DigiCat presents the revolutionary works of French literature, the popular and influential classics of various genres and themes – action-adventures, historical thrillers, revealing the hypocrisy of the society, and the questioning of morals and beliefs through its main characters, all relatable until this day. This is the legacy of the French literary giants - Alexandre Dumas elder, and his son Alexandre Dumas younger: Alexandre Dumas pere: The D'Artagnan Romances The Three Musketeers Twenty Years After The Vicomte of Bragelonne Ten Years Later Louise de la Valliere The Man in the Iron Mask The Valois Trilogy: Marguerite de Valois (La Reine Margot) Chicot the Jester (La Dame de Monsoreau) The Forty-Five Guardsmen The Memoirs of a Physician Series: Joseph Balsamo (The Magician) The Mesmerist's Victim (Andrea de Taverney) The Queen's Necklace Taking the Bastille (Ange Pitou) The Countess de Charny (The Execution of King Louis XVI) Other Novels: The Count of Monte Cristo The Conspirators (The Chevalier d'Harmental) The Regent's Daughter (A Sequel to The Conspirators) The Hero of the People The Royal Life Guard (The Flight of the Royal Family) Captain Paul The Sicilian Bandit The Corsican Brothers The Companions of Jehu The Wolf Leader The Black Tulip The Last Vendee (The She-Wolves of Machecoul) The Prussian Terror (A Dramatic Memories) Short Stories: A Masked Ball Solange Other Works: Celebrated Crimes The Borgias The Cenci Massacres of the South Mary Stuart Karl-Ludwig Sand Urbain Grandier Nisida Derues La Constantin Joan of Naples The Man in the Iron Mask (An Essay) Martin Guerre Ali Pacha The Countess De Saint-Geran Murat The Marquise De Brinvilliers Vaninka The Marquise De Gange Alexandre Dumas fils: The Lady with the Camellias The Son of Clemenceau The Princess of Bagdad

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On the 21st Frimaire of the year II. (11th of December, 1793), the diligence from Besancon to Strasbourg stopped at nine o'clock in the evening in the courtyard of the Hotel de la Poste, behind the cathedral. Five travellers descended from it, but the youngest only merits our attention. He was a boy of thirteen or fourteen, thin and pale, who might have been taken for a girl dressed in boy's clothes, so sweet and melancholy was the expression of his face. His hair, which he wore cut a la Titus - a fashion which zealous Republicans had adopted in imitation of Talma - was dark brown; eyelashes of the same color shaded eyes of deep blue, which rested, with remarkable intelligence, like two interrogation points, upon men and things. He had thin lips, fine teeth, and a charming smile, and he was dressed in the fashion of the day, if not elegantly, at least so carefully that it was easy to see that a woman had superintended his toilet. The conductor, who seemed to be particularly watchful of the boy, handed him a small package, like a soldier's knapsack, which could be hung over the shoulders by a pair of straps. Then, looking around, he called: "Hallo! Is there any one here from the Hotel de la Lanterne looking for a young traveller from Besancon?" "I'm here," replied a gruff, coarse voice. And a man who looked like a groom approached. He was hardly distinguishable in the gloom, in spite of the lantern he carried, which lighted nothing but the pavement at his feet. He turned toward the open door of the huge vehicle. "Ah! so it's you, Sleepy-head," cried the conductor. "My name's not Sleepy-head; it's Cocles," replied the groom, in a surly tone, "and I am looking for the citizen Charles." "You come from citizeness Teutch, don't you?" said the boy, in a soft tone that formed an admirable contrast to the groom's surly tones. "Yes, from the citizeness Teutch. Well, are you ready, citizen?" "Conductor," said the boy, "you will tell them at home - " "That you arrived safely, and that there was some one to meet you; don't worry about that, Monsieur Charles." "Oh, ho!" said the groom, in a tone verging upon a menace, as he drew near the conductor and the boy. "Well, what do you mean with your 'Oh, ho'?" "I mean that the words you use may be all right in the Franche-Comte, but that they are all wrong in Alsace." "Really," said the conductor, mockingly, "you don't say so?" "And I would advise you," continued citizen Cocles, "to leave your monsieurs in your diligence, as

Selected as a Top Ten Book of the Year by The Washington Post: the newly discovered last novel by the author of The Three Musketeers. Rousing, big, spirited, its action sweeping across oceans and continents, its hero gloriously indomitable, the last novel of Alexandre Dumas—lost for 125 years in the archives of the National Library in Paris—completes the oeuvre that Dumas imagined at the outset of his literary career. Indeed, the story of France from the Renaissance to the nineteenth century, as Dumas vibrantly retold it in his numerous enormously popular novels, has long been absent one vital, richly historical era: the Age of Napoleon. But no longer. Now, dynamically, in a tale of family honor and undying vengeance, of high adventure and heroic derring-do, The Last Cavalier fills that gap.