The letters in the second of this five-volume series are dominated by Mansfield's love for Middleton Murry, her response to the First World War, and her struggle to accept the inevitable advance of her tuberculosis.

The fifth and final volume of the Collected Letters of Katherine Mansfield covers the almost thirteen months during which her attention at first was firmly set on a last chance medical cure, then finally on something very different - if death came to seem inevitable, how should one behave in the time that remained, so one could truly say one lived? Mansfield's biographers, like her friends, have wondered at the seemingly extraordinary decision to ditch conventional medicine, for the bizarre choice of Gurdjieff's Institute for the Harmonious Development of Man at Fontainebleau. These letters show the clarity of mind and will that led to that decision, the courage and distress in making it, and the gaiety even once it was made. She went against what her education, her husband, and most of her friends would regard as reasonable, as she opted to spend her last months with Russian émigrés and a strange assortment of Gurdjieff disciples (which she was not). But Fontainebleau give her the space and the incentive to shake free from the intellectualism that she thought the malaise of her time, as she worked at kitchen chores, took in the details of farm life, tried to learn Russian, and attempted to reach total honesty with herself. 'If I were allowed one simple cry to God,' she wrote in one of her last letters, that cry would be I want to be REAL.'

This Encyclopedia offers an indispensable reference guide to twentieth-century fiction in the English-language. With nearly 500 contributors and over one million words, it is the most comprehensive and authoritative reference guide to twentieth-century fiction in the English language. Contains over 500 entries of 1000-3000 words written in lucid, jargon-free prose, by an international cast of leading scholars Arranged in three volumes covering British and Irish Fiction, American Fiction, and World Fiction, with each volume edited by a leading scholar in the field Entries cover major writers (such as Saul Bellow, Raymond Chandler, John Steinbeck, Virginia Woolf, A.S. Byatt, Samual Beckett, D.H. Lawrence, Zadie Smith, Salman Rushdie, V.S. Naipaul, Nadine Gordimer, Alice Munro, Chinua Achebe, J.M. Coetzee, and Ngûgî Wa Thiong’o) and their key works Examines the genres and sub-genres of fiction in English across the twentieth century (including crime fiction, Sci-Fi, chick lit, the noir novel, and the avant-garde novel) as well as the major movements, debates, and rubrics within the field, such as censorship, globalization, modernist fiction, fiction and the film industry, and the fiction of migration, diaspora, and exile

'I was jealous of her writing – the only writing I have been jealous of.' —Virginia Woolf Widely acknowledged as New Zealand's finest writer, Katherine Mansfield holds a special place in the hearts of New Zealanders. A new biography is a significant literary event. Katherine Mansfield: The Story-teller is the first new biography of Mansfield for a quarter of a century. It is published at a time when interest in Mansfield and her work is increasing throughout the world. Kathleen Jones gives a vivid portrayal of Mansfield, correcting previous misinterpretations of her illnesses and relationships, and weaving a compelling drama from the detail. The story extends further still, beyond Mansfield's death in 1923, to include the subsequent life of her husband, John Middleton Murry, shedding fascinating new light on the way Murry controversially manipulated the publication of some of Mansfield's unpublished work. Drawing astutely on Mansfield's own letters and journals, biographer Kathleen Jones, using the present tense throughout, has crafted a text unusually sparkling and intimate, providing a new kind of picture of this brilliant, original yet fragile writer. This is a major work, and a worthy addition to our understanding and appreciation of New Zealand's greatest writer.

The Complete Works of Katherine Mansfield is a collection of the renowned author's finest works, including her iconic short stories, poetry, letters, diary entries, and essays. Known for her modernist style and exploration of human emotions, Mansfield's writing reflects the complexities of early 20th-century literature. Her vivid storytelling and vibrant characters showcase her keen eye for detail and psychological depth, making this collection a must-read for literature enthusiasts. Mansfield's use of stream-of-consciousness and subtle symbolism adds layers of meaning to her work, inviting readers to delve into the inner thoughts and feelings of her characters. The inclusion of her personal diary and letters provides a fascinating glimpse into the life and mind of this prolific writer. A groundbreaking figure in literary history, Mansfield's works continue to resonate with readers today, offering a timeless exploration of the human experience and the power of storytelling.

This lively, accessible book is the first to explore Victorian literature through scent and perfume, presenting an extensive range of well-known and unfamiliar texts in intriguing and imaginative new ways that make us re-think literature's relation with the senses. Concentrating on aesthetic and decadent authors, Scents and Sensibility introduces a rich selection of poems, essays, and fiction, exploring these texts with reference to both the little-known cultural history of perfume use and the appreciation of natural fragrance in Victorian Britain. It shows how scent and perfume are used to convey not merely moods and atmospheres but the nuances of the aesthete or decadent's carefully cultivated identity, personality, or sensibility. A key theme is the emergence of the olfactif, the cultivated individual with a refined sense of smell, influentially represented by the poet and critic Algernon Charles Swinburne, who is emulated by a host of canonical and less well-known aesthetic and decadent successors such as Walter Pater, Edmund Gosse, John Addington Symonds, Lafcadio Hearn, Michael Field, Oscar Wilde, Arthur Symons, Mark André Raffalovich, Theodore Wratislaw, and A. Mary F. Robinson. This book explores how scent and perfume pervade the work of these authors in many different ways, signifying such diverse things as style, atmosphere, influence, sexuality, sensibility, spirituality, refinement, individuality, the expression of love and poetic creativity, and the aura of personality, dandyism, modernity, and memory. A coda explores the contrasting twentieth-century responses of Virginia Woolf and Compton Mackenzie to the scent of Victorian literature.

Explores Katherine Mansfield's engagement in the periodical culture of the early twentieth century This book considers Mansfield's ambivalent position as a colonial woman writer by examining her contributions to the political weekly The New Age, the avant-garde little magazine Rhythm and the literary journal The Athenaeum. Contextualising Mansfield's work against the editorial strategies and professional cultures of each periodical, the book deepens and complicates older critical assumptions about the trajectory of Mansfield's development as a writer. Key FeaturesProvides the first sustained scholarly examination of Mansfield's engagement with and relation to early twentieth-century periodical cultureForegrounds the original material contexts in which Mansfield produced the majority of her work, emphasising a dialogic or 'conversational' model for modernismInterrogates Mansfield's ambivalent self-positioning within English literary circles as a 'colonial-metropolitan modernist' and 'outsider'Integrates ideas of the recent 'transnational turn' across literary studies into the field of periodical scholarship