The Cosmic Pilgrim is an introduction to the world of eco-theology. Based on the vision of Pierre Teilhard de Chardin, it describes the nature of reality in our Cosmos that is continually unfolding within our expanding consciousness, and the journey, the pilgrimage, of the universe through space and time toward its consummate destiny within the fullness of God. This radical, evolutionary perspective is part of the new story of science and religion. Mathematical cosmologist and visionary Brian Swimme is the chosen guide to this new cosmology, and his insights form the continuing thread of the book. His mentor, Thomas Berry, is well represented here, as are other great thinkers from the realms of science and theology: Jÿrgen Moltmann, Alfred North Whitehead, C. S. Lewis, John Polkinghorne, and John Haught. The Cosmic Pilgrim presents a personal, easy-to-grasp map of the current interface between ecology, religion, and science. It aims to develop a spirituality that is grounded in the present struggle of moving beyond our Earth-damaging, industrial mindset toward a higher vision of vibrant planetary community. At the same time it seeks out the wider horizon of ultimate meaning and ponders the mystery of the far future and our cosmic destiny. Although the book reflects the author's Christian background, it is nonsectarian in approach and could be enjoyed by any seeker interested in developing a green spirituality.

Welcome to the weird and wonderful world of the Bible. When we read Scripture we often imagine that the world inhabited by the Bible's characters was much the same as our own. We would be wrong. The biblical world is an ancient world with a flat earth that stands at the center of the cosmos, and with a vast ocean in the sky, chaos dragons, mystical mountains, demonic deserts, an underground zone for the dead, stars that are sentient beings, and, if you travel upwards and through the doors in the solid dome of the sky, God's heaven--the heart of the universe. This book takes readers on a guided tour of the biblical cosmos with the goal of opening up the Bible in its ancient world. It then goes further and seeks to show how this very ancient biblical way of seeing the world is still revelatory and can speak God's word afresh into our own modern worlds.

Imagine an Earth totally dominated by an alien race. Imagine that humans and their technology are completely powerless against these invaders. Imagine a world in which people are nothing more than cattle to their new masters Now imagine that one man discovers a key that might free mankind, but he must learn how to care and how to love before he can believe in that key

Ron Austin first wandered purposefully into Mexico more than fifty years ago, when he produced a documentary on Mexican history for American television. Over the next decades, as his acquaintance with Mexico deepened, so too did his appreciation for the rich and contradictory impulses of Mexican culture and for the beauty of its people and their expressions of faith. At once guidebook, history, memoir, and tribute, Austin s Peregrino engagingly explores the spiritual and cultural heart of Catholic Mexico. Though once merely a tourist peering in a stranger to this distinctive faith and culture Austin, now a devout Catholic and part-year resident of Mexico, writes with respect, affection, and deep understanding as he invites fellow pilgrims peregrinos to regard both Mexico and their own cultures of faith in a new light.

It is perhaps the critical issue of our time: How can we, as human beings, find ethical and sustainable ways to live with one another and with other living beings on this planet? Inviting us into the world of “green sisters,” this book provides compelling answers from a variety of religious communities. Green sisters are environmentally active Catholic nuns who are working to heal the earth as they cultivate new forms of religious culture. Sarah McFarland Taylor approaches this world as an “intimate outsider.” Neither Roman Catholic nor member of a religious order, she is a scholar well versed in both ethnography and American religious history who has also spent time shucking garlic and digging vegetable beds with the sisters. With her we encounter sisters in North America who are sod-busting the manicured lawns around their motherhouses to create community-supported organic gardens; building alternative housing structures and hermitages from renewable materials; adopting the “green” technology of composting toilets, solar panels, fluorescent lighting, and hybrid vehicles; and turning their community properties into land trusts with wildlife sanctuaries. Green Sisters gives us a firsthand understanding of the practice and experience of women whose lives bring together Catholicism and ecology, orthodoxy and activism, traditional theology and a passionate mission to save the planet. As green sisters explore ways of living a meaningful religious life in the face of increased cultural diversity and ecological crisis, their story offers hope for the future—and for a deeper understanding of the connections between women, religion, ecology, and culture.

The period ca. 645-770 marked an extraordinary era in the development of East Asian Buddhism and Buddhist art. Increased contacts between China and regions to both its west and east facilitated exchanges and the circulation of ideas, practices and art forms, giving rise to a synthetic art style uniform in both iconography and formal characteristics. The formulation of this new Buddhist art style occurred in China in the latter part of the seventh century, and from there it became widely disseminated and copied throughout East Asia, and to some extent in Central Asia, in the eighth century. This book argues that notions of Buddhist kingship and theory of the Buddhist state formed the underpinnings of Buddhist states experimented in China and Japan from the late seventh to the mid-eighth century, providing the religio-political ideals that were given visual expression in this International Buddhist Art Style. The volume also argues that Buddhist pilgrim-monks were among the key agents in the transmission of these ideals, the visual language of state Buddhism was spread, circulated, adopted and transformed in faraway lands, it transcended cultural and geographical boundaries and became cosmopolitan.

Throughout the Indian subcontinent there are territories and areas wherein culture, geography, and the archetypal cosmos interact with each other to create a sacredscape that is infused with meaning, cultural performances and transcendent power. These sacred sites possess extensive mythological associations where believed that spirit can cross between different realms. In a broad perspective such studies falls within the realm of cultural astronomy, which has two broad areas, viz. archaeoastronomy, concerned with the study of the use of astronomy and its role in ancient cultures and civilizations; and ethnoastronomy that studies the use of astronomy and its role in contemporary cultures. The seven essays in this volume deals with the critical appraisal of studying cultural astronomy and cosmic order and its implications in India, illustrated with case studies like heritagescape of Khajuraho, where stone speaks; manescape of Gaya, where manes come and bless the devotees; Deviscape of Vindhyachal, where goddess resorts; Shivascape of Kashi, where Shiva dances in making order; Shaktiscape of Kashi, that possesses the spatial ordering of goddesses; and Naturscape of Chitrakut, where mother earth blesses.