The Complete Works of Mary Elizabeth Braddon is a collection of literature that showcases the diverse storytelling ability of the author. Mary Elizabeth Braddon's writing style often blends elements of sensationalism with social commentary, creating a unique narrative that captivates readers. Her works often explore themes of gender, class, and morality, placing her within the context of Victorian literature. The collection includes a wide range of novels, short stories, and plays that highlight Braddon's versatility as a writer. Each work is a testament to the author's ability to engage readers with compelling plots and dynamic characters. From thrilling mysteries to insightful social critiques, Braddon's complete works offer a comprehensive look at her literary contributions to the Victorian era. Mary Elizabeth Braddon was a prolific Victorian author whose works reflected the changing societal norms of the time. Born in 1835, Braddon's keen insight into human nature and her ability to craft engaging narratives set her apart as a significant figure in Victorian literature. Her personal experiences and observations of society likely influenced her writing, leading to the creation of works that resonate with readers even today. Fans of Victorian literature, female authors, and those interested in societal critiques will find The Complete Works of Mary Elizabeth Braddon to be a valuable addition to their reading list. Braddon's compelling storytelling and perceptive commentary make her works both entertaining and thought-provoking, making this collection a must-read for literature enthusiasts.

Since the first publication of her groundbreaking sensation novel 'Lady Audley's Secret' in 1862, M. E. Braddon's works have gripped the imagination of readers across the world for over one hundred and fifty years. This comprehensive eBook presents the many diverse works of M. E. Braddon, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 2) * Beautifully illustrated with images relating to Braddon's life and works * Concise introductions to the novels and other texts * 27 novels, with individual contents tables * Rare novels appearing here for the first time, including Braddon's first novel, last novel and her supernatural masterpiece GERARD, OR THE WORLD, THE FLESH AND THE DEVIL * Images of how the books were first printed, giving your eReader a taste of the original texts * Excellent formatting of the texts * The children's book THE CHRISTMAS HIRELINGS is also included, with all of the original festive illustrations * Braddon's first collection of short stories RALPH THE BAILIFF AND OTHER TALES, featuring many of the author's seminal tales — available in no other collection * Special chronological and alphabetical contents tables for the short stories * Easily locate the short stories you want to read * Includes one of Braddon's scarce plays * Features a memoir by the author, concerning the composition of her first novel * Ordering of texts into chronological order and literary genres * UPDATED with 5 more novels and improved texts CONTENTS: The Novels Three Times Dead (1860) Lady Audley’s Secret (1862) Captain of the Vulture (1863) Aurora Floyd (1863) John Marchmont’s Legacy (1863) The Doctor’s Wife (1864) Henry Dunbar (1864) Birds of Prey (1867) Charlotte’s Inheritance (1868) Run to Earth (1868) Fenton’s Quest (1871) The Lovels of Arden (1872) A Strange World (1875) The Cloven Foot (1879) Vixen (1879) Mount Royal (1882) Phantom Fortune (1883) The Golden Calf (1883) Wyllard’s Weird (1885) Mohawks (1886) Gerard (1891) All along the River (1893) London Pride (1896) His Darling Sin (1899) The Infidel (1900) Beyond These Voices (1910) Mary (1916) The Children’s Book The Christmas Hirelings (1894) The Shorter Fiction Ralph the Bailiff and Other Tales (1862) Milly Darrell (1873) Flower and Weed, and Other Tales (1884) The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order The Play Marjorie Daw (1885) The Memoir My First Novel: ‘The Trail of the Serpent’ (1897) Please visit www.delphiclassics.com to browse through our range of exciting titles

Mary Elizabeth Braddon, journal editor and bestselling author of more than eighty novels during the late nineteenth and early twentieth centuries, was a key figure in the Victorian literary scene. This volume brings together new essays from a variety of perspectives that illuminate both the richness of Braddon's oeuvre and the variety of critical approaches to it. Best known as the author of Lady Audley's Secret and Aurora Floyd, Braddon also wrote penny dreadfuls, realist novels, plays, short stories, reviews, and articles. The contributors move beyond her two most famous works and reflect a range of current issues and approaches, including gender, genre, imperialism, colonial reception, commodity culture, and publishing history. Contributors include Jennifer Carnell, Jeni Curtis, Pamela K. Gilbert, Lauren Goodlad, Aeron Haynie, Heidi Holder, Gail Turley Houston, Heidi H. Johnson, Toni Johnson-Woods, James R. Kincaid, Elizabeth Langland, Eve Lynch, Graham Law, Katherine Montweiler, Lillian Nayder, Lyn Pykett, and Tabitha Sparks, and Marlene Tromp.

There were two surgeons in the little town of Graybridge-on-the-Wayverne, in pretty pastoral Midlandshire,—Mr. Pawlkatt, who lived in a big, new, brazen-faced house in the middle of the queer old High Street; and John Gilbert, the parish doctor, who lived in his own house on the outskirts of Graybridge, and worked very hard for a smaller income than that which the stylish Mr. Pawlkatt derived from his aristocratic patients. John Gilbert was an elderly man, with a young son. He had married late in life, and his wife had died very soon after the birth of this son. It was for this reason, most likely, that the surgeon loved his child as children are rarely loved by their fathers—with an earnest, over-anxious devotion, which from the very first had been something womanly in its character, and which grew with the child's growth. Mr. Gilbert's mind was narrowed by the circle in which he lived. He had inherited his own patients and the parish patients from his father, who had been a surgeon before him, and who had lived in the same house, with the same red lamp over the little old-fashioned surgery-door, for eight-and-forty years, and had died, leaving the house, the practice, and the red lamp to his son. If John Gilbert's only child had possessed the capacity of a Newton or the aspirations of a Napoleon, the surgeon would nevertheless have shut him up in the surgery to compound aloes and conserve of roses, tincture of rhubarb and essence of peppermint. Luckily for the boy, he was only a common-place lad, with a good-looking, rosy face; clear grey eyes, which stared at you frankly; and a thick stubble of brown hair, parted in the middle and waving from the roots. He was tall, straight, and muscular; a good runner, a first-rate cricketer, tolerably skilful with a pair of boxing-gloves or single-sticks, and a decent shot. He wrote a fair business-like hand, was an excellent arithmetician, remembered a smattering of Latin, a random line here and there from those Roman poets and philosophers whose writings had been his torment at a certain classical and commercial academy at Wareham. He spoke and wrote tolerable English, had read Shakespeare and Sir Walter Scott, and infinitely preferred the latter, though he made a point of skipping the first few chapters of the great novelist's fictions in order to get at once to the action of the story. He was a very good young man, went to church two or three times on a Sunday, and would on no account have broken any one of the Ten Commandments on the painted tablets above the altar by so much as a thought. He was very good; and, above all, he was very good-looking. No one had ever disputed this fact: George Gilbert was eminently good-looking. No one had ever gone so far as to call him handsome; no one had ever presumed to designate him plain. He had those homely, healthy good looks which the novelist or poet in search of a hero would recoil from with actual horror, and which the practical mind involuntarily associates with tenant-farming in a small way, or the sale of butcher's meat.