At ten-thirty in the morning the skies over London were clear. Then an arrow formation of five bright points became visible. They appeared to be moving at an amazing speed in tight circles. They were spiralling down to about five thousand feet, and at that altitude their nature was easily discernable. They were the tings most of us had discussed and dismissed at one time o another. Flying Saucers. Giant saucers, smooth and lustrous and blinding, more than a hundred yards in diameter. They hung over the city in a neat formation.

What happened on Judgement Day? Do we have Martian ancestors? Will we blow up the world? In this collection of his best SF stories, Edmund Cooper gives his own inimitably entertaining answers to these and other such intriguing questions. From The Death Watch to The Brain Child, Cooper 'considers possible scenarios'. Sometimes he is serious, sometimes satirical. Sometimes he is uncomfortably close to the truth.

Time travel is incredibly dangerous. Building a time machine is surprisingly simple. In 2015 Tony Carpenter stumbled upon the plans for the Chronocar, a time machine conceived before it could be built by Dr. Simmie Johnson, genius, scientist, and son of a slave. Tony's visit to 1919 to see the doctor and his lovely daughter Ollie turned into disaster, forcing the doctor to make a most difficult final decision.Now the timeline has worked its way back to 2012. A new Tony Carpenter is about to be hit by a real blast from the past when he chances upon Dr. Johnson's granddaughter, who has a story he can hardly believe and evidence of a journey to the past he can't deny. When Tony shows up in 1919 yet again, Dr. Johnson is confronted with the possibility of his invention ultimately obliterating all of creation. Can they locate and destroy all the copies of the journal with his article and any Chronocars that may exist before everything literally goes to hell?"With relatable characters and a clever storyline, it is a fascinating novel that will thrill science fiction fans who relish stories that travel back in time."-- Susan Sewell for Readers' Favorite

A PROGRAMMED SUBSERVIENCE FUTURE ... OR WORSE? Matty Williams's retirement as a computer tech goes awry when he and his girlfriend Divvie discover that new social technologies are subtly affecting the minds of their users. As they delve deeper into the technological marvels revolutionizing the lives of virtually everyone on the planet, they are set on a course that leads directly back to their employer, Roydon Technologies. Now there's the latest gadget, augmented reality glasses known as "Augies," that can literally recreate reality for the user, all controlled by the ruthlessly efficient global computer system with the deceptively reassuring name of NANA. Will Matty, Divvie, and their super geek friend, Howard, save humanity from a life of programmed subservience, or will their attempt to thwart NANA result in something even worse?

Imagine being born the son of a slave with the mind of a genius. That was Simmie Johnson in the years following the Civil War. After a perilous escape from lynch mobs in Mississippi, he manages to earn a PhD in physics at Tuskegee, and in his research discovers the secret of time travel. He develops a design for a time machine called a Chronocar, but the technology required to make it work does not yet exist.Fast forward 125 years. A young African American Illinois Tech student in Chicago finds Dr. Johnson's plans and builds a Chronocar. He goes back to the year 1919 to meet the doctor and his beautiful daughter, Ollie, who live in Chicago's Black Belt, now known as Bronzeville. But he has chosen an unfortunate time in the past and becomes involved in the bloodiest race riot in Chicago's history. 2015 Black Science Fiction Society Book of the Month2018 Best Indie Book Literary Award, Science Fiction Category2019 Readers' Favorite Gold Medal Winner

"Even before they joined forces, Richard Rodgers and Oscar Hammerstein II had written dozens of Broadway shows, but together they pioneered a new art form: the serious musical play. Their songs and dance numbers served to advance the drama and reveal character, a sharp break from the past and the template on which all future musicals would be built. [This is a portrait of that creative partnership]"--Amazon.com