Presents a fictionalized account of the 1831 slave revolt led by Nat Turner in Southampton County, Virginia.

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The Confessions of Nat Turner: An Authentic Account of the Whole Insurrection. Nat Turner was an American slave who led a rebellion of slaves and free blacks in Southampton County, Virginia on August 21, 1831. The rebels went from plantation to plantation, gathering horses and guns, freeing other slaves along the way, and recruiting other blacks who wanted to join their revolt. During the rebellion, Virginia legislators targeted free blacks with a colonization bill, which allocated new funding to remove them, and a police bill that denied free blacks trials by jury and made any free blacks convicted of a crime subject to sale and relocation.

A bold new interpretation of Nat Turner and the slave rebellion that stunned the American South In 1831 Virginia, Nat Turner led a band of Southampton County slaves in a rebellion that killed fifty-five whites, mostly women and children. After more than two months in hiding, Turner was captured, and quickly convicted and executed. In the Matter of Nat Turner penetrates the historical caricature of Turner as befuddled mystic and self-styled Baptist preacher to recover the haunting persona of this legendary American slave rebel, telling of his self-discovery and the dawning of his Christian faith, of an impossible task given to him by God, and of redemptive violence and profane retribution. Much about Turner remains unknown. His extraordinary account of his life and rebellion, given in chains as he awaited trial in jail, was written down by an opportunistic white attorney and sold as a pamphlet to cash in on Turner’s notoriety. But the enigmatic rebel leader had an immediate and broad impact on the American South, and his rebellion remains one of the most momentous episodes in American history. Christopher Tomlins provides a luminous account of Turner's intellectual development, religious cosmology, and motivations, and offers an original and incisive analysis of the Turner Rebellion itself and its impact on Virginia politics. Tomlins also undertakes a deeply critical examination of William Styron’s 1967 novel, The Confessions of Nat Turner, which restored Turner to the American consciousness in the era of civil rights, black power, and urban riots. A speculative history that recovers Turner from the few shards of evidence we have about his life, In the Matter of Nat Turner is also a unique speculation about the meaning and uses of history itself.

In August 1831, Nat Turner led a slave uprising that shook the conscience of the nation. Turner's startling account of his prophecy and the insurrection was recorded and published by attorney Thomas R. Gray. Nathan Alan Davis writes a timely new play that imagines Turner's final night in a jail cell in Jerusalem, Virginia, as he is revisited by Gray and they reckon with what has passed, and what the dawn will bring. Woven with vivid imagery and indelible lyricism, Nat Turner in Jerusalem examines the power of an individual's resolute convictions and their seismic reverberations through time.

African American slave narratives of the 19th century recorded the grim realities of the antebellum South; they also provide the foundation for this compelling and revealing work on African American history and experiences. Naturally, it is not possible to really know what being a slave during the antebellum period in America was like without living the experience. But students CAN get eye-opening insight into what it was like through the gripping stories of bravery, courage, persistence, and resiliency in this collection of annotated slave narratives from the period. Each of the collected narratives includes an introduction that provides readers with key historical context on the particular life examined. Moreover, each narrative is accompanied by annotations that broaden the reader's comprehension of that primary document. The primary source documents in this volume tell enthralling stories, such as how slave woman Ellen Craft utilized her particularly pale complexion to pose as a free white man overseeing his slaves to free herself and her husband, and how Henry Brown successfully shipped himself to freedom in a box measuring scarcely 3 feet by two feet by six inches deep—despite being more than six feet tall.