Throughout Antiquity and the Middle Ages, literature was read with the ear as much as with the eye: silent reading was the exception; audible reading, the norm. This highly original book shows that Boethius's Consolation of Philosophy--one of the most widely-read texts in Western history--aims to affect the listener through the designs of its rhythmic sound. Stephen Blackwood argues that the Consolation's metres are arranged in patterns that have a therapeutic and liturgical purpose: as a bodily mediation of the text's consolation, these rhythmic patterns enable the listener to discern the eternal in the motion of time. The Consolation of Boethius as Poetic Liturgy vividly explores how in this acoustic encounter with the text philosophy becomes a lived reality, and reading a kind of prayer.

Responding to the lively resurgence of literary formalism, this volume delivers a timely and fresh exploration of the works of Geoffrey Chaucer. Advancing 'new formalist' approaches, medieval scholars have begun to ask what happens when structure fails to yield meaning, probing the very limits of poetic organization. While Chaucer is acknowledged as a master of form, his work also foregrounds troubling questions about formal agency: the disparate forces of narrative and poetic practice, readerly reception, intertextuality, genre, scribal attention, patronage, and historical change. This definitive collection of essays offers diverse perspectives on Chaucer and a varied analysis of these problems, asking what happens when form is resisted by author or reader, when it fails by accident or by design, and how it can be misleading, errant, or even dangerous.

Noted scholars in the field explore the rich variety of late antique literature With contributions from leading scholars in the field, A Companion to Late Antique Literature presents a broad review of late antique literature. The late antique period encompasses a significant transitional era in literary history from the mid-third century to the early seventh century. The Companion covers notable Greek and Latin texts of the period and provides a varied overview of literature written in six other late antique languages. Comprehensive in scope, this important volume presents new research, methodologies, and significant debates in the field. The Companion explores the histories, forms, features, audiences, and uses of the literature of the period. This authoritative text: Provides an inclusive overview of late antique literature Offers the widest survey to date of the literary traditions and forms of the period, including those in several languages other than Greek and Latin Presents the most current research and new methodologies in the field Contains contributions from an international group of contributors Written for students and scholars of late antiquity, this comprehensive volume provides an authoritative review of the literature from the era.

Boethius' reputation as a poet is reestablished in these fresh and thoughtful versions.

The influence of the theology and philosophy of Augustine of Hippo on subsequent Western thought and culture is undisputed. Prayer after Augustine: A Study in the Development of the Latin Tradition argues that the notion of the 'Augustinian tradition' needs to be re-thought; and that already in the generation after Augustine in the West such a re-thinking is already and richly manifest in more than one influential form. In this work, Jonathan D. Teubner encourages philosophical, moral, and historical theologians to think about what it might mean that the Augustinian tradition formed in a distinctively Augustinian fashion, and considers how this affects how they use, discuss, and evaluate Augustine in their work. This is exemplified by Augustine's reflections on prayer and how they were taken up, modified, and handed on by Boethius and Benedict, two critically influential figures for the development of Latin medieval philosophical and theological cultures. Teubner analyses and exemplifies the particular theme of prayer and the other topics it constellates in Augustine and to show how it already forms a distinctively 'Augustinian' concept of tradition that was to prove to have fascinatingly diverse manifestations. Part I traces the development of Augustine's understanding of prayer. Patience and hope as articulated in prayer sit at the centre of Augustine's understanding of Christian existence. In Part II, Teubner turns to suggest how this is picked up by Boethius and Benedict.

In this ambitious book, Michael D. Hurley explores how five great writers – William Blake, Alfred Tennyson, Christina Rossetti, Gerard Manley Hopkins, and T. S. Eliot – engaged their religious faith in poetry, with a view to asking why they chose that literary form in the first place. What did they believe poetry could say or do that other kinds of language or expression could not? And how might poetry itself operate as a unique mode of believing? These deep questions meet at the crossroads of poetics and metaphysics, and the writers considered here offer different answers. But these writers also collectively shed light on the interplay between literature and theology across the long nineteenth century, at a time when the authority and practice of both was being fiercely reimagined.