A young man from the twentieth century is recruited to fight in a war that rages throughout time in this classic science fiction adventure from a multiple Hugo and Nebula Award–winning master. College student, ex-marine, and martial artist Malcolm Lockridge is in prison awaiting his trial for murder when he receives an unexpected visit from an extraordinarily beautiful woman named Storm. Claiming to be a representative of the Wardens, a political faction from two thousand years in the future, Storm offers the astonished young man a proposition: freedom in return for his assistance in recovering an unspecified lost treasure. But it is not long before Malcolm realizes that, in truth, he’s been recruited as a soldier in the Wardens’ ongoing war against their rivals, the Rangers. And this war is different from any that has ever been fought, because the battlefield is not a place but time itself. Traveling backward and forward through corridors connecting historical epochs separated by thousands of years, Malcolm is soon embroiled in a furious conflict between the forces of good and minions of evil. But the deeper he is pulled into this devastating time war, the clearer Malcolm’s ultimate role in humankind’s destiny becomes, causing the troubled young soldier from the twentieth century to question whether he’s been chosen to fight on the side of good or evil . . . and if such a distinction even exists.

The corridors and committee rooms of Whitehall are the setting for the ninth in the Strangers and Brothers series. They are also home to the manipulation of political power. Roger Quaife wages his ban-the-bomb campaign from his seat in the Cabinet and his office at the Ministry.

The splendors of the Grand Canyon are presented in a stunning new manner, with panoramas and points of view even the millions of visitors to the site have not experienced. Through hauntingly beautiful pictures-the like of which have never before been published in book form-...

Panoramic, authentic, explosively dramatic—this is the breathtaking new series The First Americans, which began with Book I, Beyond The Sea Of Ice. Now the heroic great hunter Torka, his woman Lonit, and his adopted son Karana emerge from a land forbidden to all men, a land where mountains walk and spirits speak. Across the fierce glacial tundra Torka leads his people—survivors of a horrifying natural disaster—to a winter camp where many bands gather to hunt the great mammoth. There he and his followers encounter an evil more dangerous than the wild lands—the magic man called Navahlk, who vows cruel destruction of the bold hunter Torka. To survive they must draw upon the courage of one brave boy who will grow to manhood and see with his mind’s eye where the sun’s light has led them—to the dawn of man on the American continent.

44-year-old Harmonie Blake visits her mother only to discover her dead. Distraught at the loss of her only remaining family member, she begins the arduous task of sorting out her mother’s affairs and coping with her grief. The more she digs into her mother’s tumultuous past, the more she realizes how little her mother shared. She follows one clue and traces her mother’s life when she served in the British Army in the London Theatre of War. Through Harmonie’s narrative, the story turns to the war-torn streets of London. There, Helen’s relationships change her life. Would her sense of independence and courage be enough for her to survive failed romances, danger, and death—and Helen’s attempts to shed her Cockney roots and family secrets for a better life? Can Harmonie connect to the real spirit of her mother—and will she find peace in finally letting go of a woman she has only just begun to understand?

A comprehensive history reconstructs the migration patterns of Mexican laborers, connecting them to social, economic, and political developments that have shaped the American Southwest, while describing the racism and capitalist exploitation suffered by the laborers as well as the collective forms of resistance and organizing engaged in by the laborers themselves.

How does history end? -- The Red Queen -- Will to power -- Economics outside the corridor -- Allegory of good government -- The European scissors -- Mandate of Heaven -- Broken Red Queen -- Devil in the details -- What's the matter with Ferguson? -- The paper leviathan -- Wahhab's children -- Red Queen out of control -- Into the corridor -- Living with the leviathan.