Finally, under one cover, the very best of traditional choruses together with the very best of contemporary worship songs!

CHORUS is the anthem of a new generation of poets unified by the desire to transcend the identity politics of the day and begin to be seen as one. One hundred voices woven through testimony and new testament. It is the cry of the unheard. The occupation of the page itself. It embodies the “speak-up” spirit of the moment, the confidence propagated through hip-hop, and the defiant “WTF?” of the now. It is the voice that comes after the rebellious voice that once cried, “I want my MTV!” branded back to where punk was, slammed up and beyond it. A combination of trash, heart, and craft. An anthology in rant. CHORUS is what all modern-day losers chant.

Horace and Morris, but mostly Dolores, are back again for another uproarious adventure. When the three best friends decide to try out for the school chorus together, they're shocked when Dolores (who can only sing notes that no one has ever heard before) is the only one who doesn't make the cut. After all, they've always done everything together. Once Horace and Morris start chorus practice, they're so busy that they don't have time to go exploring or climb trees with Dolores anymore. Feeling left out and alone, Dolores decides to take matters into her own hands. But can she prove to Moustro Provolone that there's a place for every kind of voice in the chorus?

The result is at once an oblique evocation of prison life, a celebration of literature and art, and a tribute to the endurance of the human spirit." "Originally published in 1976, A Voice from the Chorus is now available with a new preface from the author."--BOOK JACKET.

A taut, page-turning novel of secrets and strife. When two families--one rich, one not--vacation together off the coast of South Carolina, little do they know that someone won't be returning home. Fripp Island, South Carolina is the perfect destination for the wealthy Daly family: Lisa, Scott, and their two girls. For Lisa's childhood friend, Poppy Ford, the resort island is a world away from the one she and Lisa grew up in--and when Lisa invites Poppy's family to join them, how can a working-class woman turn down an all-expenses paid vacation for her husband and children? But everyone brings secrets to the island, distorting what should be a convivial, relaxing summer on the beach. Lisa sees danger everywhere--the local handyman can't be allowed near the children, and Lisa suspects Scott is fixated on something, or someone, else. Poppy watches over her husband John and his routines with a sharp eye. It's a summer of change for all of the children: Ryan Ford who prepares for college in the fall, Rae Daly who seethes on the brink of adulthood, and the two youngest, Kimmy Daly and Alex Ford, who are exposed to new ideas and different ways of life as they forge a friendship of their own. Those who return from this vacation will spend the rest of their lives trying to process what they witnessed, the tipping points, moments of violence and tenderness, and the memory of whom they left behind.

Finally, under one cover, the very best of traditional choruses together with the very best of contemporary worship songs in a words-only edition!

The Chorus of Drama in the Fourth Century BCE seeks to upend conventional thinking about the development of drama from the fifth to the fourth centuries and to provide a new way of talking and thinking about the choruses of drama after the deaths of Euripides and Sophocles. Set in the contextof a theatre industry extending far beyond the confines of the City Dionysia and the city of Athens, the identity of choral performers and the significance of their contribution to the shape and meaning of drama in the later Classical period (c.400-323) as a whole is an intriguing and under-exploredarea of enquiry. This volume draws together the fourth-century historical, material, dramatic, literary, and philosophical sources that attest to the activity and quality of dramatic choruses and, having considered the positive evidence for dramatic choral activity, provides a radical rethinking oftwo oft-cited yet ill-understood phenomena that have traditionally supported the idea that the chorus of drama "declined" in the fourth century: the inscription of CHoroy~ me'los in papyri and manuscripts in place of fully written-out choral odes, and Aristotle's invocation of embolima (Poetics1456a25-32). It also explores the important role of influential fourth-century authors such as Plato, Demosthenes, and Xenophon, as well as artistic representations of choruses on fourth-century monuments, in shaping later scholars' understanding of the dramatic chorus throughout the Classicalperiod, reaching conclusions that have significant implications for the broader story we wish to tell about Attic drama and its most enigmatic and fundamental element, the chorus.