This penetrating sociological study of the causes, consequences, and historical meaning of the civil wars in mid- and late-nineteenth century Chile argues that they were abortive bourgeois revolutions fought out among rival segments of Chile's dominant class. Indeed, it concludes that, in general, not only class but also intraclass struggles can be decisive historically, especially at transitional moments. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This book investigates the extent to which traditional international law regulating foreign interventions in internal conflicts has been affected by the human rights paradigm. Since the adoption of the Charter of the United Nations, foreign armed interventions in internal conflicts have turned into a common practice. At first sight, it might seem that state practice has developed in a chaotic fashion, however on closer examination, specific patterns emerge. The book charts these patterns by examining the traditional doctrines of intervention and testing them against state practise. The book has two aims. Firstly, it seeks to clarify the current legal framework regulating interventions in internal conflicts. Secondly, it plots the emergence of new trends and investigates whether they are becoming part of positive international law. By taking this dual focus, it offers the first truly comprehensive examination of foreign interventions in internal conflicts.

Since the end of the Cold War, a series of costly civil wars, many of them ethnic conflicts, have dominated the international security agenda. This volume offers a detailed examination of four recent interventions by the international community.

Contains primary source material.

Boldly breaks new ground in studies of Latin American postdictatorial memories by tackling a taboo topic--civilian complicity with the Pinochet regime--that Chilean society has strategically avoided.

To date, scholars have paid little attention to the role that music played at political rallies and protests, the political activism of right-wing and left-wing musicians, and the emergence of musical performances as sites of verbal and physical confrontations between Allende supporters and the opposition. This book illuminates a largely unexplored facet of the Cold War era in Latin America by examining linkages among music, politics, and the development of extreme political violence. It traces the development of folk-based popular music against the backdrop of Chile's social and political history, explaining how music played a fundamental role in a national conflict that grew out of deep cultural divisions. Through a combination of textual and musical analysis, archival research, and oral histories, Jedrek Mularski demonstrates that Chilean rightists came to embrace a national identity rooted in Chile's central valley and its huaso ("cowboy") traditions, which groups of well-groomed, singing huasos expressed and propagated through música típica. In contrast, leftists came to embrace an identity that drew on musical traditions from Chile's outlying regions and other Latin American countries, which they expressed and propagated through nueva canción. Conflicts over these notions of Chilenidad ("Chileanness") both reflected and contributed to the political polarization of Chilean society, sparking violent confrontations at musical performances and political events during the late 1960s and early 1970s. Mularski offers a powerful example and multifaceted understanding of the fundamental role that music often plays in shaping the contours of political struggles and conflicts throughout the world.This is an important book for Latin American studies, history, musicology/ethnomusicology, and communication.

In Paper Cadavers, an inside account of the astonishing discovery and rescue of Guatemala's secret police archives, Kirsten Weld probes the politics of memory, the wages of the Cold War, and the stakes of historical knowledge production. After Guatemala's bloody thirty-six years of civil war (1960–1996), silence and impunity reigned. That is, until 2005, when human rights investigators stumbled on the archives of the country's National Police, which, at 75 million pages, proved to be the largest trove of secret state records ever found in Latin America. The unearthing of the archives renewed fierce debates about history, memory, and justice. In Paper Cadavers, Weld explores Guatemala's struggles to manage this avalanche of evidence of past war crimes, providing a firsthand look at how postwar justice activists worked to reconfigure terror archives into implements of social change. Tracing the history of the police files as they were transformed from weapons of counterinsurgency into tools for post-conflict reckoning, Weld sheds light on the country's fraught transition from war to an uneasy peace, reflecting on how societies forget and remember political violence.