John Reed (1887ó1920) was part of the original Bohemian generation of the First World War, and is best known for his book, Ten Days that Shook the World, an eyewitness account of the October Revolution in Russia in 1917 that has long been regarded as a classic. Although his prose has been reprinted, his poems have never been collected in book form. An excellent compilation with introduction by Granville Hicks, noted literary critic and author of the definitive biography of Reed, John Reed: The Making of a Revolutionary, and memoir and sonnet by the late Max Eastman, Reed's close friend and editor of The Masses, a radical journal which Reed joined in 1913.

Poetry. Literary Nonfiction. Hybrid Genre. FREE BOAT: COLLECTED LIES AND LOVE POEMS selects from a sequence of sonnets written from 2008-2015. Reed, the author of five previous books (three novels and two "stunts") lends his voice and eclectic abilities to this singular work, which, in addition to being a book of sonnets, is part love letter, part literary ode, and part delusion. Evolving the classical sonnet, a form which still captures our spirits, Reed summons our contemporary yearning: sugar sweet to splash of acid. "Come to me," writes Reed in sonnet #6, "like tomorrow to a child." Sonnet #41, in contrast, offers the lyrical confession, "All I want to do is stab people." With his plaintive lines, Reed gives expression to the inner ghost of the Twenty-First Century; sonnet #65, a valentine, wonders "Momma, are there other wooden children?" FREE BOAT: COLLECTED LIES AND LOVE POEMS spans 54+ sonnets, and that's a lot of sonnets, but Reed's stylistic ease guides his audience through an experience more akin to reading a photo essay. Indeed, of the 23 images in FREE BOAT: COLLECTED LIES AND LOVE POEMS, 9 are photographs by the author. Rhapsody, serenade, picaresque, FREE BOAT would be as comfortably tabled with Nadja by Andr� Breton, as it would be with The Dream Songs by John Berryman, Delta of Venus by Ana�s Nin, or Under the Net by Iris Murdoch.

Collected poetry of journalist and radical, John Reed (1887-1920).

Culled from four decades of writing, a volume of multicultural poetry offers insight into the MacArthur fellow's spiritual and political beliefs as well as his journeys throughout America, Japan, Africa, and other regions, in an anthology that includes pieces on such topics as war, prejudice, and George W. Bush.

Published to weave together the untold stories of The New School's legacy Illustrated with over 400 images from the School's archive A Drama in Time is an illustrative and beautifully designed mosaic narrative that weaves together the many histories of one of America's most progressive universities. Founded by political dissidents in 1919, the School has become a byword for academic freedom and progressive thought. Now encompassing five schools, including Parsons School of Design, The New School is a center for notable designers, writers, musicians, artists and political activists. The book design is reflective of the change-making, status-quo pushing attitude of the school: dynamic and unexpected while remaining elegant. Contents: A character study of a university and a fresh take on the classic hero's journey, the book is a non-linear collection of stories designed to live on their own, and as a whole to give the reader an understanding of The New School's legacy and vision. Each story contains a mix of a title, body copy, photos with captions, pull-out quotes by recognizable members of our community, historical and modern courses, and related events/happenings/publications that cross time periods and schools. The Festival of New: 1-6 October 2019. The book will be launched during a campus-wide Festival open to the public celebrating the school's Centennial with talks, performances, exhbitions, parties and more.