Magnificent reproduction of 1788 folio of Hepplewhite furnishings. Classic, highly valued work depicts chairs, stools, sofas, sideboards, beds, pedestals, desks, bookcases, tables, chests of drawers, wardrobes, fire screens, and many other items. 128 plates.

Chairs of the Queen Anne and Chippendale period (1730-1795), really one continuous development without a break, have been chosen since this form shows the many facets of a gradual development, is easily handled, and is available in quantity. In order not to prejudge where the chairs were made, they were first grouped solely according to similar means of construction and design. Only after groups of like objects were formed was attention paid to their histories, labels, and similar documentation, Happily, when analyzed, enough of this secondary information was found associated with each group to provide the knowledge as to where they originated. -- pg. 4.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

- British Furniture 1820 to 1920 - The Luxury Market is the major work in its field, a stunning achievement and a landmark publication - The first book to properly assess the work of British Furniture makers through the 19th century, among them great names such as Gillows, Maples, Hollands and Morris & Co - In over 600 pages, all lavishly illustrated, the author creates the new and definitive work on this subject - Christopher Payne, a former director of Sotheby's, is an independent furniture historian and well-known author who has appeared on the BBC Antiques Roadshow - for over 30 years British Furniture 1820 to 1920 is the first book on the subject for several decades and the only book ever published to span the century from 1820 through to 1920. It creates a continuum to underline the importance of the late Recency style favoured by George IV, moving through to the first two decades of the 20th century, with a host of ever-changing styles and fashions. Payne illustrates the importance of the revival styles and copies: a fundamental part of the furniture trade that has often previously been ignored. Many of the makers' names are familiar to furniture collectors, such as Gillows, Hollands, Collinson & Lock, Morris & Co. and Maples. However, the importance of others, such as Baldock, Blake, Trollope, Hindley & Wilkinson, Hamptons or Lenygon & Morant - as well as a host of provincial makers - is explained. British Furniture 1820 to 1920 - The Luxury Market is a landmark publication and arguably the first book to properly assess British furniture design through the whole of the Victorian era. It goes further than any book has attempted before by filling in important research particular for the latter half of the century. It shows that what is often termed simply, and once pejoratively, as 'Victorian' is often of an earlier date, commencing in the revered Regency period of the 1820s. Christopher Payne considers each decade, adding important new research and building a huge archive of text and images. The book contains in excess of 1000 color photographs and also an important compendium of makers names and details.

This book describes the technical and stylistic development of English furniture in the early Georgian era

In this lavishly illustrated, wide-ranging volume, expert marqueteur Jack Metcalfe give fascinating insights into all aspects of 18th century marquetry, gained from close first-hand examination of Chippendale's original pieces. Using his 'insider's' knowledge and skills as a practitioner, he investigates the materials, dyes, tools and techniques used to create Chippendale's polychromatic pieces. With its lively, engaging narrative, and packed full of over 700 colour images, this book is essential reading for marqueteurs, cabinet makers, dyers, furniture historians and anyone interested in the work of Britain's supreme furniture maker, Thomas Chippendale. Separate chapters cover: Materials and tools used in Chippendale's time Techniques of 18th century marquetry Dyes and dyeing techniques, including the scientific analysis of dyes used on Chippendale's furniture Detailed step-by-step descriptions of the construction of three replica pieces by the author A detailed illustrated gallery of all the known marquetry commissions made by Thomas Chippendale. With over 20 years' experience as a marqueteur, Jack Metcalfe has devoted himself to uncovering and mastering the techniques of marquetry as practised by Chippendale's skilled artisans in the eighteenth century. Using equipment, materials, dyes and techniques as close to the original as possible, Jack has created striking replicas of marquetry panels from Chippendale furniture, including the famous Diana and Minerva Commode. His careful research into the use of dyes, including ground-breaking scientific analysis of coloured veneers used, has enabled him to reveal the often startlingly fresh colours that Chippendale's furniture would have displayed when first constructed.