It's been nearly a century since Marcel Duchamp exhibited a urinal and called it art. Since then, painting has been declared dead several times over, and contemporary art has now expanded to include just about any object, action, or event: dance routines, slideshows, functional hair salons, seemingly random accretions of waste. In the meantime, being an artist has gone from a join-the-circus fantasy to a plausible vocation for scores of young people in America. But why--and how and by whom--does all this art get made? How is it evaluated? And for what, if anything, will today's artists be remembered? In The Contemporaries, Roger White, himself a young painter, serves as our spirited, skeptical guide through this diffuse creative world.From young artists trying to elbow their way in to those working hard at dropping out, White's essential book offers a once-in-a-generation glimpse of the inner workings of the American art world at a moment of unparalleled ambition, uncertainty, and creative exuberance.

Offers an intimate look at the world of American contemporary art, looking at the schools, scenes, and artists through the eyes of a working artist.

Reprint of the original, first published in 1840.

Recollections of Proust, Piaf, Colette, and a host of luminaries from Bohemian Paris For almost 50 years up until his death in 1963, Jean Cocteau held a unique place in French cultural life. The breadth of his artistic success bears witness to the astounding variety of his talents. In the fields of theater, cinema, art, ballet, and literature, Cocteau made many lifelong friends. Intimate portraits of some of the greatest artists of his age are included in this memorable memoir. Jean Cocteau was drawn to larger-than-life or seemingly unreal characters. He believed that their unreality was often the clue to the secrets of their personality. In descriptions of his contemporaries, Cocteau is able to illustrate everything that is accessible, sympathetic, memorable, durable, all-pervading, or dazzling about them. Ranging from the moving and atmospheric (the dying Proust in his cork-lined chamber) to the hilariously camp (Colette being carried from her apartment by sedan chair to have lunch across the road), it is in these portraits that the essence of his own work can be found. The portraits include Proust, Picasso, Piaf, Colette, Chaplin, and many more.