In this powerful and passionate critique of the 'war on terror' in Afghanistan and its extensions into Palestine and Iraq, Derek Gregory traces the long history of British and American involvements in the Middle East and shows how colonial power continues to cast long shadows over our own present. Argues the attacks on the World Trade Center and the Pentagon on September 11 activated a series of political and cultural responses that were profoundly colonial in nature. The first analysis of the “war on terror” to connect events in Afghanistan, Palestine, and Iraq. Traces the connections between geopolitics and the lives of ordinary people. Richly illustrated and packed with empirical detail.

The Settler Colonial Present explores the ways in which settler colonialism as a specific mode of domination informs the global present. It presents an argument regarding its extraordinary resilience and diffusion and reflects on the need to imagine its decolonisation.

In this powerful and passionate critique of the 'war on terror' in Afghanistan and its extensions into Palestine and Iraq, Derek Gregory traces the long history of British and American involvements in the Middle East and shows how colonial power continues to cast long shadows over our own present. Argues the attacks on the World Trade Center and the Pentagon on September 11 activated a series of political and cultural responses that were profoundly colonial in nature. The first analysis of the “war on terror” to connect events in Afghanistan, Palestine, and Iraq. Traces the connections between geopolitics and the lives of ordinary people. Richly illustrated and packed with empirical detail.

This book explores the use of creative practices, in particular, theatre, as a platform for enabling new research methodologies and spaces in which to practice politics. It offers insights into the use of theatre as a medium to disseminate research to the wider public and extend the terrain of political debate in productive ways. The book explores debates within transnational feminism and transnational justice to offer new perspectives on affect and performance. It also engages with theory on the liveliness of material objects as actors in networks of knowledge production. In particular, the book provides an insight into the travels of a performance script through national and transnational space, as an opportunity to consider a public debate across nations that have intertwined histories and spatialities on the issues of care and need.

Prize-winning historian Robert Gildea dissects the legacy of empire for the former colonial powers and their subjects.