Les Rougon-Macquart is the collective title given to a cycle of twenty novels by French writer Émile Zola. Subtitled "Natural and social history of a family under the Second Empire", it follows the life of one family during the Second French Empire (1852–1870). In this tremendous work Zola first and foremost examines the impact of social environment on men and women, by varying the social, economic, political and professional milieu in which each novel takes place. It provides us with a close look at everyday life, gives us a deep insight into important social changes and it shows us the true people's history of the Second Empire. Table of Contents: The Fortune of the Rougons (La Fortune des Rougon) The Kill (La Curée) The Belly of Paris (Le Ventre de Paris) The Conquest of Plassans (La Conquête de Plassans) The Sin of Father Mouret (La Faute de l'Abbé Mouret) His Excellency Eugène Rougon (Son Excellence Eugène Rougon) The Drinking Den (L'Assommoir) One Page of Love (Une Page d'amour) Nana Piping Hot (Pot-Bouille) The Ladies' Paradise (Au Bonheur des Dames) The Joy of Life (La Joie de vivre) Germinal The Masterpiece (L'Œuvre) The Earth (La Terre) The Dream (Le Rêve) The Beast in Man (La Bête humaine) Money (L'Argent) The Downfall (La Débâcle) Doctor Pascal (Le Docteur Pascal) Émile Zola (1840-1902), French novelist, critic, and political activist who was the most prominent French novelist of the late 19th century. He was noted for his theories of naturalism, which underlie his monumental 20-novel series Les Rougon-Macquart, and for his intervention in the Dreyfus Affair through his famous open letter, "J'accuse."

This carefully crafted ebook: "The Rougon-Macquart Cycle: Complete Collection - ALL 20 Novels In One Volume" is formatted for your eReader with a functional and detailed table of contents. Les Rougon-Macquart is the collective title given to a cycle of twenty novels by French writer Émile Zola. Subtitled "Natural and social history of a family under the Second Empire", it follows the life of one family during the Second French Empire (1852–1870). In this tremendous work Zola first and foremost examines the impact of social environment on men and women, by varying the social, economic, political and professional milieu in which each novel takes place. It provides us with a close look at everyday life, gives us a deep insight into important social changes and it shows us the true people's history of the Second Empire. Table of Contents: The Fortune of the Rougons (La Fortune des Rougon) The Kill (La Curée) The Belly of Paris (Le Ventre de Paris) The Conquest of Plassans (La Conquête de Plassans) The Sin of Father Mouret (La Faute de l'Abbé Mouret) His Excellency Eugène Rougon (Son Excellence Eugène Rougon) The Drinking Den (L'Assommoir) One Page of Love (Une Page d'amour) Nana Piping Hot (Pot-Bouille) The Ladies' Paradise (Au Bonheur des Dames) The Joy of Life (La Joie de vivre) Germinal The Masterpiece (L'Œuvre) The Earth (La Terre) The Dream (Le Rêve) The Beast in Man (La Bête humaine) Money (L'Argent) The Downfall (La Débâcle) Doctor Pascal (Le Docteur Pascal) Émile Zola (1840-1902), French novelist, critic, and political activist who was the most prominent French novelist of the late 19th century. He was noted for his theories of naturalism, which underlie his monumental 20-novel series Les Rougon-Macquart, and for his intervention in the Dreyfus Affair through his famous open letter, "J'accuse."

La Debacle is the penultimate novel in Zola's great Rougon-Macquart cycle. A stirring account of profound friendship between two soldiers from opposite ends of the class divide during the Franco-Prussian War and the Commune of 1870-1.

On the face of it, Evelyn Piper has it all: a loving husband, a devoted daughter, and a secure lifestyle. However, she is also the owner of a cut-glass bowl given to her in anger by a rejected suitor. This bowl seems to act as the connecting thread between all the tragedies that befall Evelyn and her family. With the deft use of symbolism, Fitzgerald creates a short story that encourages the reader to reflect on their own lives, material wealth, and past regrets. An introspective read for fans of the author of ‘The Great Gatsby.’ F. Scott Fitzgerald (1896-1940) is one of the greatest American novelists of the 20th century and the author of the classics ‘Tender is the Night’ and ‘The Great Gatsby’, with the latter having been made into a film starring Leonardo DiCaprio and Carey Mulligan. Skillfully capturing the prosperity of post-World War One America, his writing helped illustrate the 1920s Jazz Age that he and his wife Zelda Fitzgerald were at the centre of.

The Belly of Paris (Le Ventre de Paris) is the third novel in Émile Zola's twenty-volume series Les Rougon-Macquart, first published in 1873. It is a novel of the teeming life which surrounds the great central markets of Paris. The book was originally translated into English by Henry Vizetelly and published in 1888 under the title Fat and Thin. After Vizetelly's imprisonment for obscene libel the novel was one of those revised and expurgated by his son, Ernest Alfred Vizetelly. The heroine is Lisa Quenu, a daughter of Antoine Macquart. She has become prosperous, and with prosperity her selfishness has increased. Her brother-in-law Florent had escaped from penal servitude in Cayenne and lived for a short time in her house, but she became tired of his presence and ultimately denounced him to the police. Émile Zola (1840 – 1902) was a French writer, the most important exemplar of the literary school of naturalism and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France.

Book Excerpt: ...n ill-greased pulley, and ended by degenerating into a terrible spasm of coughing. The fire basket now clearly lit up his large head, with its scanty white hair and flat, livid face, spotted with bluish patches. He was short, with an enormous neck, projecting calves and heels, and long arms, with massive hands falling to his knees. For the rest, like his horse, which stood immovable, without suffering from the wind, he seemed to be made of stone; he had no appearance of feeling either the cold or the gusts that whistled at his ears. When he coughed his throat was torn by a deep rasping; he spat at the foot of the basket and the earth was blackened.Étienne looked at him and at the ground which he had thus stained."Have you been working long at the mine?"Bonnemort flung open both arms."Long? I should think so. I was not eight when I went down into the Voreux and I am now fifty-eight. Reckon that up! I have been everything down there; at first trammer, then putter, when I h...