Sophie is young and queer and into feminist theory. She decides to study abroad, choosing Paris for no firm reason beyond liking French comics. Feeling a bit lonely and out of place, she’s desperate for community and a sense of belonging. She stumbles into what/who she’s looking for when she meets Zena. An anarchist student-activist committed to veganism and shoplifting, Zena offers Sophie a whole new political ideology that feels electric. Enamored—of Zena, of the idea of living more righteously—Sophie finds herself swept up in a whirlwind friendship that blows her even further from her rural California roots as they embark on a disastrous hitchhiking trip to Amsterdam and Berlin, full of couch surfing, drug tripping, and radical book fairs. Capturing that time in your life where you’re meeting new people and learning about the world—when everything feels vital and urgent—The Contradictions is Sophie Yanow’s fictionalized coming-of-age story. Sophie’s attempts at ideological purity are challenged time and again, putting into question the plausibility of a life of dogma in a world filled with contradictions. Keenly observed, frank, and very funny, The Contradictions speaks to a specific reality while also being incredibly relatable, reminding us that we are all imperfect people in an imperfect world.

These political poems employ humor to challenge the cultural norms of American society, focusing primarily on racism, social injustices and inequality. Simultaneously, the poems take on a deeper, personal level as it carefully deconstructs identity and the human experience, piecing them together with unflinching logic and wit. Olzmann takes readers on a surreal exploration of discovery and self-evaluation.

Argues that environmental problems need to be looked at internationally, in terms of the global economic system, and that the degradation of the environment is not 'natural', but an historical process linked to economics and politics.

In this book, one of the most accomplished and thoughtful cultural commentators of the day, considers the contradictory nature of cultural relations. Elizabeth Wilson explores these themes through an examination of fashion, feminism, consumer culture, representation and postmodernism. Debates within feminism on the nature and effects of pornography are used to illustrate a particular kind of cultural contradiction. Wilson recognizes that postmodernism permitted the reappropriation of subjects that were not previously considered worthy of attention, or opposed to the idea of emancipation, chief among these was fashion. She shows that the association of an interest in this culturally significant subject with a revisionist project raises doubt

Working mothers today confront not only conflicting demands on their time and energy but also conflicting ideas about how they are to behave: they must be nurturing and unselfish while engaged in child rearing but competitive and ambitious at work. As more and more women enter the workplace, it would seem reasonable for society to make mothering a simpler and more efficient task. Instead, Sharon Hays points out in this original and provocative book, an ideology of "intensive mothering" has developed that only exacerbates the tensions working mothers face. Drawing on ideas about mothering since the Middle Ages, on contemporary childrearing manuals, and on in-depth interviews with mothers from a range of social classes, Hays traces the evolution of the ideology of intensive mothering--an ideology that holds the individual mother primarily responsible for child rearing and dictates that the process is to be child-centered, expert-guided, emotionally absorbing, labor-intensive, and financially expensive. Hays argues that these ideas about appropriate mothering stem from a fundamental ambivalence about a system based solely on the competitive pursuit of individual interests. In attempting to deal with our deep uneasiness about self-interest, we have imposed unrealistic and unremunerated obligations and commitments on mothering, making it into an opposing force, a primary field on which this cultural ambivalence is played out.

Yang Gui-ja is one of Korea's major literary figures of the last generation, with a succession of literary prizes and best-sellers to her credit. Her most representative early work, the 1987 Wonmi-dong saramdeul, is available in English as A Distant and Beautiful Place. In the 1990s her writing took an increasingly personal turn with a series of popular works including Contradictions (Mosun), South Korea's best-selling novel in 1998. Contradictions is a coming-of-age tale that explores the paradoxes and contradictions of the human condition and delves into the meaning of personal happiness. The book opens with a moment of epiphany as the main character An Jin-jin awakens to the realization that her entire energy must be devoted to her own life. She struggles over whom to marry with an awareness of consequences gleaned from seeing the divergence in the lives of twin sisters--her mother and her aunt. A host of binary oppositions is also presented in the lives of the men around her: a wannabe gang boss brother, an Ivy League cousin, an alcoholic schizophrenic father, a steadfast but rigid uncle, and her two suitors. Yang skillfully develops these characters in increasingly complex threads as the novel unfolds in a series of surprises.

What was “real socialism”—the term which originated in twentieth-century socialist societies for the purpose of distinguishing them from abstract, theoretical socialism? In this volume, Michael A. Lebowitz considers the nature, tendencies, and contradictions of those societies. Beginning with the constant presence of shortages within “real socialism,” Lebowitz searches for the inner relations which generate these patterns. He finds these, in particular, in what he calls “vanguard relations of production,” a relation which takes the apparent form of a social contract where workers obtain benefits not available to their counterparts in capitalism but lack the power to decide within the workplace and society. While these societies were able to claim major achievements in areas from health care to education to popular culture, the separation of thinking and doing prevented workers from developing their capacities as fully developed human beings. The relationship within “real socialism” between the vanguard as conductor and a conducted working class, however, did not only lead to the deformation of workers and those elements necessary for the building of socialism; it also created the conditions in which enterprise managers emerged as an incipient capitalist class, which was an immediate source of the crises of “real socialism.” As he argued in The Socialist Alternative: Real Human Development, Lebowitz stresses the necessity to go beyond the hierarchy inherent in the relation of conductor and conducted (and beyond the “vanguard Marxism” which supports this) to create the conditions in which people can transform themselves through their conscious cooperation and practice—i.e., a society of free and associated producers.