Contains biographical notes on Vladimir Horowitz as well as the essay "Vladimir Horowitz : one of the last romantics" by Jon M. Samuels in English with the German translation by Geertje Lenkeit.

The Pulitzer Prize-winning author of The Great Pianists offers a definitive biography of piano virtuoso Vladimir Horowitz, complete with never-before-published quotes from Horowitz himself. A superb and wonderfully readable musical assessment of Horowitz's explosive talent and his unique contribution to the cultural life of the 20th century. Photographs. Discography.

This biography charts the career and legacy of the pioneering American music manager Arthur Judson (1881–1975), who rose to prominence in Philadelphia and New York at the beginning of the twentieth century. A violinist by training, Judson became manager of the Philadelphia Orchestra in 1915 under the iconic conductor Leopold Stokowski. Within a few years, Judson also took on management of the New York Philharmonic, navigating a period of change and the tenures of several important conductors who included William Mengelberg, Arturo Toscanini, and John Barbirolli. Judson also began managing individual artists, including pianists Alfred Cortot and Vladimir Horowitz, violinist Jasha Heifetz, and cellist Gregor Piatigorsky. He also organized the U.S. tours of several prominent composers, including Igor Stravinsky and Vincent d'Indy. At the same time, Judson began managing conductors. His first clients were Stokowski and Fritz Reiner. By the 1930s, Judson's conductor list included most of the important conductors working in America. Drawing on rich correspondence between Judson and the conductors and artists he served, James M. Doering demonstrates Judson's multifaceted roles, including involvement with programming choices, building audiences, negotiating with orchestra members and their unions, and exploring new technologies for extending the orchestras' reach. In addition to his colorful career behind the scenes at two preeminent American orchestras, Judson was important for a number of innovations in arts management. In 1922, he founded a nationwide network of local managers and later became involved in the relatively unexplored medium of radio, working first with WEAF in New York City and then later forming his own national radio network in 1927. Providing valuable insight into the workings of these orchestras and the formative years of arts management, The Great Orchestrator is a valuable portrait of one of the most powerful managers in American musical history.

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 30. Chapters: Carmen Variations (Horowitz), International Competition for Young Pianists in Memory of Vladimir Horowitz, Moment exotique, The Last Romantic, Vladimir Horowitz discography, Vladimir Horowitz - The Complete Original Jacket Collection. Excerpt: The Russian-American classical virtuoso pianist Vladimir Horowitz was a recording artist for over 60 years; beginning in 1926 on a piano roll system for Welte-Mignon, then with audio recordings, starting in 1928 for RCA Victor. Horowitz continued to record for a variety of record labels throughout his life. He stopped recording for RCA in 1959, and between 1962 and 1973 recorded with Columbia Masterworks, now known as Sony Masterworks. In 1975, Horowitz returned to RCA, with which he recorded a series of live recitals. For the last years of his life, between 1985 and 1989, Horowitz recorded for Deutsche Grammophon. Horowitz's final recording, with Sony Classical, was completed in November 1989, four days before his death. This final recording consisted of repertoire that he had never previously recorded. His discography contains numerous albums and compilations of compositions by a variety of composers. Horowitz has also appeared in several video items, most of these were produced in the later years of his life. Horowitz at the time of his first recordings.Horowitz's first recordings were made in 1926, on piano rolls at the Welte-Mignon studios in Freiburg im Breisgau, Germany. He also recorded piano rolls for Aeolian. His first audio recordings were made in the United States during 1928 for RCA Victor Red Seal, these recordings were made on 78rpm disks. Because of the economic impact of the Great Depression, RCA Victor agreed to allow its recording artists' European-produced recordings to be made by HMV, RCA's London-based affiliate. Horowitz's first European recording, ..