Six contributors discuss the state of Japanese arts during the allied occupation after the second World War. Topics include missteps by occupation censors, caution and experimentation on the part of nine artists of the era, the preservation of cultural property, and the conflicted roles of women and

The Smithsonian Institution presents an annotated poster gallery featuring "Don't Sell Salt Illegally: Posters in Occupied Japan," by James Howard Fraser.

Exploring the gendered dimension of political conflicts, Laura Edwards links transformations in private and public life in the era following the Civil War. Ideas about men's and women's roles within households shaped the ways groups of southerners--elite and poor, whites and blacks, Democrats and Republicans--envisioned the public arena and their own places in it. By using those on the margins to define the center, Edwards demonstrates that Reconstruction was a complicated process of conflict and negotiation that lasted long beyond 1877 and involved all southerners and every aspect of life.

By examining the most controversial Park Chung-hee period (1961-1979), Developmental Dictatorship and the Park Chung-hee Era helps the reader rediscover the socioeconomic origins of modern Korea. The essays in this book written by twelve noted Korean social scientists discuss the relationship between South Koreas economic development and totalitarianism in the form of the Park dictatorship. ABOUT THE EDITOR lee Byeong-cheon holds a PhD in economics from Seoul National University. He is a professor in the Department of Economics and International Trade at Kangwon National University. Dr. Lee was a visiting professor at University of California, Berkeley. CONTRIBUTORS Lee Byeong-cheon, Kim Sam-soo, Seo Ick-jin, Yoo Chul-gyue, Lee Sang-cheol, Lee Joung-woo, Lee Chong-suk, Cho Young-chol, Chin Jung-kwon, Han Hong-koo, Hong Seong-tae, Hong Yun-gi.