Knitting has recently exploded in popularity. Professionals, punks, and feminists are embracing this ancient craft, an activity that was previously relegated to the realm of the traditional woman, the mother and homemaker. While knitting books featuring such hip projects as iPod cozies and yoga mat bags abound, few explore the subculture of knitting in any depth. Who are these people? Why knitting, why now? Wills takes the reader on a fascinating tour of this subculture, complete with lively anecdotes and revealing interviews. Those who are new to the craft will enjoy a fascinating introduction to the knitting community, while those who have been unable to put down their needles since knitting that first scarf will glean new ideas for their next blog session, online shopping spree, or knitting group get-together. Knitting has recently exploded in popularity. Professionals, punks, and feminists are embracing this ancient craft, an activity that was previously relegated to the realm of the traditional woman, the mother and homemaker. Books that cater to this new generation of knitters are flooding the market with patterns for such contemporary projects as iPod cozies, yoga mat bags, and laptop covers. The attitude of these publications is decidedly hip, featuring models sporting tattoos or piercings. Missing from the avalanche of knitting books, until now, is one that fully explores the subculture of knitting. Who are these people? Why knitting, why now? Intrepid journalist and avid knitter Kerry Wills set out to find out. She takes us on a fascinating tour through the history of knitting, exploring the lives of such women as the revolutionary Elizabeth Zimmermann, whose strong opinions and classic book, Knitting without Tears, popularized knitting in the 1970s, anticipating current trends. Wills visits knitting groups that meet at such places as a feminist vegetarian restaurant, churches, pubs, and senior centers. She describes political activists who knit tree cozies to protect the trees against developers, groups that knit afghans for Afghans, and knitters who make shawls for people with cancer. She also explores online knitting communities. Those who are new to the craft will come away feeling more connected to the history of knitting as well as to their place in today's universe of knitters, while those who have been unable to put down their needles since stitching that first scarf will glean new ideas for their next blog session, online shopping spree, or knitting group get-together.

This collection tells the life stories of the people whom we know Shakespeare encountered, shedding new light on Shakespeare's life and times.

Taking a global, multicultural, social, and economic perspective, this work explores the diverse and colourful history of human attire. From prehistoric times to the age of globalization, articles cover the evolution of clothing utility, style, production, and commerce, including accessories (shoes, hats, gloves, handbags, and jewellery) for men, women, and children. Dress for different climates, occupations, recreational activities, religious observances, rites of passages, and other human needs and purposes - from hunting and warfare to sports and space exploration - are examined in depth and detail. Fashion and design trends in diverse historical periods, regions and countries, and social and ethnic groups constitute a major area of coverage, as does the evolution of materials (from animal fur to textiles to synthetic fabrics) and production methods (from sewing and weaving to industrial manufacturing and computer-aided design). Dress as a reflection of social status, intellectual and artistic trends, economic conditions, cultural exchange, and modern media marketing are recurring themes. Influential figures and institutions in fashion design, industry and manufacturing, retail sales, production technologies, and related fields are also covered.

Investment Banking: Institutions, Politics, and Law provides an economic rationale for the dominant role of investment banks in the capital markets, and uses it to explain both the historical evolution of the investment banking industry and also recent changes to its organization. Although investment decisions rely upon price-relevant information, it is impossible to establish property rights over it and hence is very hard to coordinate its exchange. The authors argue that investment banks help to resolve this problem by managing "information marketplaces," within which extra-legal institutions support the production and dissemination of information that is important to investors. Reputations and relationships are more important in fulfilling this role than financial capital. The authors substantiate their theory with reference to the industry's evolution during the last three centuries. They show how investment banking networks were formed, and identify the informal contracts that they supported. This historical development points to tensions between the relational contracting of investment banks and the regulatory impulses of the State, thus providing some explanation for the periodic large-scale State intervention in the operation of capital markets. Their theory also provides a technological explanation for the massive restructuring of the capital markets in recent decades, which the authors argue can be used to think about the likely future direction of the investment banking industry.

The analysis of the relationship between center and periphery is one of many theoretical approaches found in all fields of the Humanities. Looking at this special relationship from several disciplinary perspectives is an effective methodology for establishing connections between various fields of study. Consequently, the issue contains articles dealing with, among others, the Russian enterprise in Alaska, German polar exploration, gender in Islamic contexts in Europe, labor relations, 'economic securitization', cultural nationalism in Ghana, and Robert Rodriguez's movie Machete. The historical perspective of cultural reception, the economic relationship between central and peripheral areas as well as the development of stereotypes as a consequence of the exchange between both areas are also part of the discussion. The first issue of Global Humanities therefore provides a broad outlook on the periphery-center relationship, giving the interested reader an insight into the different working fields of several disciplines within the Humanities. It furthermore can be considered an argument for strengthening interdisciplinary work in the future, highlighting the interconnectedness of history, literature, art, politics and many other disciplines.

This publication is an inquiry that crosses stylistic categories of pop music and writing pop music.