The Comintern and the Global South: Global Designs/Local Encounters studies the relations and productive tensions between the Third International, intellectual histories of racial justice and anti-imperialism, as well as other forms of internationalism. Building on extant institutional histories of the Third International, it moves in new directions by focusing on the points of intersection – often conflictual and short-lived – with anti-imperialist, anti-racist, and nationalist organizing, making the Third International a site of encounter between a global political project and more local and regional contexts. Due to the broad range of geographic and linguistic expertise of the contributors, this book traces routes of exchange that are often elided in existing studies of the Third International. The chapters address how actors from Global South contexts shaped key debates on, for example, the role of Black, Indigenous, and migrant labor, the "Islamic question," and the "peasant question," which challenged Bolshevik epistemological frameworks. All such "questions" involved political subjectivities that the Comintern tried to reductively frame within a global revolution driven by Moscow, resulting in the Comintern’s ultimate disintegration. Nevertheless, this juncture between the Comintern’s global designs and its local encounters left a significant legacy that would later be reconfigured in mid-century anticolonial movements.

In From the Tricontinental to the Global South Anne Garland Mahler traces the history and intellectual legacy of the understudied global justice movement called the Tricontinental—an alliance of liberation struggles from eighty-two countries, founded in Havana in 1966. Focusing on racial violence and inequality, the Tricontinental's critique of global capitalist exploitation has influenced historical radical thought, contemporary social movements such as the World Social Forum and Black Lives Matter, and a Global South political imaginary. The movement's discourse, which circulated in four languages, also found its way into radical artistic practices, like Cuban revolutionary film and Nuyorican literature. While recent social movements have revived Tricontinentalism's ideologies and aesthetics, they have largely abandoned its roots in black internationalism and its contribution to a global struggle for racial justice. In response to this fractured appropriation of Tricontinentalism, Mahler ultimately argues that a renewed engagement with black internationalist thought could be vital to the future of transnational political resistance.

Red Money for the Global South explores the relationship of the East with the “new” South after decolonization, with a particular focus on the economic motives of the Council for Mutual Economic Assistance (CMEA) and other parties that were all striving for mutual cooperation. During the Cold War, the CMEA served as a forum for discussions on common policy initiatives inside the so-called “Eastern Bloc” and for international interactions. This text analyzes the economic relationship of the East with the “new” South through three main research questions. Firstly, what was the motivation for cooperation? Secondly, what insights can be derived from CMEA negotiations about intrabloc and East‒South relations alike? And finally, which mutual dependencies between East and South developed over time? The combination of analytical narrative and engagement with primary archival material from former CMEA states, and India as the most prestigious among the former European colonies, makes this text essential reading for students and instructors of Cold War history, Economic History, and international relations more generally.

This volume investigates the cultural sites where the global Cold War played out. It brings to view unpredictable encounters that arose as writers, artists, filmmakers, and intellectuals from or aligned with the Third World navigated the ideological and material constraints set by superpowers and emerging regional powers. Often these encounters generated communitas and solidarity, while at times they fed old and new conflicts. Pushing forward recent scholarship that tracks the Cold War in the Global South and draws on postcolonial approaches, our contributors use archival, secondary, and ethnographic sources to trace the afterlives and memories of key figures and to explore meetings that performed cultural diplomacy. Our focus on sites of encounter or exchange underscores the situated, interpersonal, and embodied dimensions through which much of the cultural Cold War was experienced. While the global conflict divided citizens along ideological fault lines, it also linked people through circulating media—novels, film, posters, journals, and theatre—and multinational conferences that brought artists, intellectuals, and political activists together. Such contacts introduced new axes of solidarity and hierarchies of exclusion. Examining these connections and disjunctures, this new and necessary mapping of the cultural Cold War highlights under-addressed locations in Asia, Africa, and Latin America.

The final writings of Samir Amin—a mix of personal experiences and theoretical analysis of global challenges and movements In this second volume of his memoirs, Amin takes us on a journey to a dizzying array of countries, recounting the stages of his ongoing dialogue over several decades with popular movements struggling for a better future. As in his many works over the years, The Long Revolution of the Global South combines Amin’s astute theoretical analyses of the challenges confronting the world’s oppressed peoples with militant action. In these final writings based on his life, Amin presents us with theoretical interventions, analyses of political conjunctures, and narration of personal experiences. Amin’s reminiscences of travels to places too often overlooked by the world at large are a joy to read. We even catch a glimpse of some of his memorable—and sometimes not so memorable—culinary adventures.

'Like the brilliant sun, the October Revolution shone over all five continents, awakening millions of oppressed and exploited people around the world. There has never existed such a revolution of such significance and scale in the history of humanity'. - Hồ Chí Minh// From Cuba to Vietnam, from China to South Africa, the October Revolution remains as an inspiration. After all, that Revolution proved that the working class and the peasantry could not only overthrow an autocratic government but that it could form its own government, in its image. It proved decisively that the working class and the peasantry could be allied. It proved as well the necessity of a vanguard party that was open to spontaneous currents of unrest, but which could guide a revolution to completion. This book explains the power of the October Revolution for the Third World. It is not a comprehensive study, but a small book with a large hope - that a new generation will come to see the importance of this revolution for the working class and peasantry in that part of the world that suffered under the heel of colonial domination.

With importance for geopolitical cultural economy, anthropology, and media studies, John Hutnyk brings South Asian circuits of scholarship to attention where, alongside critical Marxist and poststructuralist authors, a new take on film and television is on offer. The book presents Raj-era costume dramas as a commentary on contemporary anti-Muslim racism, a new political compact in film and television studies, and the President watching a snuff film from Pakistan. Hanif Kureishi's postcolonial 'fuck Sandwich' sits alongside Salman Rushdie's Satanic Verses, updated for the war on terror with low-brow, high-brow versions of Asia that carry us up the Himalayas with magic carpet TV nostalgia. Maoists rage below and books go up in flames while News network phone-ins end with executions on the Hanging Channel and arms trade and immigration paranoia thrives. Multiplying filmi versions of Mela are measured against a transnational realignment towards Global South Asia in a contested and testing political future. Each chapter offers a slice of historical study and assessment of media theory appropriate for viewers of Global South Asia seeking to understand why lurid exoticism and paralysing terror go hand-in-hand. The answers are in the images always open to interpretation, but Global South Asia on Screen examines the ways film and TV trade on stereotype and fear, nationalism and desire, politics and context, and with this the book calls for wider reading than media theory has hitherto entertained.