This book is about Angolan literature and culture. It investigates a segment of Angolan history and literature, with which even Portuguese-speaking readers are generally not familiar. Its main purpose is to define the features and the literary production of the so-called 'creole elite', as well as its contribution to the early manifestations of dissatisfaction towards colonial rule patent during a period of renewed Portuguese commitment to its African colonies, but also of unrealised ambitions, economic crisis, and socio-political upheaval in Angola and in Portugal itself. Nineteenth-century Angolan society was characterised by the presence of a semi-urbanised commercial and administrative elite of Portuguese-speaking creole families--white, black, some of mixed race, some Catholic and others Protestant, some old established and others cosmopolitan--who were based in the main coastal towns. As well as their wealth, derived from the functions performed in the colonial administrative, commercial and customs apparatus, their European-influenced culture and habits clearly distinguished them from the broad native population of black peasants and farm workers. In order to expand its control over the region, Portugal desperately needed the support of this kind of non-coloniser urban elite, which was also used as an assimilating force, or better as a source of dissemination of a relevant model of social behaviour. Thus, until the 1850s great creole merchants and inland chiefs dealt in captive slaves, bound for export to Brazil via Cape Verde and Sao Tome: the tribal aristocracy and the creole bourgeoisie thrived on the profits of overseas trade and lived in style, consuming imported alcoholic beverages and wearing European clothes. After the abolition, however, their social and economic position was eroded by an influx of petty merchants and bureaucrats from Portugal who wished to grasp the commercial and employment opportunities created by a new and modern colonial order, anxious to keep up with other European colonial powers engaged in the partition of the African continent. This book thus considers the first intellectuals, the early printed publications in the country, and the pioneers of Angolan literature who felt the need to raise their roots to higher dignity. Thus, they wrote grammar, dictionaries, poetry, fiction, and of course, incendiary articles denouncing exploitation, racism, and the different treatment afforded by the colonial authorities to Portuguese expatriates and natives."

Through the research and experiences of 16 scholars whose native homes span ten countries, this collection shifts the discussion of belonging and affinity within Africa and its diaspora toward local perceptions and the ways in which these notions are asserted or altered.

This book brings together new research on nations and nationalism in Angola, Guinea-Bissau and Mozambique. It provides original case studies as well as a theoretical discussion on the subject.

This volume offers a new understanding of the role of the media in the Portuguese Empire, shedding light on the interactions between communications, policy, economics, society, culture, and national identities. Based on an interdisciplinary approach, this book comprises studies in journalism, communication, history, literature, sociology, and anthropology, focusing on such diverse subjects as the expansion of the printing press, the development of newspapers and radio, state propaganda in the metropolitan Portugal and the colonies, censorship, and the uses of media by opposition groups. It encourages an understanding of the articulations and tensions between the different groups that participated, willingly or not, in the establishment, maintenance and overthrow of the Portuguese Empire in Angola, Mozambique, São Tomé e Príncipe, Cape Verde, Guinea-Bissau, India, and East Timor.

This history by celebrated Africanist David Birmingham begins in 1820 with the Portuguese attempt to create a third, African, empire after the virtual loss of Asia and America. In the nineteenth century the most valuable resource extracted from Angola was agricultural labor, first as privately owned slaves and later as conscript workers. The colony was managed by a few marine officers, by several hundred white political convicts, and by a couple of thousand black Angolans who had adopted Portuguese language and culture. The hub was the harbor city of Luanda which grew in the twentieth century to be a dynamic metropolis of several million people. The export of labor was gradually replaced when an agrarian revolution enabled white Portuguese immigrants to drive black Angolan laborers to produce sugar cane, cotton, maize and above all coffee. During the twentieth century Congo copper supplemented this wealth, by gem-quality diamonds, and by offshore oil. Although much of the countryside retained its dollar-a-day peasant economy, new wealth generated conflict which pitted white against black, north against south, coast against highland, American allies against Russian allies. The generation of warfare finally ended in 2002 when national reconstruction could begin on Portuguese colonial foundations.

This wide-ranging volume presents the most complete appraisal of modern African history to date. It assembles dozens of new and established scholars to tackle the questions and subjects that define the field, ranging from the economy, the two world wars, nationalism, decolonization, and postcolonial politics to religion, development, sexuality, and the African youth experience. Contributors are drawn from numerous fields in African studies, including art, music, literature, education, and anthropology. The themes they cover illustrate the depth of modern African history and the diversity and originality of lenses available for examining it. Older themes in the field have been treated to an engaging re-assessment, while new and emerging themes are situated as the book’s core strength. The result is a comprehensive, vital picture of where the field of modern African history stands today.

The title of Beyond the Line refers to the imaginary "Line" drawn between North and South, a division established by the Peace Treaty of Cateau-Cambrésis in 1559. This is an early modern time and Eurocentric construction, according to which the southern oceanic world has long been taken as symbol of expansionist philosophies and practices. An obvious motivation for changing this "Line" division is the growing influence of the "Global South" in the contemporary economic and political setting. However, another motivation for changing opinions in regard to the "Line" is equally important. We observe an emergent consciousness of the pivotal role of the oceanic world for human life. This requires the reformulation of former views and raises numerous questions. A diversity of connections comes to the mind, which demands the composition of a catalogue of case studies with an oceanic horizon. Through this operation, different problems are being linked together. Which problems encounter historians with their research on fishes in the archives? How to trace records about pirates of non-European descent in the Indian Ocean? Which role play the Oceans as mediators for labor migrations, not only of the Black Atlantic but also of people moving from Asia to Africa and vice versa? What do we know about workers on the oceans and their routes? When considering oceans as "contact zones," with which criteria can their influence in different literary texts be analyzed? Is it possible to study nationalisms taking into account these transoceanic relationships? And how do artists address these questions in their use of the media? Against the background of this catalogue of oceanic questions, "old" stories are told anew. Sometimes, their cultural stereotypes are recycled to criticize political and social situations. Or, in other cases, they are adopted for elaborating alternative options. In this sense, the contributions concentrate on countries like India, Kenya, Angola, or Brazil and cover different academic fields. A variety of objects and situations are explored, which have been and still are determinant for the construction of cultural narratives in view of the modified relationship with the geographically southern oceanic regions.