Presents three brief, related stories designed to introduce the meaning and origin of the characters for 30 Chinese words. The characters themselves form part of the illustrations.

Catalog of the first exhibition to consider the remarkable endurance and symbolic resonance of the horse in Chinese art, history, and philosophy. It features almost 30 works, including 13 sculptures from the Han-Tang dynasties, and hand scrolls, hanging scrolls, and album leaves from the Tang-Qing dynasties. By examining the tremendous range of equine depictions in Chinese art, it reveals the horse as an exceptionally fluid and potent means for the continual construction and reconstruction of Chinese identity, a figure of enduring fascination and value given its usefulness -- both real and symbolic -- to humankind.

The bestselling Journey to the West comic book by artist Chang Boon Kiat is now back in a brand new fully coloured edition. Journey to the West is one of the greatest classics in Chinese literature. It tells the epic tale of the monk Xuanzang who journeys to the West in search of the Buddhist sutras with his disciples, Sun Wukong, Sandy and Pigsy. Along the way, Xuanzang's life was threatened by the diabolical White Bone Spirit, the menacing Red Child and his fearsome parents and, a host of evil spirits who sought to devour Xuanzang's flesh to attain immortality. Bear witness to the formidable Sun Wukong's (Monkey God) prowess as he takes them on, using his Fiery Eyes, Golden Cudgel, Somersault Cloud, and quick wits! Be prepared for a galloping read that will leave you breathless!

Twelve colorful magical horses need riders. It was a toy, a teaching device and a tool for dire times. Which one would you ride? 12 Things to Remember book introduces the 12 horses. Each horse has a real Chinese word for a name. If a kid learns the names and personality of each horse they have learned a Chinese word. It is for everyone who is interested in learning a little bit about Chinese language and culture. *For kids who are too young to read, it is to be treated like a picture book with the parents describing the artwork to them. The reading level of all 4 books is 3-4 grade and up. When kids reach 3-4 grade, the stories they read have less and less artwork as they are supposed to be able to have strong imaginations. That is a problem for those with weak vocabulary. People who struggle with language rely on visuals to help them understand what words mean. It is also to get kids who do not like to read, to read about the interesting artwork they are looking at.

"DeFrancis's book is first rate. It entertains. It teaches. It demystifies. It counteracts popular ignorance as well as sophisticated (cocktail party) ignorance. Who could ask for anything more? There is no other book like it. ... It is one of a kind, a first, and I would not only buy it but I would recommend it to friends and colleagues, many of whom are visiting China now and are adding 'two-week-expert' ignorance to the two kinds that existed before. This is a book for everyone." --Joshua A. Fishman, research professor of social sciences, Yeshiva University, New York "Professor De Francis has produced a work of great effectiveness that should appeal to a wide-ranging audience. It is at once instructive and entertaining. While being delighted by the flair of his novel approach, the reader will also be led to ponder on some of the most fundamental problems concerning the relations between written languages and spoken languages. Specifically, he will be served a variety of information on the languages of East Asia, not as dry pedantic facts, but as appealing tidbits that whet the intellectual appetite. The expert will find much to reflect on in this book, for Professor DeFrancis takes nothing for granted." --William S.Y. Wang, professor of linguistics, University of California at Berkeley