A poor Scottish immigrant finds work and Shakespearean drama on a ranch in the backcountry of colonial South Carolina in this novel. Vividly set in the rich pluralistic culture and primeval landscape of colonial South Carolina, this historical novel brings to life, and back into our memory, the birth of free-range cattle herding that would later come to be associated exclusively with the American West. Drawing on his accomplished career as a leading scholar of the anthropology and history of the early South, Charles Hudson weaves a compelling tale of adventure and love in the colorful tapestry of Charles Town taverns, backcountry trails, pinewoods cattle ranges, hidden villages of remnant native peoples, river highways, rice plantations, and more. Hudson’s narrative revolves around William MacGregor, a young Scottish immigrant trying to establish himself in the New World. A lover of philosophy and Shakespeare, William is penniless, which leads him to take work as a cow-hunter (colonial cowboy) for a pinder (colonial rancher) of a cowpen (colonial ranch) in the Carolina backcountry. The pinder, an older man with three daughters, sees his world unraveling as he ages. The parallel to King Lear does not escape William, who gets caught up in the family drama as he falls in love with the pinder’s youngest daughter. Except for the boss of his crew, who is the pinder’s son-in-law, William’s fellow cow-hunters are slaves: an old Indian captured in Spanish Florida, a Fulani captured in Africa, and two brothers, half-Indian and half-African, who were born into slavery in the New World. A rogue bull adds a chilling element of danger, and the romance is complicated by a rivalry with a wealthy rice planter’s son. William struggles to salvage something from the increasingly disastrous situation, and the King Lear-like dissolution of the cowpen proceeds apace as the story heads toward its conclusion. “With an ethnohistorian’s attention to context and detail, Charles Hudson has written a compelling novel about the eighteenth-century Carolina backcountry and its memorable characters, the likes of whom the documentary record rarely reveals.” —Theda Perdue, professor emerita of history, University of North Carolina-Chapel Hill “Whether trudging through the dismal swamps, riding through the solitary longleaf forest, or just hanging out at the cowpen, Hudson renders the life of an eighteenth-century Southern cow hunter’s life palatable and real. With a true sense of place and time, Hudson brings the little-known colonial South Carolina backcountry to spectacular life.” —Robbie Ethridge, professor of anthropology, The University of Mississippi

"Recounts a time when range wars, cattle drives, rustling, street brawls, and rum running were commonplace in Florida. Though the focus is on Mizell, Tinsley also gives an engaging history of Florida and the cattle industry."--Tampa Tribune

Kissimmee Pete, his dog Mud, and his horse Blaze work together to gather a cow herd "as big as the sky."

The Florida pioneer cow hunters gave birth to the cattle industry. Florida, discovered by Spanish explorer Ponce de Leon in the 1500s, left behind cattle that roamed the peninsula hundreds of years. In the 1800s, new settlers gathered-up the scrub cattle and bred them with their herds. As cracker whips snapped, cow hunters rounded-up their herds and drove them by the thousands to coastal markets on the old cracker trails. It was a dangerous passage. The legendary cow hunters are todays ranchers. This book is about the past and the future of ranching in Florida as a new generation takes over the reins with some heirs choosing another profession and selling the family ranch. I hope the reader will reflect upon the valuable lessons these ranchers reveal about history and survival.

The hunter arrives in an isolated community in the Tasmanian wilderness with a single purpose in mind: to find the last thylacine, the tiger of fable, fear and legend. The man is in the employ of the mysterious 'Company', but his sinister purpose is never revealed and as his relationship with a grieving mother and her two children becomes more ambiguous, the hunt becomes his own. Leigh's Tasmania is a place where the wilderness can still claim lives; where the connection between people and the land is at best uneasy and cannot be trusted. In prose of exceptional clarity and elegance, Julia Leigh creates an unforgettable picture of a man obsessed by an almost mythical animal in a damp dangerous landscape. The Hunter is the work of a compelling storyteller and a truly remarkable literary stylist.

The bestselling, National Book Award–finalist novel that inspired Charles Laughton’s expressionist horror classic starring Robert Mitchum and Shelley Winters. Two young children, Pearl and John Harper, are being raised alone by their mother in Cresap’s Landing, Ohio. Their father Ben has just been executed for killing two men in the course of an armed robbery. Ben never told anyone where he hid the ten thousand dollars he stole; not his widow Willa, not his lawyer, nor his cell-mate Henry “Preacher” Powell. But Preacher, with his long history of charming his way into widows’ hearts and lives, has an inkling that Ben's money could be within his reach. As soon as he is free, Preacher makes his way up the river to visit the Harper family where—he hopes—a little child shall lead him to the fortune that he seeks. Foreword by JULIA KELLER

The keen-eyed, cool-headed, and fearless men (Kit Carson, Jim Bridger, Buffalo Bill Cody, Big Foot Wallace, and Captain Jim Cook, among others) who were pivotal personalities for more than half a century in the almost ceaseless task of clearing the way for and guarding the lives and properties of explorers, emigrants, and settlers in the West, are an extinct type of pioneer, Accounts of the heroic deeds of this handful of men, however, remain today as indelible records that dramatize the melting away of this country’s vast frontiers.