The Chicago Literary Experience is a concise literary history of the city of Chicago. Taking as its thematic starting point the city's famous World's Columbian Exposition of 1893, the book provides an account of the city's rapid and in many ways unprecedented development from trading post to metropolis, and examines the many literary responses to this new urban environment. By contextualizing literature written about the city in these formative years, the book shows not only how the city influenced its writers, but also how these writers struggled to transform their urban environment into literary forms. Covering such aspect as the emergence of the novel of the businessman as cultural hero, the humorous newspaper columns of the late nineteenth century, and the Depression-era revitalization of Chicago literature from its ethnic neighborhoods, the book moves beyond the obvious "classics" and rediscovers a vibrant literary tradition that restores almost-forgotten writers such as Eugene Field and Floyd Dell to their place in American literary history. Given the historical approach and the breadth of material covered, the book will be valuable to anyone wanting to understand how American literature in this defining period moved from the farm to the city-and what happened to it once it had arrived. Authors discussed include Jane Addams, George Ade, Nelson Algren, Sherwood Anderson, Saul Bellow, Gwendolyn Brooks, Willa Cather, Floyd Dell, Theodore Dreiser, James T. Farrell, Eugene Field, Henry B. Fuller, Hamlin Garland, Robert Herrick, Jack London, Frank Norris, Carl Sandburg, Upton Sinclair and Richard Wright. Frederik Byrn Køhlert is a doctoral student at the University of Montreal. He has an MA in English from the University of Oregon and an MA in English and Scandinavian Literature from the University of Aarhus, Denmark.

Chicago occupies a central position in both the geography and literary history of the United States. From its founding in 1833 through to its modern incarnation, the city has served as both a thoroughfare for the nation's goods and a crossroads for its cultural energies. The idea of Chicago as a crossroads of modern America is what guides this literary history, which traces how writers have responded to a rapidly changing urban environment and labored to make sense of its place in - and implications for - the larger whole. In writing that engages with the world's first skyscrapers and elevated railroads, extreme economic and racial inequality, a growing middle class, ethnic and multiethnic neighborhoods, the Great Migration of African Americans, and the city's contemporary incarnation as a cosmopolitan urban center, Chicago has been home to a diverse literature that has both captured and guided the themes of modern America.

A fascinating history of Chicago’s innovative and invaluable contributions to American literature and art from the late nineteenth to the mid-twentieth century This remarkable cultural history celebrates the great Midwestern city of Chicago for its centrality to the modernist movement. Author Liesl Olson traces Chicago’s cultural development from the 1893 World’s Fair through mid-century, illuminating how Chicago writers revolutionized literary forms during the first half of the twentieth century, a period of sweeping aesthetic transformations all over the world. From Harriet Monroe, Carl Sandburg, and Ernest Hemingway to Richard Wright and Gwendolyn Brooks, Olson’s enthralling study bridges the gap between two distinct and equally vital Chicago-based artistic “renaissance” moments: the primarily white renaissance of the early teens, and the creative ferment of Bronzeville. Stories of the famous and iconoclastic are interwoven with accounts of lesser-known yet influential figures in Chicago, many of whom were women. Olson argues for the importance of Chicago’s editors, bookstore owners, tastemakers, and ordinary citizens who helped nurture Chicago’s unique culture of artistic experimentation. Cover art by Lincoln Schatz

How do poems and novels create a sense of mind? What does literary criticism say in conversation with other disciplines that addresses problems of consciousness? In Paper Minds, Jonathan Kramnick takes up these vital questions, exploring the relations between mind and environment, the literary forms that uncover such associations, and the various fields of study that work to illuminate them. Opening with a discussion of how literary scholarship’s particular methods can both complement and remain in tension with corresponding methods particular to the sciences, Paper Minds then turns to a series of sharply defined case studies. Ranging from eighteenth-century poetry and haptic theories of vision, to fiction and contemporary problems of consciousness, to landscapes in which all matter is sentient, to cognitive science and the rise of the novel, Kramnick’s essays are united by a central thematic authority. This unified approach of these essays shows us what distinctive knowledge that literary texts and literary criticism can contribute to discussions of perceptual consciousness, created and natural environments, and skilled engagements with the world.

This book is a comprehensive guide to scientific communication that has been used widely in courses and workshops as well as by individual scientists and other professionals since its first publication in 2002. This revision accounts for the many ways in which the globalization of research and the changing media landscape have altered scientific communication over the past decade. With an increased focus throughout on how research is communicated in industry, government, and non-profit centers as well as in academia, it now covers such topics as the opportunities and perils of online publishing, the need for translation skills, and the communication of scientific findings to the broader world, both directly through speaking and writing and through the filter of traditional and social media. It also offers advice for those whose research concerns controversial issues, such as climate change and emerging viruses, in which clear and accurate communication is especially critical to the scientific community and the wider world.

This book argues that political democracy has not fulfilled its promise and that we should therefore re-examine literature's long conservative hostility to it. It offers new accounts of the ethos of refusing political democracy, as well as innovative readings of writers including Tocqueville, Disraeli, George Eliot, E.M. Forster and Saul Bellow.