What Color Is Your Imagination? was inspired by a conversation with Nadine Owens Burton's then preschool aged son during a car ride home. That four-year-old's question and subsequent declaration about the color of his imagination developed into a lesson on problem-solving for her staff while as a Head Start Director. It has since provided information and inspiration for various other teams. For the past decade plus, Ms. Owens Burton has presented workshops and keynotes based on the theme through her company, Owens Burton Consulting. She is now putting those lessons into a book. The first half of the book begins with a metaphor of the various types of creative and problem solving environments, where these environments are represented by various colors. The ideal is Purple Imagination. The second half gives the reader ten ways to increase one's own creativity and problem solving skills, one's own Purple Imagination.

A young woman losing her vision rides the subway with her dog in search of emotional healing.

An artist shares the story of finding her passion and shares fifty art-inspired creative challenges to boost your creativity and set your imagination free. For the first time, artist and Instagram sensation Kristina Webb shares her story about growing up on a remote tropical island in the South Pacific, adjusting to life on the mainland, and traveling to the United States, where she had a life-changing experience. By taking a chance and following her passion, she has started an amazing life journey that she never dreamed possible. She hopes her story will inspire you to find your own true passion, whether it is art or something else entirely. This book is about your journey just as much as it is about hers, and it includes fifty art-inspired creative challenges for you to complete. The challenges are about having fun, letting go, and expressing yourself in any way you want. You don’t need to be an artist to pick up this book—just challenge yourself and give it a try. Your artistic adventure awaits! Color Me Creative also offers you the chance to download the free Unbound app to access interactive features and bonus videos by scanning the customized icon that appears throughout the book, including never-before-seen home videos and videos of Kristina drawing.

"Close your eyes--make the white gaze disappear." What is it like to be black and joyful, without submitting to the white gaze? This question, and its answer, is at the core of Black Imagination, a dynamic collection collection curated by artist and poet Natasha Marin. Born from a series of exhibitions and fueled by the power of social media (#blackimagination), the collection includes work from a range of voices who offer up powerful individual visions of happiness and safety, rituals and healing. Black Imagination presents an opportunity to understand the joy of blackness without the lens of whiteness.

In a story where the text appears in white letters on a black background, as well as in braille, and the illustrations are also raised on a black surface, Thomas describes how he recognizes different colors using various senses.

Sounding the Color Line explores how competing understandings of the U.S. South in the first decades of the twentieth century have led us to experience musical forms, sounds, and genres in racialized contexts. Yet, though we may speak of white or black music, rock or rap, sounds constantly leak through such barriers. A critical disjuncture exists, then, between actual interracial musical and cultural forms on the one hand and racialized structures of feeling on the other. This is nowhere more apparent than in the South. Like Jim Crow segregation, the separation of musical forms along racial lines has required enormous energy to maintain. How, asks Nunn, did the protocols structuring listeners' racial associations arise? How have they evolved and been maintained in the face of repeated transgressions of the musical color line? Considering the South as the imagined ground where conflicts of racial and national identities are staged, this book looks at developing ideas concerning folk song and racial and cultural nationalism alongside the competing and sometimes contradictory workings of an emerging culture industry. Drawing on a diverse archive of musical recordings, critical artifacts, and literary texts, Nunn reveals how the musical color line has not only been established and maintained but also repeatedly crossed, fractured, and reformed. This push and pull--between segregationist cultural logics and music's disrespect of racially defined boundaries--is an animating force in twentieth-century American popular culture.