From the Pulitzer Prize–winning coauthor of American Prometheus—this biography of the Bundy Brothers inspired the Academy Award–winning film Oppenheimer. In this definitive biography of McGeorge Bundy and William Bundy, two of "the best and the brightest" who advised presidents about peace and war during the most dangerous years of the Cold War, Kai Bird pens a portrait of the fiercely patriotic, brilliant, and brazenly self-confident men who directed a steady escalation of a war they did not believe could be won. Drawing on seven years of research, nearly one hundred interviews, and scores of still-classified top secret documents in a masterful reevaluation of America's actions throughout the Cold War and Vietnam, The Color of Truth tells the tale of the anti-communist liberals who, despite their grave doubts about sending Americans to fight in Southeast Asia, became key architects of America's war in Vietnam. Like the bestselling The Wise Men, this dual biography is both an inside account of the making of US foreign policy in an era of nuclear weapons and a stunning group portrait of the heirs of the Wise Men—including Robert McNamara, George Ball, and Robert Kennedy—and the presidents they served.

In The Color of Compromise, Jemar Tisby takes readers back to the roots of sustained racism and injustice in the American church. Filled with powerful stories and examples of American Christianity's racial past, Tisby's historical narrative highlights the obvious ways people of faith have actively worked against racial justice, as well as the complicit silence of racial moderates. Identifying the cultural and institutional tables that must be flipped to bring about progress, Tisby provides an in-depth diagnosis for a racially divided American church and suggests ways to foster a more equitable and inclusive environment among God's people. Book jacket.

Racism is one of the most polarizing conversations in our world and in the church. But it's a topic that the church can and must take part in. In this twelve-session study (DVD/streaming video sold separately), Jemar Tisby will guide you and your group through deeper reflections and concrete solutions for improved race relations and a racially inclusive church. Based on the teachings of his bestselling book, The Color of Compromise, Tisby will take you deeper into the topic, so that you'll: Learn more about the history of racism in America—from the colonial era through the Civil Rights movement. Develop a stronger ability to see the role that the American church has played in that abuse. Consider what gospel-inspired role you and your church can play in the important work of racial healing. The Color of Compromise Study Guide asks that participants acknowledge some challenging truths—about themselves and their nation—but it also makes space for you to articulate how you feel about confronting these truths. Throughout the twelve sessions, you'll take part in a number of activities, including: Video teachings from Jemar (The Color of Compromise Video Study, sold separately). Written responses and personal reflections. Scripture readings and prayers. Group discussion questions. Before you embark, remember that peace among racial and ethnic groups is not something that we have to achieve by our own wisdom and strength. The foundation of all reconciliation was accomplished by Jesus on the cross. Through Christ's power, the church can become a model of racial unity in our country. Designed for use with The Color of Compromise Video Study (9780310102205), sold separately.

Changing how we look at and think about the color grey Why did many of the twentieth century’s best-known abstract painters often choose grey, frequently considered a noncolor and devoid of meaning? Frances Guerin argues that painters (including Jasper Johns, Cy Twombly, Agnes Martin, Brice Marden, Mark Rothko, and Gerhard Richter) select grey to respond to a key question of modernist art: What is painting? By analyzing an array of modernist paintings, Guerin demonstrates that grey has a unique history and a legitimate identity as a color. She traces its use by painters as far back as medieval and Renaissance art, through Romanticism, to nineteenth- and twentieth-century modernism to show how grey is the perfect color to address the questions asked by painting within art history and to articulate the relationship between painting and the historical world of industrial modernity. A work of exceptional erudition, breadth, and clarity, presenting an impressive range of canonical paintings across centuries as examples, The Truth Is Always Grey is a treatise on color that allows us to see something entirely new in familiar paintings and encourages our appreciation for the innovation and dynamism of the color grey.

Who wrote these poemsand why? Poetry has always been in Susans writings, filled with emotion, diversity, intensity, and whimsy. It reflects her searches for both her Irish and Jewish heritages, her Quaker involvement, and her love of Washington, DC, where she has lived for more than fifty years. A poli sci major at Wellesley, she edited a book on Irish politics in Boston when in grad school at Boston University. Eventually, she came to DC as an international affairs management interna program at which she met her husband on the first day. After the riots in DC that followed Rev. Martin Luther Kings death, she stayed in DC, and began to work on black-white relations. At Mayor Marion Barrys request, she became the citys first patient advocate for all DC residents seeking help with their substance abuse problems. As an urban pioneer, with a husband and two children, she worked with and wrote poetry with some of DCs best poets, including Sterling Brown, Gaston Neal, and Nap Turner. Mayor Barry asked her to write and read one of her poems to over three thousand people at his third inaugural. Poetry helped her become an easily accepted person on both sides of the Anacostia River. At seventy-eight, she remains an enthusiast for DC statehood.

Two isolated teens struggle against their complicated lives to find a true connection in this “timely and timeless” (Kirkus Reviews, starred review) debut novel about first love and the wreckage of growing up. Lily is returning to her privileged Manhattan high school after a harrowing end to her sophomore year and it’s not pretty. She hates chemistry and her spiteful lab partner, her friends are either not speaking to her or suffocating her with concerned glances, and nothing seems to give her joy anymore. Worst of all, she can’t escape her own thoughts about what drove her away from everyone in the first place. Enter Dari (short for Dariomauritius), the artistic and mysterious transfer student, adept at cutting class. Not that he’d rather be at home with his domineering Trinidadian father. Dari is everything that Lily needs: bright, creative, honest, and unpredictable. And in a school where no one really stands out, Dari finds Lily’s sensitivity and openness magnetic. Their attraction ignites immediately, and for the first time in what feels like forever, Lily and Dari find happiness in each other. In twenty-first-century New York City, the fact that Lily is white and Dari is black shouldn’t matter that much, but nothing’s as simple as it seems. When tragedy becomes reality, can friendship survive even if romance cannot?

Cici has a lot to figure out. She's learning how to make friends. She's learning how to be a better big sister. Oh, and she's learning how to use her fairy powers! Things look easy for Kendra, a popular girl at Cici's school. So when Cici finds Kendra's lost doll, she uses her magic to play a trick: change the doll, and Kendra changes too! It's only a joke—but the changes could last forever if Cici doesn't learn to see the best in people.