The Cinema of Britain and Ireland

The Cinema of Britain and Ireland
Title The Cinema of Britain and Ireland PDF eBook
Author Brian McFarlane
Publisher Wallflower Press
Pages 310
Release 2005
Genre Art
ISBN 9781904764380

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A fresh, concise but wide-ranging introduction to and overview of British and Irish cinema, this volume contains 24 essays, each on a separate seminal film from the region. Films under discussion include 'Pink String and Sealing Wax', 'Room at the Top', 'The Italian Job', 'Orlando', and 'Sweet Sixteen'.

The Cinema of Britain and Ireland

The Cinema of Britain and Ireland
Title The Cinema of Britain and Ireland PDF eBook
Author Brian McFarlane
Publisher Wallflower Press
Pages 312
Release 2005
Genre Motion pictures
ISBN

Download The Cinema of Britain and Ireland Book in PDF, Epub and Kindle

A fresh, concise but wide-ranging introduction to and overview of British and Irish cinema, this volume contains 24 essays, each on a separate seminal film from the region. Films under discussion include 'Pink String and Sealing Wax', 'Room at the Top', 'The Italian Job', 'Orlando', and 'Sweet Sixteen'.

A Companion to British and Irish Cinema

A Companion to British and Irish Cinema
Title A Companion to British and Irish Cinema PDF eBook
Author John Hill
Publisher John Wiley & Sons
Pages 605
Release 2019-07-18
Genre Performing Arts
ISBN 1118477510

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A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.

Contemporary British and Irish Film Directors

Contemporary British and Irish Film Directors
Title Contemporary British and Irish Film Directors PDF eBook
Author Yoram Allon
Publisher Wallflower Press
Pages 422
Release 2001
Genre Performing Arts
ISBN 9781903364215

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The guide encompasses the careers of over 350 directors from the last 20 years. A must for any film studies library, it is a unique reference to the changing dynamics of these cinemas.

Irish Film

Irish Film
Title Irish Film PDF eBook
Author Martin McLoone
Publisher Bloomsbury Publishing
Pages 361
Release 2019-07-25
Genre Performing Arts
ISBN 1838716424

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This is an exploration of the representation of Ireland and the Irish in British and US cinemas, as well as Irish-made films. The book offers readings of a wide range of key films such as The Butcher Boy (1997), Patriot Games (1992) and Angela's Ashes (1999). It discusses the full range of Irish cinematic productions from the low-budget work of Comerford and Breathnach, to the bigger Hollywood productions like Ron Howard's Far and Away (1992), and looks at the 'second' cinema of directors such as Neil Jordan and Jim Sheridan where medium-sized budgets allow for greater creative control in Ireland. Feeding into wider debates about national and cultural identity, post-national cinema and the role of the state, the book provides an overview of how a relatively small film culture such as Ireland's can live successfully in the shadow of Hollywood.

Cinema and Ireland

Cinema and Ireland
Title Cinema and Ireland PDF eBook
Author Kevin Rockett
Publisher Routledge
Pages 303
Release 2014-01-21
Genre Performing Arts
ISBN 1317928571

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This was the first comprehensive study of film production in Ireland from the silent period to the present day, and of representations of Ireland and ‘Irishness’ in native, British, and American films. It remains an authority on the topic. The book focuses on Irish history and politics to examine the context and significance of such films as Irish Destiny, The Quiet Man, Ryan’s Daughter, Man of Aran, Cal, The Courier, and The Dead.

The Last Bohemian

The Last Bohemian
Title The Last Bohemian PDF eBook
Author Lance Pettitt
Publisher Syracuse University Press
Pages 360
Release 2023-06-12
Genre Performing Arts
ISBN 0815655304

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The Last Bohemian offers the first extended, critical evaluation of all of Brian Desmond Hurst’s films, reappraising the reputation of a director who was born in 1895 in Belfast and died in Belgravia, London, in 1986. Pettitt skillfully weaves together film analyses, biography, and cultural history with the aim of bringing greater attention to Hurst’s qualities as a director and exploring his significance within Irish film and British cinema history between the 1930s and the 1960s. The director of Dangerous Moonlight (1941), Theirs Is the Glory (1946), and his best-known Scrooge (1951) made most of his films for British studios but developed an exile’s attachment to Ireland. How in the early twenty-first century has Hurst’s career been reclaimed and recognized, and by whom? Why in 2012 was Hurst’s name given to one of the new Titanic Studios in Belfast? What were his qualities as a filmmaker? To whose national cinema history, if any, does Hurst belong? Richly illustrated with film stills and other visual material from public archives, The Last Bohemian addresses these questions and in doing so makes a significant contribution to British and Irish cinema studies.