In the '60s and '70s, America's music scene was marked by raucous excess, reflected in the tragic overdoses of young superstars such as Jimi Hendrix and Janis Joplin. At the same time, the uplifting harmonies and sunny lyrics that propelled Karen Carpenter and her brother, Richard, to international fame belied a different sort of tragedy—the underconsumption that led to Karen's death at age thirty-two from the effects of an eating disorder. In Why Karen Carpenter Matters, Karen Tongson (whose Filipino musician parents named her after the pop icon) interweaves the story of the singer’s rise to fame with her own trans-Pacific journey between the Philippines—where imitations of American pop styles flourished—and Karen Carpenter’s home ground of Southern California. Tongson reveals why the Carpenters' chart-topping, seemingly whitewashed musical fantasies of "normal love" can now have profound significance for her—as well as for other people of color, LGBT+ communities, and anyone outside the mainstream culture usually associated with Karen Carpenter’s legacy. This hybrid of memoir and biography excavates the destructive perfectionism at the root of the Carpenters’ sound, while finding the beauty in the singer's all too brief life.

Looking at contemporary film and television, this book explores how popular genres frame our understanding of on-screen performance. Previous studies of screen performance have tended to fix upon star actors, directors, or programme makers, or they have concentrated upon particular training and acting styles. Moving outside of these confines, this book provides a truly interdisciplinary account of performance in film and television and examines a much neglected area in our understanding of how popular genres and performance intersect on screen. Each chapter concentrates upon a particular genre or draws upon generic case studies in examining the significance of screen performance. Individual chapters examine contemporary film noir, horror, the biopic, drama-documentary, the western, science fiction, comedy performance in ‘spoof news’ programmes and the television ‘sit com’ and popular Bollywood films.

THE STORY: Jamie and Ste (short for Steve) are teenage neighbors in a working-class housing project in London. Jamie is bookish and shy while Ste is more athletic. Neither one has an ideal home life: Jamie's mother Sandra is bitter over her financi

London 2014. Holly Smith has never fitted in. Adopted when just a few months old, she's always felt she was someone with no history, the girl who just appeared. All she has is the address of where she was born - 32B Gambier Terrace, Liverpool. By a bizarre twist of fate Holly discovers that the flat is available to rent. She travels north and moves in. When she finds a biscuit tin full of yellowing papers under the floorboards, she wonders if this might hold the secret to her past. Liverpool 1981. Fifteen-year-old Darren negotiates life with his errant mother and the younger brother he is bringing up. When the Toxteth Riots explode around him Darren finds himself with a moral dilemma that will have consequences for the rest of his life. Flitting between the present and the past, we discover how Darren and Holly's lives become intertwined. Will Holly uncover the secrets of her past? Or will she always feel like the girl who just appeared?

A lyric novel about the play of grief, empathy, new and old love, and the quest to overcome blindness in human relations. Caught in the cross-currents of a fraught divorce and a new love, the death of her mother, and a global pandemic, a writer plunges into an obsession with the work of 1960s French philosopher Roland Barthes. Her struggles to make sense of his work and life—and of what can happen to a woman's settled life in a single harrowing year—result in an engrossing, funny, earthy, and innovative lyric work. The quest for authenticity in motherhood, sexuality, and tenancy on the earth and in the home, as well as the unusual lyric form, make the novel unified in spirit yet transdisciplinary in approach.

NEWBERY MEDAL WINNER • TIME MAGAZINE’S 100 BEST FANTASY BOOKS OF ALL TIME • NOW A MAJOR MOTION PICTURE FROM DISNEY Read the ground-breaking science fiction and fantasy classic that has delighted children for over 60 years! "A Wrinkle in Time is one of my favorite books of all time. I've read it so often, I know it by heart." —Meg Cabot Late one night, three otherworldly creatures appear and sweep Meg Murry, her brother Charles Wallace, and their friend Calvin O'Keefe away on a mission to save Mr. Murray, who has gone missing while doing top-secret work for the government. They travel via tesseract--a wrinkle that transports one across space and time--to the planet Camazotz, where Mr. Murray is being held captive. There they discover a dark force that threatens not only Mr. Murray but the safety of the whole universe. A Wrinkle in Time is the first book in Madeleine L’Engle’s Time Quintet.

All She Wants is a laugh out loud story about a Liverpool girl who becomes a famous soap star, by Coronation Street scriptwriter Jonathan Harvey. 'A mad-cap, laugh-out-loud roller coaster of a ride . . . with an unexpectedly tender sting in the tail.' - Marian Keyes, author of The Break There are some things in life you can always rely on. Living in the shadow of your ‘perfect’ brother Joey, getting the flu over Christmas, and your Mother showing you up in the supermarket. Then there are some things you really don’t count on happening: a good dose of fame, getting completely trashed at an awards ceremony, and catching your fella doing something unmentionable on your wedding day. This is my story, it’s dead tragic. You have been warned . . . 'Utterly original, sharply written and very funny. I laughed, and then I laughed. And then I had to go back and re-read the bits that I'd missed and laugh some more.' - Jojo Moyes, author of Me Before You ‘Hugely Enjoyable’ – comedian Kathy Burke.