"If you are longing to gain insights into the prophetic word, then this book will lead you on the pathway to that discovery." --Paul Crouch, President, Trinity Broadcast NetworkWrapped around the astounding story of Kim Clement's personal life and call into the prophetic ministry are the secrets that everyone needs in order to hear God's voice with clarity and assurance. Kim remembers the first time he heard God's voice, when God called him to full-time ministry as he emerged from the waters of baptism. From that moment on, God began teaching him how to move in a prophetic gifting. In this book, you will discover amazing and practical truths about the realm of the prophetic from a man who is a prophet to the nations and who answers such questions as: Why is the prophetic ministry so necessary today? How do I respond to a word from the Lord? Will God speak directly to me? Can God speak to me in different ways? What are the duties, responsibilities, and mandates of a true prophet? You will be encouraged and strenghthened as you read the accounts of Old Testament prophets as they heard God and responded to Him, and you will sense your own destiny unfold as you come to understand that you don't need someone else to reveal God's destiny for your life. Remember, God speaks directly to all his people, and that includes you!

In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.