`It offers all that the visitor with a concern for beauty and for leisurely sight-seeing will require.' Financial Times`If ever a guidebook were designed to be read as literature it is Mr Honour's. Even those who know Venice welland love it well will add to their appreciation from this seemingly endless store of information.' Economist Offers all that the visitor with a concern for beauty and for leisurely sight-seeing will require. FINANCIAL TIMES The best guide book I have ever encountered... and a book I found it impossible not to read from beginning to end. OBSERVER There are few pleasanter ways of passing a summer's evening than sitting over a cup of coffee, and perhaps a glass of Aurum, in the Piazza San Marco. It is especially agreeable on those nights when the Venetian city band thunders away at some throbbingly romantic piece... And all the while the younger inhabitants parade around the square, chattering, flirting, quarrelling and staring at their visitors with that same unwinking gaze that Venetians have turned on their guests for the past five centuries. The facade of San Marco closes the scene in a glitter of golden mosaic and a bubbling of cupolas, while the great thick red campanile stretches up into the warm mothy darkness of the summer sky. Hugh Honour, it is clear, knows Venice exceptionally well and catches the rhythms of the city's life with unerring skill. His guide, with its winning blend of evocativedetail and precise information, spurs the reader to investigate Venice's wonders: Piazza San Marco is only the beginning of a journey into the heart of Venice and its history.

The field of Venetian studies has experienced a significant expansion in recent years, and the Companion to Venetian History, 1400-1797 provides a single volume overview of the most recent developments. It is organized thematically and covers a range of topics including political culture, economy, religion, gender, art, literature, music, and the environment. Each chapter provides a broad but comprehensive historical and historiographical overview of the current state and future directions of research. The Companion to Venetian History, 1400-1797 represents a new point of reference for the next generation of students of early modern Venetian studies, as well as more broadly for scholars working on all aspects of the early modern world. Contributors are Alfredo Viggiano, Benjamin Arbel, Michael Knapton, Claudio Povolo, Luciano Pezzolo, Anna Bellavitis, Anne Schutte, Guido Ruggiero, Benjamin Ravid, Silvana Seidel Menchi, Cecilia Cristellon, David D’Andrea, Elisabeth Crouzet-Pavan, Wolfgang Wolters, Dulcia Meijers, Massimo Favilla, Ruggero Rugolo, Deborah Howard, Linda Carroll, Jonathan Glixon, Paul Grendler, Edward Muir, William Eamon, Edoardo Demo, Margaret King, Mario Infelise, Margaret Rosenthal and Ronnie Ferguson.

Ranging from the days of the 6th century--when the early lagoon-dwellers lived "like sea-birds, in huts built on heaps of osiers" to the exquisite city of 18th-century revelers and 19th-century art lovers--the city's many different guises are revealed as its visitors saw them.

Venice has developed into a Mecca for international architects in the last few decades. The elite of contemporary architecture gather to celebrate the most prestigious architecture exhibition of our time at the Biennale in the shadows of St. Mark's Place, the Rialto Bridge and the Doge's Palace. It is all the more amazing that there is no current guide which covers the modern architecture of the largest open-air-museum in the world. This Architectural Guide is a ticket to a journey of discovery off the beaten tourist path through Venice after 1950. The boat trips and walks in the guide lead to new residential complexes and converted harbour sheds, to works by Carlo Scarpa, Tadao Ando and David Chipperfield. This very practical travel guide also examines controversial new projects like the flood control barriers or spectacular conversions like that of the Fondaco dei Tedeschi by Rem Koolhaas. In addition to never realised designs by Frank Lloyd Wright, Le Corbusier and Louis Kahn, the authors present all the Biennale pavilions from the last six decades.