Containing 15 menus with 65 recipes, this cookbook by a pioneer on modern design offers tips on getting organized, ways to use modern "convenience" foods, how to set a stylish table, and how to make entertaining a pleasure rather than an ordeal. 40 color photos. Line illustrations throughout.

Time is a valued commodity in our modern world, and everyone struggles to make the most of each minute. Russel and Mary Wright recognized decades ago that finding time to organize their lives and homes would become a priority for modern men and women. In their groundbreaking book, Guide to Easier Living, the Wrights offered simple ways to achieve a comfortable, well-designed, and organized living environment in any home for any family. Originally published in 1950, Gibbs Smith is proud to rerelease Guide to Easier Living, and to reintroduce the Wrights' time-tested and proven methods for maintaining an inviting and efficient home. From ways to make household chores as fast and painless as possible, to how to organize a room for maximum living space, the Wrights pioneered a new informal way of living for a newly suburban American public. The Wrights' ideas revolutionized American living and the way everyday people dealt with the unending job of keeping a home in order. These methods and ideas are just as relevant-if not more so-today as they were a half-century ago. Russel and Mary Wright were prominent and successful designers who pioneered the fusion of modern design and informal living. Most importantly, they were known for their tabletop designs. The Wrights' most famous tabletop design, American Modern, was the best-selling dinnerware in American history and has just been rereleased by Oneida Ltd.

The J.A. Bauer Company (1885-1962), known for its simple, colorful tableware, has become one of the most sought and valued lines of American pottery. Bauer pioneered the concept of solid color, mix-and-match dinnerware with their most popular lines of ring, plain ware, and Monterey Modern. The works of this famous pottery are now documented in this new Collector's Encyclopedia of Bauer Pottery, written by Jack Chipman. This long-awaited reference guide features over 300 beautiful color photos in addition to vintage catalogs, brochures, and advertising. The interesting history of Bauer is outlined along with staff and plant archival photos. It covers all product lines incuding Russel Wright artware, Bauer Atlanta, and Bauer Los Angeles - stoneware, tableware, kitchenware, and artware. This book is an easy-to-use guide for collectors and dealers alike. Every piece is described in detail and given current collector values. With a wealth of information, beautiful photos, and a current value guide, this reference will fill a void in many collectors' libraries. We are proud to add this fine work to our line of pottery books. 8.5 X 11. 2001 values.

Over 500 color photographs with detailed information chronicle Russel Wright's original dinnerware, glassware, and pottery. Especially featured are Wright's Casual China and American Modern lines, which are among the most popular and influential dinnerware lines in history. Other rarer forms and designs are also featured, many of which have never been pictured in any book before. A current detailed pricing guide is also provided.

Russel and Mary Wright: Dragon Rock at Manitoga, explores the home and woodland paths imagined by Russel and Mary Wright in Hudson Valley New York; a modernist haven that allows for ambiguity, and the natural world where the spirit could flourish. In the era of TV dinners and suburban conformity, Russel and Mary Wright were individualists. The Wrights rejected rigid modernism that did not allow for ambiguity, let alone the natural world. Here we find multiple binary factors: New York City and the sublime Hudson Valley landscape, commercial mass production and handmade nuance, Japanese aesthetics and American ideals, queer attraction, and family yearnings. Wright: Dragon Rock at Manitoga traces a journey, beyond an exploration of space, but a way of life, the story of the creation of a haven where the spirit could flourish. Our understanding of the Wrights's architectural, design, and environmental achievements, synthesizes four archives, including the estate of the Wright family, The Center for Photography at Woodstock, The Russel Wright Design Center at Manitoga, and the Russel Wright Papers at Syracuse University. With a clarion voice, we examine this partnership, revealing new understandings and cultural relevance.

The first investigation of how race and gender shaped the presentation and marketing of Modernist decor in postwar America In the world of interior design, mid-century Modernism has left an indelible mark still seen and felt today in countless open-concept floor plans and spare, geometric furnishings. Yet despite our continued fascination, we rarely consider how this iconic design sensibility was marketed to the diverse audiences of its era. Examining advice manuals, advertisements in Life and Ebony, furniture, art, and more, Mid-Century Modernism and the American Body offers a powerful new look at how codes of race, gender, and identity influenced—and were influenced by—Modern design and shaped its presentation to consumers. Taking us to the booming suburban landscape of postwar America, Kristina Wilson demonstrates that the ideals defined by popular Modernist furnishings were far from neutral or race-blind. Advertisers offered this aesthetic to White audiences as a solution for keeping dirt and outsiders at bay, an approach that reinforced middle-class White privilege. By contrast, media arenas such as Ebony magazine presented African American readers with an image of Modernism as a style of comfort, security, and social confidence. Wilson shows how etiquette and home decorating manuals served to control women by associating them with the domestic sphere, and she considers how furniture by George Nelson and Charles and Ray Eames, as well as smaller-scale decorative accessories, empowered some users, even while constraining others. A striking counter-narrative to conventional histories of design, Mid-Century Modernism and the American Body unveils fresh perspectives on one of the most distinctive movements in American visual culture.

Areas including the US mail, production and packaging, brand names and characters, radio and television, and expositions and the Olympics. A final chapter covers how collectors can develop their own dating system. Paul is a longtime collector and display designer based in Baltimore. Annotation ©2006 Book News, Inc., Portland, OR (booknews.com).