THE STORY: Marley was dead, to begin with...--and what happens to Ebenezer Scrooge's mean, sour, pruney old business partner after that? Chained and shackled, Marley is condemned to a hellish eternity. He's even given his own private tormentor: a ma

“Disturbingly lovely . . . The Resurrectionist is itself a cabinet of curiosities, stitching history and mythology and sideshow into an altogether different creature. Deliciously macabre and beautifully grotesque.”—Erin Morgenstern, author of The Night Circus This macabre tale—part dark fantasy, part Gray’s Anatomy—tells the chilling story of a man driven mad by his search for the truth, with hypnotic and horrifying images. Philadelphia, the late 1870s. A city of gas lamps, cobblestone streets, and horse-drawn carriages—and home to the controversial surgeon Dr. Spencer Black. The son of a grave robber, young Dr. Black studies at Philadelphia’s esteemed Academy of Medicine, where he develops an unconventional hypothesis: that the mythological beasts of legend and lore—including mermaids, minotaurs, and satyrs—were in fact humanity's evolutionary ancestors. And beyond that, he wonders: what if there was a way for humanity to reach the fuller potential these ancestors implied? The Resurrectionist offers two extraordinary books in one. The first part is a fictional biography of Dr. Spencer Black, from his childhood spent exhuming corpses through his medical training, his travels with carnivals, his cruel and crazed experiments, and, finally, his mysterious disappearance. The second part is Black’s magnum opus: The Codex Extinct Animalia, a Gray’s Anatomy for mythological beasts, all rendered in meticulously detailed anatomical illustrations.

Winner of the Carnegie Medal for Excellence Finalist for the Young Lions Fiction Award A Chinese American assassin sets out to rescue his kidnapped wife and exact revenge on her abductors in this New York Times Book Review Editors' Choice: a twist on the classic western from "an astonishing new voice" (Jonathan Lethem). Orphaned young, Ming Tsu, the son of Chinese immigrants, is raised by the notorious leader of a California crime syndicate, who trains him to be his deadly enforcer. But when Ming falls in love with Ada, the daughter of a powerful railroad magnate, and the two elope, he seizes the opportunity to escape to a different life. Soon after, in a violent raid, the tycoon's henchmen kidnap Ada and conscript Ming into service for the Central Pacific Railroad. Battered, heartbroken, and yet defiant, Ming partners with a blind clairvoyant known only as the prophet. Together the two set out to rescue his wife and to exact revenge on the men who destroyed Ming, aided by a troupe of magic-show performers, some with supernatural powers, whom they meet on the journey. Ming blazes his way across the West, settling old scores with a single-minded devotion that culminates in an explosive and unexpected finale. Written with the violent ardor of Cormac McCarthy and the otherworldly inventiveness of Ted Chiang, The Thousand Crimes of Ming Tsu is at once a thriller, a romance, and a story of one man's quest for redemption in the face of a distinctly American brutality. "In Tom Lin's novel, the atmosphere of Cormac McCarthy's West, or that of the Coen Brothers' True Grit, gives way to the phantasmagorical shades of Ray Bradbury, Charles Finney's The Circus of Dr. Lao, and Katherine Dunn's Geek Love. Yet The Thousand Crimes of Ming Tsu has a velocity and perspective all its own, and is a fierce new version of the Westward Dream." —Jonathan Lethem, author of Motherless Brooklyn

Abalone, Arizona, is a sleepy southwestern town whose chief concerns are boredom and surviving the Great Depression. That is, until the circus of Dr. Lao arrives and immensely and irrevocably changes the lives of everyone drawn to its tents. Expecting a sideshow spectacle, the citizens of Abalone instead confront and learn profound lessons from the mythical made real--a chimera, a Medusa, a talking sphinx, a sea serpent, witches, the Hound of the Hedges, a werewolf, a mermaid, an ancient god, and the elusive, ever-changing Dr. Lao. The circus unfolds, spinning magical, dark strands that ensnare the town's populace: the sea serpent's tale shatters love's illusions; the fortune-teller's shocking pronouncements toll the tedium and secret dread of every person's life; sensual undercurrents pour forth for men and women alike; and the dead walk again. Dazzling and macabre, literary and philosophical, The Circus of Dr. Lao has been acclaimed as a masterpiece of speculative fiction and influenced such writers as Ray Bradbury. This Bison Frontiers of Imagination edition features a new introduction by noted fantasy writer John Marco and striking illustrations by Boris Artzybasheff from the first edition.

The latest offering by acclaimed Mexican writer David Toscana is a whimsical and dark tale about a group of circus performers who, disillusioned with their lives as traveling entertainers, are seduced by the idea of settling down and living like ordinary people. Our Lady of the Circus begins with the once formidable circus of the Mantecón Brothers breaking apart, resulting in one brother taking with him the best of the group. Left behind is brother Don Alejo, who tries to rally the remaining troupe of eight stragglers and a pig. Together they stumble upon an abandoned town, where the demoralized performers seize the opportunity to start over and christen it Santa María del Circo. What ensues is an absurd and tragic look at the misfits' struggle to create new lives for themselves. Through these desperate characters, Toscana skillfully reveals the many defects of humanity and the individual's desire for self-realization, and, in so doing, creates a touching metaphor for the human condition.