Lucille Abbey runs her London secretarial agency with utmost efficiency. When, therefore, a certain Professor Hallam rejects three girls sent by her to apply for the post of his secretary and they each pronounce him “impossible”, Lucille herself sets out to interview the Professor at his home in Hampshire. He is, she finds, eccentric—even impossible; but he represents a challenge and, what is more, an excuse to delay what promises to be a trying holiday in Paris. She stays on to tame and to organize him—a less formidable task than she had imagined; in fact, she grows fond of him. But the atmosphere is somewhat disturbed first by the arrival of a debonair French art expert in search of paintings left to the Professor by his mother, and the next by a hysterical girl on the track of her runaway fiancé. The paintings have unaccountably disappeared; the mystery is still unsolved by the time Lucille’s work for the Professor comes to an end and she has to set off for Paris. At her aunt’s shop in the Rue des Dames, the arrival there of the indomitable art expert, the hysterical girl, the Professor, and a persistent suitor to boot, throw Lucille’s normally orderly life into complete upheaval. *Note, these titles contain the original, unabridged, text exactly as the author first wrote it. Many later editions of Elizabeth Cadell's works were heavily abridged or changed. We hope you enjoy the re-issue of these timeless books. Watch for more to come in the near future!

A BBC RADIO 4 BOOK OF THE WEEK 'Nuanced, human and engaging' Nikesh Shukla, Observer 'Full of life, characters, gossip and all the richness of the local community' Sir David Jason 'A delightful story of growing up "above the shop"' Nigel Slater, Observer 'Cleverly links her own memories of shop-bound life with the last 50 years of British history' Spectator 'I come from a hidden world: I am the daughter of shopkeepers. I've seen you on a Sunday morning, nipping out to get a pint of milk or to grab a newspaper. I came to know a lot about you; whether your politics leaned to the right or left, whether you were gay or straight, and whether you were plagued by cash-flow problems or had enough disposable income to indulge your penchant for Cadbury's Creme Eggs.' Babita Sharma was raised in a corner shop in Reading, and over the counter watched a changing world, from the clientele to the products to the politics of the day. Along with the skills to mop a floor perfectly and stack a shelf, she gained a unique insight into a shifting landscape - and an institution that, despite the creep of supermarkets, online shopping and delivery, has found a way to evolve and survive - and is now once again keeping us all going. From the general stores of the first half of the 20th century (one of which was run by the father of a certain Margaret Thatcher), to the reimagined corner shops run by immigrants from India, East Africa and Eastern Europe from the 60s to the noughties, the corner shop has shaped the way we shop, the way we eat, and the way we understand ourselves. WINNER OF THE BUSINESS BOOK AWARD FOR AN EXCEPTIONAL BOOK THAT PROMOTES DIVERSITY 'A triumph' Radio Times 'A compelling, full selection box of a story' Sanjeev Kohli 'One of the best books I've read on the immigrant experience in this country' Daily Mail 'I loved it cover to cover' Angela Clutton, author of The Vinegar Cupboard

The abrasive love-hate between siblings eventually leads to trouble when Jason and his friend Wayne, go to the rescue of the owner of the corner shop. Unable to convince relatives and friends that Mr. Kashmir Singh is in danger, they decide to take things into their own hands. The result is a hair-raising chase round a deserted airfield in a stolen co-op hearse before the kidnap plot is foiled.

Can a new shop change the village’s future – and Rowena’s? Single mum Rowena is always looking for ways for her and Nia, her four-year-old daughter, to live more sustainably. So when she visits a zero-waste shop in Cardiff, she’s inspired to start one up in her home village of Foxmore, where local businesses and artisan shops are a core part of the community. For Huw, it’s love at first sight when he bumps into Rowena the day he moves to Foxmore. But a series of misunderstandings keeps the two from getting closer, and now a conflict of interest over Rowena’s shop might put a stop to any fledgling romance... When a figure from Rowena’s past makes a surprise appearance, both her shop and her relationship with Huw are suddenly under threat. Can Rowena still realise her corner shop dreams and find love? A gorgeously fun and feel-good cosy romance, perfect for fans of Sue Moorcroft, Holly Martin and Suzanne Snow. Praise for The Corner Shop on Foxmore Green ‘What a great book about friendship, second chances and the importance of learning to trust again. Fully deserving of five stars, I loved it and am still thinking of the characters.’ ⭐⭐⭐⭐⭐ Reader review ‘Loved the storyline and the setting of Foxmore was so descriptive it felt like you were there. This author never fails to deliver.’ ⭐⭐⭐⭐⭐ Reader review ‘What a fabulous delightful read, I really enjoy and look forward to a new book from Lilac Mills.’ ⭐⭐⭐⭐⭐ Reader review ‘I read this in one sitting as it was such a beautiful cosy escapist romantic read. I loved the setting and the characters... so light-hearted and charming!’ ⭐⭐⭐⭐⭐ Reader review ‘This book made me smile! What lovely tone of voice, interesting characters... Not to mention the descriptive setting of Foxmore making anyone yearn to go there.’ ⭐⭐⭐⭐⭐ Reader review ‘Lilac Mills writes such lovely cosy romances... Another charming romance I highly recommend.’ ⭐⭐⭐⭐⭐ Reader review

Walter Richard Sickert (1860-1942) was an artist of prodigious creativity. For sixty years, in his roles as painter, teacher, and polemicist, he was a source of inspiration and influence to successive generations of British painters. With his roots in the Victorian era, Sickert broke all taboos. He was uncompromisingly truthful, revealing beauty in the squalid as in the sublime: in cockney music halls, the crumbling streets of Dieppe, the grand sites of Venice, and the low-life of Camden Town. Decades before Warhol, he exploited the potential of photo-based imagery and of studio production lines to create iconic portraits of the grandees of theatrical, social, and political life. This catalogue is divided into two parts: essay chapters describe Sickert's chronology in terms of stylistic and technical development, and a fully illustrated catalogue presents more than 2800 drawings and paintings, many of which have never been published before.

What will become of the shops? More than ever, the high street appears to be under mortal threat, its shops boarded up as the sad 'bricks and mortar' survivals of a pre-online retail world. But behind the bleak appearance, there is more to see. Back to the Shops offers a set of short and surprising chapters, each one a window into a different shop type or mode of selling. Old shopping streets are seen from new angles; fast fashion shows up in eighteenth-century edits. Here are pedlars and pop-ups, mail order catalogues and mobile greengrocers' shops. Here too are food markets open till late on a Saturday night, and tiny subscription libraries tucked away at the back of the sweet shop. Over time, shops have occupied radically different places in cultural arguments and in our everyday lives. They are essential sources of daily provisions, but they are also the visible evidence of consuming excess. They are local community hubs and they are dreamlands of distraction. Shops are inherently spaces of imagination as well as of practicality. They belong with their own surrounding streets and town; they bring back the times and places of our lives. They linger in stories of all kinds, whether far-fetched or round the corner. From butcher to baker and from markets to motor vans—after reading this book, you will want to go back to the shops.

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.