This work comprises a collection of the poetic works of Thomas Hardy. Hardy's poetry spanned over 50 years from the last half of the 19th century to the period after World War I, and ranges from pessimistic works to those which were witty and fanciful.

A compilation of the nineteenth-century English writer's poems features previously uncollected works including epigraphs, Domicilium, and songs from The Dynasts

In Thomas Hardy: Selected Poems Tim Armstrong brings together over 180 poems in the first comprehensively annotated selection of Hardy’s poetry. Unlike most previous selections, this edition preserves the shape of the poet’s career by presenting the poems in the order in which they appeared in the Collected Poems of 1930, rather than re-ordering them thematically. Head notes to each poem give the reader information about its composition, publication, sources and metrical scheme; on-the-page notes list significant variants in Hardy’s manuscripts, point out literary and other allusions, and give explanatory glosses. An appendix contains a selection of relevant passages from Hardy’s notebooks, letters, and autobiography; and a bibliography suggests further reading. Tim Armstrong’s critical Introduction discusses Hardy’s career, his poetics, his use of memory and allusion and examines his position in the context of Victorian debates on aesthetics and belief. The generous selection of poems includes many lesser-known poems as well as those which have received most critical commentary, and the important elegiac sequence ‘Poems of 1912-13’ is included in its entirety.

"A masterful portrait" (The Philadelphia Inquirer) from a Whitbread Award-winning biographer, and author of A Life of My Own. The novels of Thomas Hardy have a permanent place on every booklover's shelf, yet little is known about the interior life of the man who wrote them. A believer and an unbeliever, a socialist and a snob, an unhappy husband and a desolate widower, Hardy challenged the sexual and religious conventions of his time in his novels and then abandoned fiction to reestablish himself as a great twentieth-century lyric poet. In this acclaimed new biography, Claire Tomalin, one of today's preeminent literary biographers, investigates this beloved writer and reveals a figure as rich and complex as his tremendous legacy.

Thomas Hardy’s famous sequence of love poems, published as a book for the first time. When Emma Hardy died in 1912, her husband, the great novelist and poet Thomas Hardy, began to write “Poems of 1912–13,” a series of elegies that are among the most moving in the English language. Although the couple had been estranged for years, after her death Hardy fell under Emma’s spell again and was enthralled by her as he hadn’t been in decades. He transformed his hopelessly revived love into poetry, pouring out his yearning and passionate attachment to a love forever lost. “Poems of 1912–13” and the other elegies about Emma included in this volume have been read and discussed by poets and scholars for almost a century but never collected in their own book. Their accessibility, emotional power, and focus on the mysterious complexities of marriage make them of interest to a broad public. Readers will cherish this beautifully produced, illustrated volume of poetical testaments to enduring love.

Thomas Hardy's reputation as a poet is higher now than it has ever been. It is generally agreed that the Poems of 1912-13, written in memory of his first wife, are some of the greatest elegies in the language. This invaluable new study concentrates on the 'Emma Poems', setting them in the context of Hardy's troubled first marriage, then analysing them one by one. John Greening - a poet himself and author of the Greenwich Exchange Guides to Poets of the First World War and W.B. Yeats - highlights the distinctive music of this twenty-one poem 'suite', while exploring the sexual and spiritual tensions concealed witihn Hardy's Dorsetshire and North Cornish landscapes.