to know her identity—and her relatives. Will she find acceptance with her long-lost family, or is she on a misguided quest?

Who are the Creoles? The answer is not clear-cut. Of European, African, or Caribbean mixed descent, they are a people of color and Francophone dialect native to south Louisiana; and though their history dates from the late 1600s, they have been sorely neglected in the literature. Creole is a project that both defines and celebrates this ethnic identity. In fifteen essays, writers intimately involved with their subject explore the vibrant yet understudied culture of the Creole people across time—their language, literature, religion, art, food, music, folklore, professions, customs, and social barriers.

In the early years of the nineteenth century, the burgeoning cultural pride of white Creoles in New Orleans intersected with America's golden age of print, to explosive effect. Imagining the Creole City reveals the profusion of literary output -- histories and novels, poetry and plays -- that white Creoles used to imagine themselves as a unified community of writers and readers. Rien Fertel argues that Charles Gayarré's English-language histories of Louisiana, which emphasized the state's dual connection to America and to France, provided the foundation of a white Creole print culture predicated on Louisiana's exceptionalism. The writings of authors like Grace King, Adrien Rouquette, and Alfred Mercier consciously fostered an image of Louisiana as a particular social space, and of themselves as the true inheritors of its history and culture. In turn, the forging of this white Creole identity created a close-knit community of cosmopolitan Creole elites, who reviewed each other's books, attended the same salons, crusaded against the popular fiction of George Washington Cable, and worked together to preserve the French language in local and state governmental institutions. Together they reimagined the definition of "Creole" and used it as a marker of status and power. By the end of this group's era of cultural prominence, Creole exceptionalism had become a cornerstone in the myth of Louisiana in general and of New Orleans in particular. In defining themselves, the authors in the white Creole print community also fashioned a literary identity that resonates even today.

Creolization describes the cultural adaptations that occur when a community moves to a new geographic setting. Exploring the consciousness of peoples defined as "creoles" who moved from the Old World to the New World, this collection of eighteen original essays investigates the creolization of literary forms and genres in the Americas between the sixteenth and nineteenth centuries. Creole Subjects in the Colonial Americas facilitates a cross-disciplinary, intrahemispheric, and Atlantic comparison of early settlers' colonialism and creole elites' relation to both indigenous peoples and imperial regimes. Contributors explore literatures written in Spanish, Portuguese, and English to identify creole responses to such concepts as communal identity, local patriotism, nationalism, and literary expression. The essays take the reader from the first debates about cultural differences that underpinned European ideologies of conquest to the transposition of European literary tastes into New World cultural contexts, and from the natural science discourse concerning creolization to the literary manifestations of creole patriotism. The volume includes an addendum of etymological terms and critical bibliographic commentary. Contributors: Ralph Bauer, University of Maryland Raquel Chang-Rodriguez, City University of New York Lucia Helena Costigan, Ohio State University Jim Egan, Brown University Sandra M. Gustafson, University of Notre Dame Carlos Jauregui, Vanderbilt University Yolanda Martinez-San Miguel, University of Pennsylvania Jose Antonio Mazzotti, Tufts University Stephanie Merrim, Brown University Susan Scott Parrish, University of Michigan Luis Fernando Restrepo, University of Arkansas, Fayetteville Jeffrey H. Richards, Old Dominion University Kathleen Ross, New York University David S. Shields, University of South Carolina Teresa A. Toulouse, Tulane University Lisa Voigt, University of Chicago Jerry M. Williams, West Chester University

Louisiana Creole Literature is a broad-ranging critical reading of belles lettres—in both French and English—connected to and generally produced by the distinctive Louisiana Creole peoples, chiefly in the southeastern part of the state. The book covers primarily the nineteenth and twentieth centuries, the flourishing period during which the term Creole had broad and contested cultural reference in Louisiana. The study consists in part of literary history and biography. When available and appropriate, each discussion—arranged chronologically—provides pertinent personal information on authors, as well as publishing facts. Readers will find also summaries and evaluation of key texts, some virtually unknown, others of difficult access. Brosman illuminates the biographies and works of Kate Chopin, Lafcadio Hearn, George Washington Cable, Grace King, and Adolphe Duhart, among others. In addition, she challenges views that appear to be skewed regarding canon formation. The book places emphasis on poetry and fiction, reaching from early nineteenth-century writing through the twentieth century to selected works by poets still writing in the early twenty-first century. A few plays are treated also, especially by Victor Séjour. Louisiana Creole Literature examines at length the writings of important Francophone figures, and certain Anglophone novelists likewise receive extended treatment. Since much of nineteenth-century Louisiana literature was transnational, the book considers Creole-based works which appeared in Paris as well as those published locally.