'A superb novel . . . A hugely powerful chronicle of lives lived on the edge' - Sunday Times, Books of the Year In the tradition of Conrad’s Heart of Darkness, an immensely powerful historical novel about the first encounters between Danish colonists and Greenlanders in the early eighteenth century, of brutal clashes between priests and pagans and the forces that drive each individual towards darkness or light. 1728: The Danish King Fredrik IV sends a governor to Greenland to establish a colony, in the hopes of exploiting the country’s allegedly vast natural resources. A few merchants, a barber-surgeon, two trainee priests, a blacksmith, some carpenters and soldiers and a dozen hastily married couples go with him. The missionary priest Hans Egede has already been in Greenland for several years when the new colonists arrive. He has established a mission there, but the converts are few. Among those most hostile to Egede is the shaman Aappaluttoq, whose own son was taken by the priest and raised in the Christian faith as his own. Thus the great rift between two men, and two ways of life, is born. The newly arrived couples – men and women plucked from prison – quickly sink into a life of almost complete dissolution, and soon unsanitary conditions, illness and death bring the colony to its knees. Through the starvation and the epidemics that beset the colony, Egede remains steadfast in his determination – willing to sacrifice even those he loves for the sake of his mission. Translated from Danish by Martin Aitken, Kim Leine's The Colony of Good Hope explores what happens when two cultures confront one another. In a distant colony, under the harshest conditions, the overwhelming forces of nature meet the vices of man.

Crossing the remote, southern tip of Africa has fired the imagination of European travellers from the time Bartholomew Dias opened up the passage to the East by rounding the Cape of Good Hope in 1488. Dutch, British, French, Danes, and Swedes formed an endless stream of seafarers who made the long journey southwards in pursuit of wealth, adventure, science, and missionary, as well as outright national, interest. Beginning by considering the early hunter-gatherer inhabitants of the Cape and their culture, Malcolm Jack focuses in his account on the encounter that the European visitors had with the Khoisan peoples, sometimes sympathetic but often exploitative from the time of the Portuguese to the abolition of slavery in the British Empire in 1833. This commercial and colonial background is key to understanding the development of the vibrant city that is modern Cape Town, as well as the rich diversity of the Cape hinterland. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

"In 1683 life is gruelling for the young women in Amsterdam's civic orphanage. The sole light in Johanna Timmerman's existence is her forbidden love for Frans, an orphan in the boys' section who has a smile like sunshine. Then he is gone, whisked across the globe to the Dutch East India Company's nascent colony at Good Hope. Floriane Peronneau's privileged world is pleasant and fulfilling until she discovers that it is all built on lies. Far from being the devoted gentleman he seems, her husband Claes is a womanizing degenerate who has led them to the edge of ruin. And the forces are closing in on him. While Johanna's love drives her to make a shocking bargain to secure passage to the Cape, Floriane is caught in a terrifying game of cat and mouse. The two women's lives could not be more different. Yet, on the long, dangerous voyage to the southern tip of Africa, they will become the best of friends - and co-conspirators . . ."--Publisher.

Winner of the Danish Golden Lauren Award Winner of the Nordic Council Literature Prize Shortlisted for the International DUBLIN Literary Award An ALA RUSA Notable Book (Fiction) The award-winning, internationally best-selling saga of a Greenlandic community torn apart by the forces of colonialism and the one priest whose wavering guidance will determine its fate. From the swarming streets of Copenhagen to the frozen villages of Greenland, The Prophets of Eternal Fjord is a grand, magisterial story of epic proportion. Earning rave reviews and scores of readers across the world, Kim Leine's masterpiece—sweeping across the sea in a whaler and scurrying, panicked, from the Great Fire of 1795—arrives on American shores erupting with pathos, lust, faith lost and found, and a cast of characters clinging to life amidst persecution and calamity. Idealistic, foolhardy Morten Falck, the hapless hero, is a newly ordained priest sailing to Greenland in 1787 to convert the Inuit to the Danish church. He's rejected the prospect of a sleepy posting in a local parish and instead departs for the forsaken Sukkertoppen colony, where he will endeavor to convert the locals. A town battered by unremittingly harsh winters and simmering with the threat of dissent, it is a far cry from the parish he envisioned; natives from neighboring villages have unified to reject colonial rule and establish their own settlement atop Eternal Fjord. A bumbling and at times terrifically destructive mix of Shakespeare's Falstaff and Nathaniel Hawthorne's Arthur Dimmesdale, he's woefully ill prepared to confront this new sect. Torn between his instinctive compassion for the rebel congregation perched atop Eternal Fjord and his duty to the church, Falck is forced to decide where he belongs. His exploits in this brutal backwater include an accidental explosion after a night curled around a keg, a botched surgery, a love affair with a solitary and fatalistic widow, and an apprenticeship with an eager young scholar that ends in tragedy. Based on authentic events in the 1780s and '90s, The Prophets of Eternal Fjord moves from the quiet rooms of the Copenhagen bourgeoisie to the stark, hardscrabble village of the Fjord where Falck finds himself—surprisingly—at home. Kim Leine's textured, earthy prose evokes the sting of the cold, the itch of the wool, and the burn of the roughest swig of aquavit. In gritty detail, Leine reveals the corrosive effects of colonial rule—both on the colonized, bitterly ground down as they are, and on the colonizers, compromised and corrupted by their baseless power. In rich, Dickensian descriptions, Leine charts the tragic events that intertwine seemingly disparate lives, illuminating the brutal and tender impulses of those seeking redemption and the shifting line between religion and mysticism. The Prophets of Eternal Fjord is a visceral panorama of a fragile colony caught in the throes of history, marking the American debut of a major international writer.

In 'Good Hope', Carla Liesching constructs a fragmented visual and textual assemblage that orbits around the gardens and grounds at the Cape of Good Hope in South Africa ? a historic location at the height of Empire, now an epicenter for anti-colonial resistance movements, and also the place of the artist?s birth. Named by the Portuguese in their ?Age of Discovery?, the Cape?s position at the mid-point along the ?Spice Route? was viewed with great optimism for its potential to open up a valuable maritime passageway. The ?refreshment station? later established there set into motion flows of capital from ?east? to ?west?. Good Hope brings together cumulative layers of documentary prose, personal essay, and found photographic material, along with sources ranging from apartheid-era trade journals, tourist pamphlets, and National Geographic and Life magazines, to contemporary newspapers and family albums. It offers both an intimate and critical examination of White supremacist settler-colonialism in the present, and a questioning of the ethics and politics involved in the very acts of looking, discovering, collecting, codifying, preserving, naming, knowing, and putting to language

Old Towns and Villages of the Cape is the first comprehensive study of the physical history of the older towns of the former Cape Colony . It contains over seven hundred illustrations, including hundreds of previously unpublished pioneer photographs and early watercolors. Many detailed aerial photographs, few of them ever seen in print, some dating back to the 1930s, allow the reader to step back in time and view the original towns before modern developments brought about irrevocable changes in the townscape.Covering almost one hundred towns, villages and hamlets, Old Towns and Villages of the Cape not only examines the role of surveyors, and other factors, in their initial layout and subsequent growth, but also describes the formation of new drostdy districts, new Dutch Reformed church congregations, boeredorpe, harbor settlements and mission towns. Hans Fransen applies his extensive knowledge and insight to present the information, research and insights, most of it previously unpublished, in a very readable and accessible style. With its rich pictorial component, this invaluable reference book it is as attractive as it is informative and fits as well on a coffee table as it would in a collector s library.

Jan van Riebeecks arrival in Cape Town was the beginning of all South Africas problems: these words were spoken in 2015 by Jacob Zuma, the president of South Africa. Soon afterwards, a spate of iconoclastic attacks took place on statues of Van Riebeeck, Paul Kruger and Boer heroes. Only now, it seems, more than two decades after the abolition of apartheid, is South-Africa fully severing its colonial umbilical cord. The time has clearly come to look afresh at the historical links between the Netherlands and South Africa, a country whose born-frees the generation born in the post-apartheid era are just as likely to be critical of Nelson Mandelas liberation party the ANC as they are of their former colonial rulers. Good Hope explores what took place between 1652, when Van Riebeeck landed at the Cape, and Mandelas visit to Amsterdam in 1990. The arrival of the Dutch in South Africa cast its original inhabitants adrift. The VOC introduced slavery to the Cape and brought Islam when it banished disaffected Muslims there from Asian colonies such Java and Makassar. Borders shifted and whole populations moved away, disintegrated or assimilated into other groups. South Africa has also changed the Netherlands, as witnessed by the blossoming of Amsterdams diamond industry, the many streets across the country named after Afrikaner heroes, and the fierce anti-apartheid struggle. Martine Gosselink, head of the Rijksmuseum History Department, conceived Good Hope and curated the exhibition with Maria Holtrop, Daniel Horst and Duncan Bull. This book was published in collaboration with the Rijksmuseum as part of the Country Series. This volume is also the catalogue for the Good Hope exhibition, and includes contributions by, amongst others: Adriaan van Dis, Marlene Dumas, Bas Kromhout, Maria Holtrop, Duncan Bull.