With its gentle hills and timeless villages, the Cotswold countryside is a vision of natural beauty and rural calm, but it is also a region rich in history. In this new addition to the Landscapes of the Imagination series, Jane Bingham offers an intriguing portrait of the Cotswolds over the centuries, ranging from ancient stone circles and ruined Roman villas to the Cotswolds today, a picturesque destination spot popular with country-weekenders, tourists, and celebrities. Readers will visit fine churches and manor houses that have survived from the Middle Ages, and tour a landscape still bearing the scars of the Civil War. The home of kings and nobles since Saxon times, the region is famous for its elegant estates, such as Blenheim Palace--England's grandest stately home--while signs of the early industrial age can be seen in its mills and factories. Artists, musicians, and writers were also drawn to this rural paradise, from William Shakespeare and William Morris to T.S. Eliot and Ralph Vaughn Williams. Bingham captures it all in her charming portrait of this glorious spot in the heart of southern England.

Contains the maps of the Cotswold Town and Village. This guide covers some of Britain's loveliest medieval churches and domestic buildings, which are built of the marvellous honey coloured Cotswold stone that here lies so close to the surface.

When Thea Osbourne agrees to house sit for Oliver Meadows as a favor to her mother, she expects a few days peace and quiet. But as usual, Thea quickly finds herself at the center of a dark mystery when she discovers a dead body in the gardens of the house.

August, and Thea is tired of having to entertain Drew's children so she accepts a commission to watch over a house in Barnsley. On her first day there, she rescues a fugitive woman she finds hiding under some bushes. The woman's story is thin and incoherent, but Thea gives her sanctuary for the night only to find her dead the next morning. The police are impossibly busy with a big investigation into the trafficking of rare animals and Thea is effectively on her own, trying to make sense of the murder. As she digs deeper into the woman's background, she discovers a tangled web of lies, secrets and at least three very likely suspects .

Thea and Drew have been married for a year and are settled in the village of Broad Campden, but Thea is chafing at the domestic routines she is expected to devote herself to, missing the novelty and adventure that house-sitting used to bring. When a routine burial exposes the secrets of the deceased, Drew finds himself caught in the middle of a family feud, in which he feels he is on the wrong side, and Thea's inquisitiveness and penchant for solving crimes draws her in too. With another crisis at Drew's other business leaving him with a profound dilemma and Thea struggling against the charismatic charms of a new man, can their marriage survive this latest Cotswold drama?

Thea Slocombe is trying to settle into normal family domestic life with Drew and his two children in Broad Campden. But any sense of cosy domesticity is shattered when Thea finds the body of a neighbour. No longer a house-sitter, Thea has no choice but to stay in the village and deal with whatever happens next, even when this risks damage to her marriage.Unconvinced that the swift conclusion made about the death by the police is the right one, Thea is compelled to follow her nature and investigate herself. But what repercussions might there be for her, Drew and those with whom they share this corner of the Cotswolds?

Thea Osborne's latest house-sitting assignment is a little different to the rest. Along with her spaniel, Hepzie, Thea finds herself in the village of Chedworth. She is tasked with creating an inventory of Rita Wilshire's possessions, requested by her son, Richard Wilshire, after moving her into a care home. All goes to plan, until Thea and her fiancé, Drew Slocombe, find Richard dead in a barn. When family members come knocking, Thea and Drew struggle to give them answers. The Wilshire family has its own past and, whilst Thea knows it is not really her business, she cannot help but become involved in the case. Was Richard's death suicide? Or something more sinister? When the clues lead them in circles, Thea's relationship with Drew is put to the test. But there is a crime to solve, and neither of them is willing to give up just yet.