Who WAS that gorgeous model? When a helicopter loses power and plunges into the icy waters of scenic Lake Tahoe, killing its only passenger, millionaire Albert Crocker Vansittart, what looks like a routine claim against a life insurance policy turns into a mystery for investigator Hobart Lindsey and his sometime collaborator Marvia Plum. The reason: half a century ago, the youthful Vansittart had come across a hardboiled mystery novel and become obsessed with the glamorous model who'd posed for the cover painting. Now, Vansittart's multimillion dollar policy is to go to "the girl on the cover of Death in the Ditch." Lindsey's pursuit of the now-aged model (if she's even still alive!) leads him into a maze of violence and deception with its roots in the politics and wars of past decades. Another first-rate combination of crime, collectibles, and American history--and the fifth book in this bestselling series!

Cheyenne, a blind sixteen year-old, is kidnapped and held for ransom; she must outwit her captors to get out alive. Sixteen year-old Cheyenne Wilder is sleeping in the back of a car while her mom fills her prescription at the pharmacy. Before Cheyenne realizes what's happening, their car is being stolen--with her inside! Griffin hadn't meant to kidnap Cheyenne, all he needed to do was steal a car for the others. But once Griffin's dad finds out that Cheyenne's father is the president of a powerful corporation, everything changes—now there's a reason to keep her. What Griffin doesn't know is that Cheyenne is not only sick with pneumonia, she is blind. How will Cheyenne survive this nightmare, and if she does, at what price? Prepare yourself for a fast-paced and hard-edged thriller full of nail-biting suspense. This title has Common Core connections.

Serial killing is an extremely rare phenomenon in reality that is none-theless remarkably widespread in the cultural imagination. Moreover, despite its rarity, it is also taken to be an expression of characteristic aspects of humanity, masculinity, or our times. Richard Dyer investigates this paradox, focusing on the notion at its heart: seriality. He considers the aesthetics of the repetition of nastiness and how this relates to the perceptions and anxieties that images of serial killing highlight in the societies that produce them. Shifting the focus away from the US, which is often seen as the home of the serial killer, Lethal Repetition instead examines serial killing in European culture and cinema – ranging from Scandinavia to the Mediterranean and from Britain to Romania. Spanning all brows of cinema – including avant-garde, art, mainstream and trash – Dyer provides case studies on Jack the Ripper, the equation of Nazism with serial killing, and the Italian giallo film to explore what this marginal and uncommon crime is being made to mean on European screens.

The three decades following WWII are considered the golden age of the British thriller film. Newer characters like James Bond, along with established icons such as Sherlock Holmes, Miss Marple and The Saint, all contributed to the era's bountiful array of cinematic mystery, danger, excitement and suspense. For the first time, the extensive output of British thrillers from 1950 to 1979 is covered in one volume. Themed chapters cover a total of 845 films including spy thrillers, mystery thrillers, psychological thrillers, action-adventure thrillers, and crime thrillers. Within these chapters, films appear chronologically, each with a synopsis/review. Additional information provided for each film includes production companies and alternate British and U.S. titles, and the work includes eight useful appendices.

'Mama, wake up.' The little girl reached for her mother's face with one pudgy hand. But the eyes stayed closed, and the blood continued to trickle across the floor. When the body of a young woman is found, tied to her bed and the victim of a brutal attack in her own home, Detective Morgan Brookes is sickened by what she finds as she searches the house. And unprepared for the nightmares it inspires about her childhood. When the DNA collected gives a positive ID, Morgan can't wait to put the attacker behind bars. But the person it matches to is already in prison. How could the DNA of someone who has been locked up for over twenty years have shown up in Morgan's crime scene? And then they make another close match. To Morgan herself. Faced with the impossible proof that she is somehow connected to this case, Morgan delves deep into the crimes of a killer who stalked the Lake District two decades ago. But distracted by the old case, she misses the signs that he has found a new victim. And when he strikes close to home, Morgan finally realises that she has been living on borrowed time. To find this killer, it's clear she must confront the nightmares in her past... A heart-racing, nerve-wracking crime thriller. Fans of Angela Marsons, Rachel Abbott and Patricia Gibney will be completely gripped. Readers love Helen Phifer: 'Brilliant... keeps you on the edge of your seat right until the last chapter... loving this series and the characters in it.' Goodreads reviewer, 5 stars 'Plenty of twists... I didn't want to put it down... suspenseful and riveting, you will want time to read it in one sitting.' Goodreads reviewer, 5 stars 'Hooked from the beginning and it kept me engaged until the very last page.' Goodreads reviewer, 5 stars 'Full of twists... full of tension... several times I caught myself holding my breath.' Goodreads reviewer, 5 stars

Harry H. Corbett rose from the slums of Manchester to become one of the best-known television stars of the 20th century. Having left home as a 17-year-old Royal Marine during the Second World War, he fought in the North Atlantic and the jungles of the Pacific and witnessed first-hand the devastation wrought by the Hiroshima bomb. On his return home he wandered into the local theatre company and landed a starring role – The Front Legs of the Cow. Soon becoming a leading light in Joan Littlewood's Theatre Workshop and a widely-respected classical stage actor, his life was changed forever by the television comedy Steptoe and Son. Overnight he became a household name as the series drew unparalleled viewing figures of over 28 million, with fans ranging from the working classes to the Royal Family. Naturally shy and a committed socialist, fame and fortune didn't sit easily on his shoulders, and for the next twenty years, until his untimely death at the age of only 57, he had to learn how to be ''Arold'. Written by his daughter, Susannah Corbett, an actor herself, this is the first biography of Harry H. Corbett, the man who was once described as being 'the English Marlon Brando'.

Seven puzzlers range from police procedurals featuring Marvia Plum and the insurance investigations of Hobart Lindsey to a superbly affecting reunion story.