A monumental career retrospective "This vibrant collection brings together World Fantasy Award winner Goss's exquisite interpretations of and variations on familiar folk and fairy tales. The [poems and stories] span the length of Goss's career ... All approach well-known stories from unexpected angles and with deep empathy for the characters ... The abundance of pieces sometimes has the effect of a musical fugue: common motifs, places, and characters echo through the works, with each reappearance adding something fresh." —Publishers Weekly A wicked stepsister frets over all the ways in which she failed to receive her mother's love. A lost woman travels through an enchanted forest looking for someone who can remind her of her name. A girl must wear down seven pairs of shoes to gain help from a witch. A fox makes a life with a human, but neither can deny their true natures. A young woman returns to her childhood home and the fantastic stories she left there. A man lets himself be taken prisoner by the Snow Queen to prove that the woman who loves him would walk barefoot through the ice to save him. Medusa cuts her hair for love. The Collected Enchantments gathers retellings of folk and fairy tales in prose and verse from World Fantasy and Locus award-winning author Theodora Goss, creator of The Extraordinary Adventures of the Athena Club series. Drawing from her Mythopoeic Award-nominated collections In the Forest of Forgetting and Songs for Ophelia and her Mythopoeic Award-winning tome Snow White Learns Witchcraft, and adding new and uncollected stories and poems, The Collected Enchantments provides a resounding demonstration of how, as Hugo and Nebula award winner Jo Walton writes, Goss provides "a vivid, authentic and important voice" that, in the words of Science Fiction and Fantasy Writers Association Grand Master Jane Yolen, "transposes, transforms, and transcends times, eras, and old tales with ease." PRAISE FOR THEODORA GOSS "In the tradition of great modern fantasists like Angela Carter and Marina Warner, Theodora Goss's sublime tales are modern classics-beautiful, sly, sensual and deeply moving . . . I envy any reader encountering Goss's work for the first time." —Elizabeth Hand, winner of the Mythopoeic, Nebula, Shirley Jackson and World Fantasy awards "The elegance of Goss's work has never ceased to amaze me. It feels effortless, but endlessly evocative and suggestive, flowing with the rhythms of both the natural world and the intimate socio-familial cosmos. Goss's language fits together like gems in a complex crown, a diadem of images and motifs, resting gently on the head, but with a deceptive weight." —Catherynne M. Valente, winner of the Mythopoeic, Locus, Hugo, Otherwise and Theodore Sturgeon awards "Theodora Goss re-fleshes and re-clothes old tales in multifarious ways. Through prose and poetry, Goss shines her unique light into the fairytale forest-and many bright eyes gleam back." —Margo Lanagan, Aurealis, Ditmar and World Fantasy award winner With cover art by Catrin Welz-Stein and interior black and white illustrations by Paula Arwen Owen.

A NEW YORK TIMES NOTABLE BOOK “Part love story, part history, this novel is a tour de force [told] in language that soars and sears.”—More St. Petersburg, 1917. After Rasputin’s body is pulled from the icy waters of the Neva River, his eighteen-year-old daughter, Masha, is sent to live at the imperial palace with Tsar Nikolay and his family. Desperately hoping that Masha has inherited Rasputin’s healing powers, Tsarina Alexandra asks her to tend to her son, the headstrong prince Alyosha, who suffers from hemophilia. Soon after Masha arrives at the palace, the tsar is forced to abdicate, and the Bolsheviks place the royal family under house arrest. As Russia descends into civil war, Masha and Alyosha find solace in each other’s company. To escape the confinement of the palace, and to distract the prince from the pain she cannot heal, Masha tells him stories—some embellished and others entirely imagined—about Nikolay and Alexandra’s courtship, Rasputin’s exploits, and their wild and wonderful country, now on the brink of an irrevocable transformation. In the worlds of their imagination, the weak become strong, legend becomes fact, and a future that will never come to pass feels close at hand. Praise for Enchantments “A sumptuous, atmospheric account of the last days of the Romanovs from the perspective of Rasputin’s daughter, [told] with the sensuous, transporting prose that is Kathryn Harrison’s trademark.”—Jennifer Egan “[A] splendid and surprising book . . . Harrison has given us something enduring.”—The New York Times Book Review “[Harrison delivers] this oft-told moment with shocking freshness. . . . Masha re-invents our ideas of Rasputin, and the world of Nicholas and Alexandra is imbued with a glow whose fierceness is governed by the imminence of its loss.”—Los Angeles Times “A mesmerizing novel.”—O: The Oprah Magazine “Bewitching . . . Harrison sets historic facts like jewels in this intricately fashioned work of exalted empathy and imagination, a literary Fabergé egg. . . . [A] dazzling return to historical fiction.”—Booklist (starred review) Look for special features inside. Join the Random House Reader’s Circle for author chats and more.

Ten short stories include the tale of Queen Cimorene's Frying Pan of Doom, a yarn about a magical blue chipmunk with a passion for chestnuts, and a story about an enchanted wizard's daughter.

Traditional stories about curses which we know are always bad, and enchantments which are sometimes good!

Unlock the secrets of the crystal healing with this A to Z guide to 100 types of stones. You don’t have to have extensive background in magic to make use of any stone. In fact, you don’t have to know about magic at all. If you are facing a difficult situation and feel you need protection and courage, wear garnets. Do you want to attract a lover? Use rose quartz or ruby. Are you troubled by negative vibrations? Wear, carry, or keep near you black onyx or obsidian. Listing their physical properties and magical uses, Crystal Enhancements will help guide you in your choice of stones from Adularia to Zircon. This book will also appeal to those who simply love stones and want to know more about them.

'One of the most strikingly lyrical voices writing about the lives of Indian women' -- Amitav Ghosh 'Chitra Banerjee Divakaruni turns the Ramayana around by telling it in the voice of Sita ... this inversion is a gift - it presents us a with a way to know an already well-known story better and to love an already beloved story more' -- Arshia Sattar 'This inspired evocation of the goddess Sita is an epic song of strength and solidarity told with joy and intensity. It brings to life the personalities and predicaments of the Ramayana' -- Namita Gokhale 'Among the many, many Ramayanas there are now even - thankfully - some "Sitayanas", but I know of none with the special magic that Chitra Divakaruni ... brings to the telling' -- Philip Lutgendorf 'Chitra Banerjee Divakaruni's Sita ... is an epitome of courage and self-respect, showing a path for all women. While weaving a familiar story, Chitra provides deep and surprising insights' -- Volga 'An incomparable storyteller' -- Denver Post 'Divakaruni's stories are irresistible' -- The New York Times Book Review 'Divakaruni's storytelling talents put her right up there with the best' -- Miami Herald 'In recasting the Ramayan as a love story Divakaruni accords Sita parity with Ram, revealing her innate strength. By giving primacy to her thoughts and feelings this also becomes the private tale of Shri and Shrimati Ramchandra Raghuvanshi, two wonderful people who loved each other but who broke up. To readers well-acquainted with that tragedy of modern times, the failed marriage, it will appeal. The ending, however, surpasses all expectations.' -- The Sunday Standard 'The success of both The Palace Of Illusions and The Forest Of Enchantments hinges acutely on the skill with which Divakaruni deploys the narratorial voice.' -- Mint 'The Forest of Enchantments is one of the simplest and most beautiful retellings of Sage Valmiki's epic.' -- Jetwings 'Chitra Banerjee Divakaruni does justice to the women of Ramayana ... The Forest of Enchantments is not just a retelling of a much-told epic, rather it is a book that tells it like it is - balanced and non-judgmental.' -- Huffpost 'A work ... of pluralities and possibilities ... This is the Sitayan we will give to our daughters, that they may imbibe Sita's strength, and even more proudly to our sons, who will learn how a woman is to be treated' -- The Wire 'Banerjee is markedly feminist ... Her spin on the most pivotal moment of Sita's life, the agnipariksha episode, is a moment of feminist brilliance. Her Sita answers all the questions we would have had when listening to the Ramayana while leaving us with plenty of food for thought.' -- The New Indian Express 'Divakaruni's retelling reminds her readers that the Ramayana, besides being a morality tale, is a love story at its heart' -- Huffpost 'Divakaruni and her women characters are a formidable pair' -- The Wire The Ramayana, one of the world's greatest epics, is also a tragic love story. In this brilliant retelling, Chitra Banerjee Divakaruni places Sita at the centre of the novel: this is Sita's version. The Forest of Enchantments is also a very human story of some of the other women in the epic, often misunderstood and relegated to the margins: Kaikeyi, Surpanakha, Mandodari. A powerful comment on duty, betrayal, infidelity and honour, it is also about women's struggle to retain autonomy in a world that privileges men, as Chitra transforms an ancient story into a gripping, contemporary battle of wills. While the Ramayana resonates even today, she makes it more relevant than ever, in the underlying questions in the novel: How should women be treated by their loved ones? What are their rights in a relationship? When does a woman need to stand up and say, 'Enough!'

Winner of the National Book Award and National Book Critics Circle Award "A charming book about enchantment, a profound book about fairy tales."—John Updike, The New York Times Book Review Bruno Bettelheim was one of the great child psychologists of the twentieth century and perhaps none of his books has been more influential than this revelatory study of fairy tales and their universal importance in understanding childhood development. Analyzing a wide range of traditional stories, from the tales of Sindbad to “The Three Little Pigs,” “Hansel and Gretel,” and “The Sleeping Beauty,” Bettelheim shows how the fantastical, sometimes cruel, but always deeply significant narrative strands of the classic fairy tales can aid in our greatest human task, that of finding meaning for one’s life.